‘C’mon C’mon’ Film Review: Joaquin Phoenix Explores His Paternal Side in Humane Mike Mills Dramedy

“Sex Education” in part thanks to his teen daughters. “I originally started watching it with my children,” Isaacs, 58, told the Post from his home in London, where he lives with his 16 and 19 year old daughters and his wife, filmmaker Emma Hewitt. “That quickly took a sharp left turn, because nobody wants to watch this with their children,” he said, referring to the show’s frequently raunchy scenes. “But I’m a huge fan.

Twitter, then it will have done its job, but even lifelong fans are likely to come away from “Don’t Make Me Over” with new information about, or at least deeper respect for, her career.She recounts her own life story, from growing up in New Jersey, singing publicly for the first time at the age of six (in her grandfather’s church) and watching her aunt Cissy Houston — who lived with the Warwicks; Dionne describes her as being more of a big sister — achieve success with the gospel combo the

biwa player, and keeps oral traditions alive through the power of music.Meanwhile, a young cursed boy — who has no name, but will come to be called Inu-oh (voiced by Avu-chan, lead singer of the fashion punk band Queen Bee) — has been living like an animal on the outskirts of society.

Joaquin Phoenix and Gaby Hoffmann get the black-and-white treatment in “C’mon C’mon”.

Ethan Shanfeld A24 released a trailer for “C’mon C’mon,” which premiered at the Telluride Film Festival and will open in theaters later this year.Helmed by Mike Mills, the Oscar-winning director behind “20th Century Women,” the films stars Joaquin Phoenix as Johnny, a middle-aged radio journalist who, when left to take care of his nephew (Woody Norman), embarks on a trip across the country to interview kids, asking them what they think about their lives and where the world is headed.Rounding

Five years have passed since Mike Mills‘ last film, “20th Century Women,” had its world premiere at the 2016 New York Film Festival. Mills returns this year with his new movie, “C’mon C’mon,” and given its lead actor, it’s bound to be one of the most anticipated films at NYFF this year.

review of the film at Telluride last week, described it as an “intergenerational dialogue turned heartening dramedy” in which the adult characters are as lost as their younger counterparts and in which the future generation retains a bit of hopefulness despite the bleak future today’s adults have left them with. The first trailer gives a taste of that melancholy dialogue, but more prominently the crisp and beautiful black and white cinematography from “Marriage Story” DP Robbie Ryan.

Michael Jackson released Bad. The song was the second single from his 1987 album of the same name and was a massive success.

Clayton Davis If there’s a film that screened in the mountains at the Telluride Film Festival, and grew legs with attendees, it was Mike Mills’ “C’mon C’mon” starring Joaquin Phoenix, Gaby Hoffmann and Woody Norman. The A24 feature debuted at the famous Chuck Jones theater on the fest’s opening day, which has become a bit of a good luck charm since movies like “Lady Bird” (2017) and the best picture-winning “Moonlight” (2016) played in that coveted slot.

Janet Jackson has announced the release of a self-titled, four-hour documentary set to air next year. 

has happened – would be some kind of spoiler. But it would be a stretch to tell you to relax, that all will be revealed, because it won’t, not everything.

K.J.

R.E.M.’s Michael Stipe and Mike Mills have urged Georgians to get vaccinated in a series of new public health announcements.The duo recently recorded the campaigns in their native Athens, Georgia, as the US battles increases in the Delta COVID-19 variant.In one of his recorded announcements, Stipe says: “there is something we can do to keep our friends and loved ones healthy.

Peter Debruge Chief Film CriticIf filmmaker Miranda July hadn’t gotten there first, “The Future” would have made a fine title for fellow director (and husband) Mike Mills’ latest feature, “C’mon C’mon,” a small, soft-spoken yet casually profound family drama in which a subdued, post-“Joker” Joaquin Phoenix plays a middle-aged radio journalist who travels the country interviewing kids, asking what they think about their lives and where the world is headed.It shouldn’t really surprise that the

Having already excavated his personal experiences to tell intimate, insightful, and emotionally translucent stories about fathers and sons (“Beginners”), matriarchs raising boys (“20th Century Women”), and the way we’re all amateurs fumbling through life, sensitively attuned writer/director Mike Mills turns his tender filmmaking gaze towards children and the adult/child relationship in his latest film, the sublime “Cmon Cmon.” It’s yet another perceptive, impeccably crafted winner in an informal

Emilia Clarke and Jason Momoa know how to have a good time when they’re together.