How to Watch the Art Directors Guild’s Panel With Oscar-Nominated Production Designers

Djimon Hounsou got very real about his treatment in Hollywood.

The Oscars’ annual In Memoriam segment on Sunday included a live performance of the song “Calling All Angels” by Lenny Kravitz.

Production designer Christian M. Goldbeck gave a shout-out to All Quiet on the Western Front‘s director Edward Berger and his team of APDs following the film’s Oscar win for Best Production Design.

Steven Spielberg’s new semi-autobiographical film,, won best picture (drama) at the 2023 Golden Globes and is nominated for best picture at the 2023 Oscars. With numerous honors and an impressive amount of Oscar buzz, you won’t want to miss out on watching Spielberg's latest movie.

A column chronicling conversations and events on the awards circuit.

Peter Debruge Chief Film Critic How long does a documentary need to be? Frederick Wiseman frequently goes long, and Oscar-winning “OJ: Made in America” ran nearly eight hours. Lately, with “Bill Russell: Legend” and “Boom! Boom! The World vs. Boris Becker,” streamers have embraced the so-called “two-part documentary” — a fancy term for what used to be called a miniseries. So, while there are no limits on how much longer docs can get, it’s refreshing to see a compelling subject covered in 40 minutes or less, and doubly rewarding to realize that four of the five packaged in ShortsTV’s “2023 Oscar Nominated Short Films: Documentary” found audiences on their own merits, even without theatrical distribution.

, the Indian film starring Ram Charan and Jr NTR as two revolutionaries fighting against the British colonialists in the 1920s, has not only enjoyed crossover success in the United States, but it made history when the breakout musical number, «Naatu Naatu,» was nominated for Best Original Song at the 95th Academy Awards. " is about friendship. It's celebrating friendship," NTR says. While speaking to ET's Ash Crosson, both actors reacted to all the accolades for the film, which is now streaming on Netflix, and what it was like filming the epic dance number for the Indian Telugu-language song written by the now-Oscar nominees, M.

Academy Awards are this weekend, giving you some time to catch up on your Oscar watchlist. This year, there’s a wide range of films nominated for awards, whether you’re into superheroes, stories about complicated musicians, or tales about the war.

From social justice to adolescent romance, this year’s Oscar-nominated shorts filmmakers don’t take long to make their points. The 2023 field of nominees include films from virtually every corner of the world, including Ireland, Iran, India, Norway, Italy and, of course, the U.S.

While doing research for his work on All Quiet on the Western Front, production designer Christian M. Goldbeck was excited to find rare non-propaganda photographs of the battlefields and trenches. These images were pivotal in the design process to show the reality of the war. “We decided in a very early stage to make it visceral and physical, to show what we can lose in war,” he says. “To beautify war would be propaganda.”

Peter Debruge Chief Film Critic Of the 10 films up for best picture, no fewer than six run 199 minutes or more. On one extreme, James Cameron’s punishing “Avatar” sequel is long enough to require bathroom breaks. At the other, Daniels’ ADHD-styled “Everything Everywhere All at Once” proves equally exhausting, dedicating every hyperkinetic second to stimulating easily distracted audiences. It’s enough to make folks grateful for the lower-profile but still engaging live-action shorts category, where nominees are bound by a strict 40-minute time limit. This year’s crop — the so-so “2023 Oscar Nominated Short Films: Live Action” program — clocks in at under two hours. Available in theaters and on myriad streaming platforms, the international assembly may be a hit-and-miss affair, but never outstays its welcome.

The Oscar-nominated documentary “Fire of Love” is getting the narrative remake treatment. The acclaimed non-fiction movie, concerning the scientific research and on-the-job romance of French volcanologist filmmakers Katia and Maurice Krafft, will become a live-action narrative feature film.

EXCLUSIVE: Searchlight Pictures is making a deal to turn Fire of Love into a narrative feature. The film, which tells the story of the scientific research and romance of preeminent French volcanologist filmmakers Katia and Maurice Krafft, is a frontrunner in the Oscar race for Best Documentary after premiering at 2022 Sundance, winning a Jury Prize and being acquired by National Geographic Documentary Films.  

Peter Debruge Chief Film Critic On Oscar night, “Guillermo del Toro’s Pinocchio” will almost certainly win the Academy Award for feature animation. For many of those following along at home, it will look as though the director of “Pan’s Labyrinth” and “The Shape of Water” is being rewarded for some kind of secondary passion, as if del Toro had scaled Everest and then set his sights on a smaller peak on which to plant his flag. But that’s not how it happened at all. Way back in Mexico, del Toro started his filmmaking career doing animated shorts: Obsessed with Ray Harryhausen, the amateur future auteur built rudimentary armatures, painstakingly repositioning the puppets one frame at a time. Decades later, once established in Hollywood, del Toro accepted a side gig at DreamWorks Animation, serving as a story consultant on films such as “Megamind” and “Kung Fu Panda 2” as a pretext for teaching himself the trade. With “Pinocchio,” he put those lessons to work on a stop-motion passion project that’s every bit as challenging as his most impressive films.

Naman Ramachandran “The Elephant Whisperers,” the Indian film nominated in the Oscars’ documentary short film category, has received an outpouring of love globally with young fans sending their fan art and appreciation in hundreds of emails to the filmmakers. The film follows a couple, Bomman and Bellie, who devote their lives to caring for an orphaned baby elephant named Raghu. Director Kartiki Gonsalves and producer Guneet Monga, along with the film’s team in India and the U.S., have been receiving fan art depicting their love for the orphaned babies and the caring couple from the film. They have also received testimonials from many parents and some fans who sent video clips of their own animal companions watching the film at home.

When one thinks of women and Elvis Presley, it’s either his widow Priscilla, his late daughter Lisa Marie, or the legion of ladies left weak in the knee when the badass kid from Tupelo, Mississippi began shaking that moneymaker. In the case of the eight-time Oscar-nominated film Elvis, the front men are writer/director Baz Luhrmann, Austin Butler and Tom Hanks. Behind the camera, the film was entirely made possible by a chorus of women, many of whom are nominated. They include Luhrmann’s partner Catherine Martin, who’s up for the Production Design Oscar with cohorts Beverley Dunne and Karen Murphy; Mandy Walker, for Cinematography; Gail Berman for Best Picture with Martin, Luhrmann, Patrick McCormick and Schuyler Weiss; and Martin again for Costume Design.

So many big stars stepped out for the 2023 Costume Designers Guild Awards on Monday evening (February 27) at the Fairmont Century Plaza in Los Angeles.

alive. We’re attracted to these contrasts in all of our work — the humor, the sadness, life and death, profound and insignificant.”Forbis and Tilby — whose two previous animated shorts, “When the Day Breaks” and “Wild Life,” were also animated for Oscars — recently spoke to TheWrap via Zoom about returning to the Oscar race, making “The Flying Sailor” and the meaning of a lit cigarette. Congratulations on your third Oscar nomination. You’ve got a pretty enviable track record going. You make a film, you get nominated.Amanda Forbis: Just like that! [Laughs]Wendy Tilby: It’s easy, really.