Hong Kong Action Film ‘White Storm 3’ Sets North American Premiere, Revised China Release

Patrick Frater Asia Bureau Chief Pixar animation film “Elemental” expanded further at the South Korean box office in its fourth weekend of release, giving the film its third weekend triumph in four weeks of release. “Mission: Impossible – Dead Reckoning Part One” took third place from preview screening ahead of its official release on Wednesday. “Elemental” earned $6.11 million between Friday and Sunday, according to data from Kobis, the box office tracking service operated by the Korean Film Council (Kofic). That represented a 14% increase on its previous weekend performance and was the best of its four weekends so far. It also increased its market share to 49%, also its strongest market position, despite only adding a handful of additional screens.

Patrick Frater Asia Bureau Chief Local titles dominated at the mainland Chinese cinema box office over the latest weekend. “Never Say Never” overtook the previous sensation “Lost in the Stars” to lead another strong summer session. “Never Say Never” (aka “Octagonal”) released officially on Thursday, ahead of China’s more normal Friday system. It earned $55.3 million (RMB384 million) between Friday and Sunday, according to verified data from consultancy Artisan Gateway. To that can be added some $9.6 million from Thursday and over $60 million previews and the film finished Sunday with a cumulative of $121 million. Co-written and directed by actor Wang Baoqiang (“Lost in Thailand,” “Detective Chinatown”), the film tells a tale of a man who tries to teach orphans about martial arts. But he is publicly shamed after his efforts are misinterpreted.

Patrick Frater Asia Bureau Chief Toho International, an offshoot of the storied Japanese film and TV giant Toho, is to launch twin e-commerce sites serving the growing legion of North American fans of Japanese pop culture. One platform is specific to the Godzilla brand. The other, iiZO, will cater to a wider range of anime fans who will be served with original Japanese merchandize. The moves are being headed by Kristin Parcell GM at Toho International, and her U.S.-based team who joined the firm from Crunchyroll at the end of last year. They foresee the twin initiatives as a business with $100 million of revenue within a few years. Their in-house operation comprises anime and “Godzilla” brand experts, and also includes specialist in merchandizing, buying and fashion. The sites go live at unspecified dates this summer.

Patrick Frater Asia Bureau Chief Kino Lorber has picked up North American rights to Pham Thien An’s debut feature “Inside the Yellow Cocoon Shell.” The Vietnamese drama appeared in Cannes’ Director’s Fortnight section and was winner of the Camera d’Or. The company plans a theatrical release as well as a digital and home video releases on all major platforms after the film makes multiple stops on the international film festival circuit. “The sudden death of his sister-in-law brings unexpected responsibilities to Thien (Le Phong Vu), who is reluctantly tasked with bringing his five-year-old nephew Dao to their countryside hometown. On the road, Thien is drawn into a search for his long missing older brother, haunted and spurred forward by a series of sublime dreams that reignite suppressed memories, forbidden desires, and specters of his own youth. What began as a journey home becomes a pilgrimage marked by visual splendor and mystical overtones, a quest for understanding and certainty in a Vietnam that seems unable to provide any clear answers. As Thien battles with his own existential question of what is worth living for, Inside the Yellow Cocoon Shell interrogates the persistence and complexity of faith, not only in the spiritual but in the delicate beauty of earthly existence,” said Kino Lorber by way of a long synopsis.

Patrick Frater Asia Bureau Chief Coco Lee, a Hong Kong-born singer and songwriter, has died at age 48. She had a career of some 30 years, which included providing the voice of the heroine Mulan in the Mandarin-language version of Disney’s “Mulan.” Lee’s sisters, Carol and Nancy Lee, said in a statement on Facebook and Instagram that Coco had attempted suicide at home on Sunday. She was in a coma since that point and died on Wednesday at Hong Kong’s Queen Mary Hospital. “With great sadness, we are here [to] break the most devastating news: Coco had been suffering from depression for a few years, but her condition deteriorated drastically over the last few months,” the sisters said. “Although Coco sought professional help and did her best to fight depression, sadly that demon inside of her took the better of her.”

Patrick Frater Asia Bureau Chief Authorities in Vietnam have banned commercial screenings of Greta Gerwig’s “Barbie.” The Warner Bros. film starring Margot Robbie and Ryan Gosling, one of the most anticipated movies of the summer, was set to have been released in the country on July 21. The film contains a scene that depicts a map with the “nine dash line,” a representation of China’s territorial claims in the South China Sea, which Vietnam says violates its sovereignty. Vi Kien Thanh, director general of the Vietnam Cinema Department under the Ministry of Culture, Sports, and Tourism, said on Monday that the ban was decided by the National Film Evaluation Council.

Patrick Frater Asia Bureau Chief Production is now under way on “The Elephant Odyssey,” a major wildlife documentary film that will release in Imax theaters next year. The film, directed by Alice Gu, chronicles the highly unusual trek by a herd of elephants in China that began in early 2020. As the group diverted from their usual habitat and marched over 1,000 km (600 miles) across remote Yunnan Province they attracted global attention, including live-streamed drone footage. They raided grain stores, indulged in impromptu village feasts and messy mud fights, and even gave birth while on the road. Reasons for the herd’s 18-month trek are unclear, with wildlife experts variously pointing to climate change and the failure of conservation efforts.

Patrick Frater Asia Bureau Chief Chinese mystery drama “Lost in the Stars” expanded in its second week on release and gave China its third biggest box office weekend of the year. The film earned $117 million, according to data from consultancy Artisan Gateway. That was significantly up from its opening weekend of $70.7 million (RMB502 million) a week earlier and enough to make it the second biggest film on the planet, behind “Indiana Jones,” according to Comscore. After two weekends on release, it has accumulated $320 million. “Lost in the Stars” is a Chinese adaptation of a 1990 Russian movie “A Trap for the Lonely Man,” which itself was adapted from a Robert Thomas stage play. It sees a woman disappear while on an overseas trip with her husband. Just as mysteriously, she reappears at the moment that the search for her is running out of steam. But the man refuses to accept that she is the same woman and believes that she is an imposter.

Patrick Frater Asia Bureau Chief Warner Bros. Discovery will rebrand its kids’ TV channel Boomerang to Cartoonito in Southeast Asia, Taiwan and Hong Kong, with effect from July 28. The company said that the “switch is a result of positive feedback to the Cartoonito-branded block on Boomerang and Cartoon Network launched in 2022, and is focused on being more inclusive to pre-school aged viewers.” Sources close to the company explained that the move is “part of a big regional and global commitment by WBD to preschool content.” It follows Cartoonito rebrands and launches in other international territories including EMEA and LatAm.

Patrick Frater Asia Bureau Chief Chinese mystery drama “Lost in the Stars” was the top-grossing film on the planet over the latest weekend – despite playing only a single territory. The film earned $70.7 million (RMB502 million) between Friday and Sunday in mainland China, according to data from consultancy Artisan Gateway. That put it far and away ahead of other Chinese new releases and Hollywood’s holdovers “Transformers: Rise of the Beasts” and “The Flash.” With the Dragon Boat Festival holiday occurring on Thursday, the film was given an unusual one-day advance on the normal releasing pattern in China. Including Thursday takings, the film made a total of $98.3 million (RMB968 million).

Patrick Frater Asia Bureau Chief The 28th edition of the Shanghai TV Festival wrapped up on Friday with its Magnolia Awards presented to a range of TV drama series, documentaries and animation programs. The drama awards were dominated by two shows “A Lifelong Journey” and “Bright Future.” “A Lifelong Journey,” adapted from a novel of the same name by Liang Xiaosheng, tells the story of three generations of one family in China’s Northeast as time moves from the late Cultural Revolution period through to the country’s reform and opening up. With a starry cast and broadcasters including CCTV-1 and Jiangsu Satellite TV, the show is reported to have attracted 310 million viewers at the beginning of 2022. In mainland China, it ran for 58 episodes, while in Hong Kong it played in 35 parts.

Patrick Frater Asia Bureau Chief The technical aspects of China’s embrace of smart broadcasting were given a thorough workout this week as part of the ongoing Shanghai Television Festival. Topics covered by keynote speakers included: future broadcasting planning; AI content generation’ big data construction; and the development of ultra-high definition broadcasting. Sun Suchuan, deputy Director-General of the Science and Technology Department of the National Radio & Television Authority explained that the national government has iterated a strategic development plan for the TV sector running until 2035 as well as medium- and long-term technological strategies.

Patrick Frater Asia Bureau Chief French pay-TV giant Canal+ is to take a significant minority stake in successful Asian streaming firm Viu. It could end up becoming its majority owner.

Patrick Frater Asia Bureau Chief Alibaba, the Chinese e-commerce, technology and entertainment giant, said Tuesday that Joseph C. Tsai will succeed Daniel Zhang as chairman of the group. Eddie Wu (aka Wu Yongming) will take over Zhang’s role as group CEO. Both men are veterans of the group. Tsai, owner of the Brooklyn Nets basketball franchise, is currently Alibaba’s executive vice chairman. Wu is one of Alibaba’s founders and was its original chief technology officer in 1999. He has since held the CTO role at key businesses units including Taobao and Alipay and is currently chairman of Taobao and Tmall Group. Zhang, who took over as group chairman from the iconic Jack Ma, is in the process of orchestrating the biggest restructuring in Alibaba’s 24-year history. Alibaba, which has share listings in New York and Hong Kong, is to transform itself into a holding company with stakes in six separate business units that are free to raise their own capital or even go down the IPO route.

Patrick Frater Asia Bureau Chief Asia Satellite Telecommunications (AsiaSat), a leading operator of satellites, has moved into content distribution with the acquisition of Hong Kong- and U.K.-based TV distributor Lightning International. The diversification was described by AsiaSat as “a strategic move to expand the company’s services and extend its clients’ reach to global audiences through traditional and new distribution platforms including OTT and FAST.” AsiaSat is known to be acquiring 100% of Lightning International, but other deal terms were not disclosed.

Patrick Frater Asia Bureau Chief Warner Bros. Discovery has announced three new Thai HBO Asia Originals: action-fantasy blockbuster “Khun Pan 3”; fun-filled cooking series “MarkKim + Chef” and reality series “Deane’s Dynasty.” The shows will be available exclusively to HBO and HBO GO in Southeast Asia, Hong Kong and Taiwan. Thai TV content is currently growing in popularity among Asian TV audiences and has recently been seen pioneering soft homo-erotic series known as the ‘Boys Love’ genre, that has appeal to mature female audiences. BL is conspicuously absent from the new additions to the HBO Go slate.  “Khun Pan 3” is the final instalment of the “Khun Pan” franchise and represents a journey from 1950 after World War ll, as sorcerer cop Khun Pan is persuaded to take on another dangerous mission. This time he is hunting down two bandits and uncovering a conspiracy that challenges everything, he believes in. 

Patrick Frater Asia Bureau Chief Warner Bros.’s “The Flash” and Disney/Pixar’s “Elemental” made theatrical debuts in China that were in line with their soft starts in North America and other international territories. “The Flash” captured the top spot in China with a $13.4 million (RMB94.8 million) opening weekend ($13.8 million including previews), according to data from consultancy Artisan Gateway. It deposed “Transformers: Rise of the Beasts” which opened a week earlier and which slipped to second place in its sophomore frame. “Transformers” took a 69% fall and recorded $12.4 million between Friday and Sunday in China. That produces a $61.7 million cumulative after ten days in Chinese theaters.

Patrick Frater Asia Bureau Chief After a golden age in the 1980s, Chinese filmmakers were quietly discouraged from dabbling in the sci-fi genre – it isn’t real science and authorities did not want youngsters to get confused. That stance changed during the last decade and the Shanghai International Film Festival has just hosted its first sci-fi week, comprising nearly a dozen film screenings and a trio of panel discussions featuring the new luminaries in the sector. Reasons for the revised position of China’s authorities are not hard to understand. Not only was Hollywood getting away with dominating a genre that was popular with Chinese audiences, China in the 21st century has become a global technology powerhouse. Its space program, in particular, is now among the most advanced, capable of a normalized rocket launch schedule, international co-operation and lunar and interplanetary missions.

Patrick Frater Asia Bureau Chief Japanese drama feature “Yoko” won the Golden Goblet best picture award at the Shanghai International Film Festival. The jury Grand Prix was awarded to Spain’s “Muyeres” with China’s Liu Jin winning the best director prize.The trio also collected additional prizes making them the only multiple winners in a ceremony that sprinkled its awards widely. “Yoko,” directed by Kumakiri Kazuyoshi, who earlier this year saw melodramatic “#Manhole” play in Berlin, takes the structure of a road-movie and is a journey of self-discovery of a woman who had been socially isolated in her apartment for many years. Portrayed by global star Rinko Kikuchi (”Babel,” “47 Ronin”), the woman is forced to confront the real world, and herself, when she takes a 658 kilometre cross-country journey to her father’s funeral. Without a cell phone or the money for public transport, she finds herself having to hitch hike. Kikuchi also earned the best actress award.

Patrick Frater Asia Bureau Chief Eastern Grace Film, a new production company that teased its debut production “The Sand Murmurs” earlier this month, has gone one step further. It used the Shanghai International Film Festival to unveil a slate of nine new film productions. The company is an indirect subsidiary of Baination Pictures, a Beijing-based film and TV group that is listed on the Shenzhen stock exchange. Eastern Grace is headed by president Wilson Jiang, a veteran film distributor in China.