Indonesia Launches Funding Scheme For International Co-Productions

Here Lies Love,” advertising a score by David Byrne and Fatboy Slim and direction by the ground-breaking Tony winner Alex Timbers. The show’s logo is superimposed over a mirror ball, literally reflecting the production’s highly unusual immersive nightclub setting, a semi-ironic counterpoint to a sobering story about the rise and fall of fascistic Filipino power couple Ferdinand and Imelda Marcos in the ‘60s, ‘70s and ‘80s. The tag line above that disco totem: “The Revolutionary Music Experience.” It’s a revolution that the union representing Broadway musicians would like to stop in its tracks, at least in its current form. And with the show set to open for previews in less than two weeks, the production and the Local 802 of the American Federation of Musicians remain at loggerheads about how “Here Lies Love” will, or should, proceed.

Patrick Frater Asia Bureau Chief Indonesia’s largest cinema chain Cinema XXI could be heading to the stock market through an IPO by early next year. Early details were reported by the Nikkei newspaper citing its finance industry partner publication Dealstreet Asia. They said that the company may seek to raise $300 million of fresh capital. Last year, financial news service Bloomberg said that Cinema XXI ‘s owners were seeking to raise $500 million-$1 billion through an IPO. The reasons for the large discrepancy are unclear. The company holds a 60% market share of Indonesia’s cinema exhibition industry and, as of December 2022, operated 225 cinema venues with a total of 1,217 screens.

Pubcaster KCET landed 24 nominations to lead the field vying for the 75th Los Angeles Area Emmy Awards, the Television Academy revealed today, with Spanish-language station KVEA next at 20.

ATEEZ have announced new concert dates for their ‘The Fellowship: Break The Wall’ world tour – get the full list of cities and dates below.The eight-member group announced on social media that they would be bringing their third world tour, ’The Fellowship: Break The Wall’, to Asia and Latin America later this year from July to September.The upcoming Asia leg will kick off in Taipei, Taiwan on July 8, with stops in Hong Kong and Bangkok in the following month. After which, the boyband will play three shows in Latin America in late-August and early-September.ATEEZ will return to Asia for concerts in Singapore and Manila in mid-September.

Wim Wenders’ Tokyo-based Cannes Competition title Perfect Days has clocked a series of international deals for The Match Factory.

Shanghai International Film Festival (SIFF) has unveiled the major competition selections for its 25th edition (June 9-18), which will be the first to be held in a fully physical format with international guests since before the pandemic. 

Anthony Ramos and Dominque Fishback share a few laughs together during the Transformers: Rise of the Beasts photocall held at Gardens by the Bay on Friday (May 26) in Singapore.

Anthony Chen’s well-regarded Mainland China-set “The Breaking Ice” has found favor with multiple European and Asian buyers in the few days since its Sunday premiere as part of the Cannes Film Festival’s Un Certain Regard. The film narrates a love triangle story among China’s lost youth generation and is set in the middle of winter in Yanji, a town that is heavily populated by ethnic Koreans. It is headlined by a star-studded Chinese cast of Zhou Dongyu (“Better Days”), Liu Haoran (“Detective Chinatown” franchise) and Qu Chuxiao (“The Wandering Earth”). “The Breaking Ice” has been newly licensed to Challan for release in South Korea, Trigon-Film for Switzerland, One From the Heart for Greece, Tucker Film for Italy and Edko Films for Hong Kong.Rights sales are handled by Rediance, Mainland China’s leading indie sales company, which reports that addition territory deals are currently being negotiated.

Patrick Frater Asia Bureau Chief Magic Fair, a Miami-Paris based indie sales company and Hong Kong- and Paris-based All Rights Entertainment have launched rights sales on upcoming feature animation “Pigsy,” directed by Chiu Li-Wei (“Barkley”) during the Cannes Film Festival’s Marche du Film. The film is a reimagining of the classic Chinese tale “Journey to the West.” The story follows a self-absorbed and lazy pig on a journey to lasting happiness. Set in a distant future, the film sees Pigsy embark on a deceitful quest for a better life, only to find that true happiness may be closer than he thinks. The production has recently added Taiwanese stars Greg Han, Liu Kuan-Ting, Harlem Yu, Tuo Tsung-Hua, Chung Hsin-Ling, Ivy Shao, Waa Wei and K.R. Bros. The film is to be completed in time for release at Chinese New Year in early 2024. Production is by the Netherland’s studio Submarine (“Where is Anne Frank,” TV series “Undone” Season 2, “Apollo 10 ½ : A Space Age Childhood”) with Taiwan’s Greener Grass (“GrX”) and Studio2 (“Barkley,” “Get the Hell Out,” “The Tag-Along”).

Lise Pedersen The highest award for docs-in-progress at the Cannes Film Market’s sidebar dedicated to documentary, Cannes Docs, has gone to Ya-Ting Hsu’s debut feature doc “Islands of the Winds.” Twenty years in the making, the film follows the anti-eviction struggle of the patients of Losheng Sanatorium for lepers, which became a symbol of the fight for democracy in Hsu’s native Taiwan. The prize comes with a €10,000 ($10,800) cash prize and project follow-up by IEFTA (the International Emerging Film Talent Assn.). It is produced by Hsu’s Taiwan-based Argosy Films and Media Productions, Huang Yin-Yu (Moolin Films, Ltd. & Moolin Production, Co., Ltd, Taiwan and Japan) and Baptiste Brunner (Wide Productions – La Cuisine aux Images, France).

Christopher Vourlias A host of emerging talents gathered at Cannes’ Plage des Palmes on May 22 for the latest edition of Focus COPRO’, an event launched in 2018 by the Cannes Court Métrage Rendez-vous Industry program to give a boost to first-time feature directors. Seven up-and-coming filmmakers whose previous shorts have bowed at the Cannes Film Festival and other prestigious fests including Berlin, New Directors New Films and Clermont-Ferrand, gathered under sunny skies on the French Riviera for an informal lunch with a host of industry decision-makers. The event offered a casual setting for the directors to chat about their upcoming feature debuts, seated alongside veteran producers and sales agents, as well as reps from leading co-production markets, labs, residencies, workshops and institutions focused on identifying and nurturing emerging talent.

Ed Meza @edmezavar Paris-based sales boutique Alpha Violet has acquired Spanish filmmaker Victor Iriarte’s directorial debut, “Foremost by Night” (“Sobre Todo de Noche”). Described as a noir story with a political background, “Foremost by Night” revolves around two women who meet for the first time, one who was forced to give up her newborn child for adoption when she was young, the other who, unable to bare children of her own, adopted a child she raised as her own. The film, which stars Ana Torrent (“There Be Dragons,” “The Other Boleyn Girl”), Lola Dueñas (“Me Too,” “Volver”) and Manuel Egozkue, was among this year’s winners at the Malaga Film Festival’s Work in Progress awards, where it secured the Latido Films distribution prize and the Aracne Digital Cinema award for post production services.

The CIRCLE Women Doc Accelerator today announced the projects that will take part in the sixth edition of the prestigious training program for women-identifying nonfiction filmmakers. 

EXCLUSIVE: EST Studios has entered into a partnership with New York and Bangkok-based N8 Studios to represent a slate of Asian films at global markets including the Marche du Film at Cannes. 

Leo Barraclough International Features Editor Maxime Rappaz’s debut film “Let Me Go,” which plays in the Cannes ACID sidebar, has been sold to Brazil and Taiwan. The film stars Cannes regular Jeanne Balibar in the lead role as a fiftysomething woman torn between her family commitments and pursuing her own desires. Every Tuesday, a neighbor takes care of Claudine’s son while she goes to a mountain hotel to meet men passing through. When one of them decides to extend his stay for her, Claudine is confused and finds herself dreaming of another life. Imovision has acquired all rights for Brazil, and will release the film in cinemas after a Brazilian festival premiere. “The mise en scène is excellent and Jeanne Balibar is extraordinary,” Jean-Thomas Bernardini, president of Imovision, commented.

Patrick Frater Asia Bureau Chief Wilfredo Manalang, who was one of the producers of last year’s Cannes’ Japanese hit “Plan 75,” has come on board Vietnamese film project “Don’t Cry, Butterfly.” Manalang (aka Will Fredo) and partners in his Philippines-based Fusee consortium will join as an executive producer. Written and to be directed by Duong Dieu Linh, “Don’t Cry, Butterfly” follows a Vietnamese housewife who finds out that her husband is cheating on her. Instead of confronting him, she uses voodoo on him so he falls back in love with her. Production of “Don’t Cry Butterfly” is by Tan Si En at Singapore-based Momo Film Co. The company was founded in 2018 by Tan and writer-director Kris Ong. In 2021, Beach House Pictures, part of Canada’s Blue Ant Media, acquired a majority stake in Momo.

Patrick Frater Asia Bureau Chief Taiwan-based Screenworks Asia is using the Cannes Market to launch international rights sales on “Lost in Perfection.” The film, previously titled “Love is a Bitch,” is a female-led psychological thriller that marks the live-action debut of Sung Hsin-ying, who is already established as an award-winning animation director. The story follows a TV anchor, played by Shao Yu-Wei, whose apparently perfect life unravels when she discovers that her father may have become the victim of a romance scam. To make matters worse, the scammer is accused of murdering men she dated. In an attempt to protect her family, the woman partners with the local prosecutor to investigate the crime. Yet, she quickly finds herself lost in the twists and turns while uncovering the truth.

Naman Ramachandran Nadiem Makarim, Indonesia’s minister of education, culture, research and technology, is set to launch an annual $13 million film grant at the Cannes Film Festival. This is the first government-funded film grant from Indonesia. It is sourced from the country’s National Cultural Endowment Fund. The 1:1 matching grant scheme from the Ministry of Education, Culture, Research and Technology is designed to promote international cooperations between filmmakers and is open for international co-production projects with Indonesia and for story development and research, production, post-production or internal promotion and distribution incentives.

EXCLUSIVE: LA-based production, finance, and sales company Premiere Entertainment have picked up international rights to the military action thriller Warhorse One, starring actor Johnny Strong (Black Hawk Down).

Patrick Frater Asia Bureau Chief Funding from Singaporean state sources is involved in two features that make their debut at the Cannes Film Festival this month. A third film, “The Breaking Ice,” is directed by Singapore-born filmmaker Anthony Chen. “We are absolutely thrilled that we have the most number of Made with Singapore films debuting in Cannes this year,” said Justin Ang, assistant chief executive of media, innovation, communications and marketing at Singapore’s InfoComm Media Development Authority.Malaysian-produced “Tiger Stripes,” which will play in the Critics’ Week section, and Vietnamese-made “Inside the Yellow Cocoon Shell,” which will play in the Directors’ Fortnight section, both received cash injections from the Southeast Asia Co-Production Grant under the ‘Media Talent Progression Programme,’ which is backed by the Singapore Film Commission and the IMDA.