The new movie I Care a Lot has been on top of the Netflix most-viewed chart ever since its release and now Rosamund Pike is opening up about the film’s ending.
04.02.2021 - 02:09 / deadline.com
After recording in a sound booth today for six hours on a “secret project,” actress Rosamund Pike was excited to learn that she’d notched her third Golden Globe nomination, for her turn in the darkly comedic Netflix thriller, I Care a Lot.
“It was unbelievable. Because I’d been so head-down in this project, I was blindsided by it, to be honest,” Pike tells Deadline, “which made it all the more magical, really. “
In the film from writer/director J Blakeson, the actress plays Marla, a con artist who
The new movie I Care a Lot has been on top of the Netflix most-viewed chart ever since its release and now Rosamund Pike is opening up about the film’s ending.
I Care A Lot is perfect – despite director J Blakeson acknowledging the conclusion as “bittersweet”.The film sees con-woman Marla Grayson (played by Pike) find wealth and success as a result of her conservatorship scam, until a man murders Marla in the street after she denied him from seeing his mother at the start of the movie.Speaking to USA Today, Pike said: “I love the ending of this film because it gives you everything. You sort of want to see Marla win.
I Care a Lot spoilers follow. If you haven't seen it yet, go do so – it's really rather good. The recently-released I Care a Lot is quite the ride.
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Rosamund Pike‘s new movie I Care a Lot is out now on Netflix and her performance is so good that fans will likely be looking for her other projects.
Rosamund Pike continues her streak of incredible performances in the new Netflix movie I Care a Lot, but she didn’t think she was going to get the role at first!
American Psycho, and the sapphic energy of ? Probably something akin to Netflix's deliciously dark comedy, I Care a Lot.I Care a Lot is a vibrant, chaotic exploration into the business of caring. At the center of it all: Marla Grayson (), a corrupt caregiver who forces her elderly clients into assisted living facilities and drains them of all they're worth.
who’s nominated for a Golden Globe for the part (putting this in the “comedy or musical” category is a stretch), is well cast here. She brings along those vacant “Gone Girl” expressions that mask a killer instinct.
Netflix) is perhaps not ideal. Marla's scheme is a particularly loathsome one, and the feeling of disgust only grows as writer-director Blakeson, the British filmmaker of the kidnap thriller “The Disappearance of Alice Creed," depicts an interwoven system of elder abuse, with doctors and nursing home mangers all taking a cut.
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