‘C’Mon C’Mon’ Trailer: Joaquin Phoenix Tears Up Reading a Kids Book in Mike Mills Drama (Video)

Coming off the success of “Zola” and “The Green Knight,” A24 has officially set theatrical release dates in late 2021 for two upcoming dramas and awards contenders, Mike Mills‘ “C’mon C’mon” and Sean Baker‘s “Red Rocket.” READ MORE: ‘C’mon C’mon’: Joaquin Phoenix Shines & Empathy Flows In Mike Mills’ Sublime, Micro-Traumatic Family Drama [Telluride Review] Deadline has revealed that “C’mon C’mon,” starring Oscar-winner Joaquin Phoenix, will be released on November 19, while Baker’s next pic,

EXCLUSIVE: Deadline has just heard that A24 had set theatrical release dates for their fall film festival critically acclaimed titles, C’mon C’mon from Mike Mills on Nov. 19, and Sean Baker’s Red Rocket on Dec. 3.

Avengers Endgame, have read the Guardians of the Galaxy Vol 3 script and shared their reaction. Speaking with Yahoo, Gillan said: "We read it in the same room together, and then looked at each other and we were in floods of tears.

NEW YORK -- Not everyone who works for a big company gets face time with their so-called big boss. Former child star Hayley Mills, whose most memorable roles include the happy-go-lucky orphan in “Pollyanna” and as both savvy twins hoping to mend their family in “The Parent Trap,” called the filmmaking icon Walt Disney her boss for seven years when she was under contract with the studio.“He was very present,” recalled Mills, now 75, from her home in London.

Everyone speaks in the same struggling-to-be-sensitive manner in C’mon C’mon, a film of intelligence and insight that nonetheless remains a low-key and sometimes frustrating study of big city short-fallers.

Joaquin Phoenix stars in the upcoming film C’mon, C’mon, and the trailer is here!

Joaquin Phoenix and Gaby Hoffmann get the black-and-white treatment in “C’mon C’mon”.

From “Anchorman” to “The Big Short,” director Adam McKay loves to make incisive comedies that boast big ensemble casts.

Ethan Shanfeld A24 released a trailer for “C’mon C’mon,” which premiered at the Telluride Film Festival and will open in theaters later this year.Helmed by Mike Mills, the Oscar-winning director behind “20th Century Women,” the films stars Joaquin Phoenix as Johnny, a middle-aged radio journalist who, when left to take care of his nephew (Woody Norman), embarks on a trip across the country to interview kids, asking them what they think about their lives and where the world is headed.Rounding

Five years have passed since Mike Mills‘ last film, “20th Century Women,” had its world premiere at the 2016 New York Film Festival. Mills returns this year with his new movie, “C’mon C’mon,” and given its lead actor, it’s bound to be one of the most anticipated films at NYFF this year.

Clayton Davis If there’s a film that screened in the mountains at the Telluride Film Festival, and grew legs with attendees, it was Mike Mills’ “C’mon C’mon” starring Joaquin Phoenix, Gaby Hoffmann and Woody Norman. The A24 feature debuted at the famous Chuck Jones theater on the fest’s opening day, which has become a bit of a good luck charm since movies like “Lady Bird” (2017) and the best picture-winning “Moonlight” (2016) played in that coveted slot.

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R.E.M.’s Michael Stipe and Mike Mills have urged Georgians to get vaccinated in a series of new public health announcements.The duo recently recorded the campaigns in their native Athens, Georgia, as the US battles increases in the Delta COVID-19 variant.In one of his recorded announcements, Stipe says: “there is something we can do to keep our friends and loved ones healthy.

Peter Debruge Chief Film CriticIf filmmaker Miranda July hadn’t gotten there first, “The Future” would have made a fine title for fellow director (and husband) Mike Mills’ latest feature, “C’mon C’mon,” a small, soft-spoken yet casually profound family drama in which a subdued, post-“Joker” Joaquin Phoenix plays a middle-aged radio journalist who travels the country interviewing kids, asking what they think about their lives and where the world is headed.It shouldn’t really surprise that the

th Century Women” and “Beginners,” but now there’s the formal melancholy of black-and-white cinematography (by Robbie Ryan, “Marriage Story”) and the story of a minor and his impromptu guardian.For this psychologically textured effort, Mills careens with the tale of a 9-year-old boy with a hyperactive mind, his burdened mother, and his uncle-turned–temporary putative father.