China Box Office: ‘Never Say Never’ Takes Top Spot as Local Films Dominate Weekend

Patrick Frater Asia Bureau Chief Kris Wu, the Chinese-Canadian pop megastar who was jailed last year for rape and group sex, appeared in court in Beijing on Tuesday to appeal his convictions. The case was heard at the Beijing No. 3 Intermediate People’s Court.

Patrick Frater Asia Bureau Chief While “Barbie” was romping to box office records in North American and scoring strongly in many international territories, the pink phenomenon could muster only fifth place in China, the world’s second largest movie market, on its opening weekend. “Barbie” managed $8.2 million in its opening three days, according to data from consultancy firm Artisan Gateway. Local box office sources show the film trapped in that position on all three days of the weekend session, as the locally-produced titles jostled for leadership and swapped positions. Somewhat encouragingly, the daily score for “Barbie” had increased by Sunday as it was given more screening sessions by Chinese exhibitors.

Patrick Frater Asia Bureau Chief Cineverse, the streaming and content distribution company previously known as Cinedigm, has acquired North American rights to the Chinese animated fantasy film “Warrior King.” Inspired by the legend of the hero and warrior, King Gesar, the film is directed by Lu Qi from a screenplay by Lu Wunan and Wang Yunsheng. Cineverse says that it will release the film in U.S. theaters Aug. 25, following its international theatrical debut.  The story of Gesar is considered one of Central Asia’s literary classics and was passed down in oral tradition for some 1,000 years, as well as literary, poetic and stage play versions. Its Tibetan iteration may now be the most prominent, It is certainly one of the longest, running to over 100 volumes and a million verses, according to some calculations.   

Patrick Frater Asia Bureau Chief Exports of K-pop albums increased by 17% year on year to reach an all-time record of $133 million in the first six months of the year. The U.S. is now the second biggest overseas market for Korean music worth $25 million, having overtaken China, but still trailing Japan ($48 million), according to data from the Korea Customs Service. The next largest were Germany, Taiwan, Hong Kong, the Netherlands, Canada, the U.K. and France.The record was achieved despite the absence of BTS as a group (though BTS members Jimin, and Suga put out solo efforts) and saw Stray Kids, Tomorrow X Together, Seventeen, Ateez and Twice all make an international impact.

Patrick Frater Asia Bureau Chief Movie stars Zhou Xun and Jelly Lin head the cast of “Imperfect Victim,” a new mainland Chinese drama series that focuses on workplace sexual harassment and leads to a rape trial. Zhou (“Cloud Atlas,” “The Silent War,” “Painted Skin”) plays a lawyer who steps in to represent the character played by Lin (“The Mermaid”), who alleges assault by her boss at work. He is portrayed by TV veteran Liu Yijun (“Nirvana in Fire,” “The Pretender”). The case becomes complicated and Zhou’s character is forced to question her own ethics. The show is highly topical, given the slowly building #MeToo movement in China. This is being fuelled by numerous instances of sexual discrimination, sexual assault and outright violence towards women, many instances of which have gone viral on Chinese social media before being deleted by censors.

Patrick Frater Asia Bureau Chief China’s box office weekend was marked more by the tussle for top spot between “Never Say Never” and “Chang An” than the entry of “Mission: Impossible – Dead Reckoning Part One.” The Tom Cruise-starring U.S. blockbuster was the highest new release title, but landed in third place with an opening score of $25.9 million. The weekend’s top-ranked film was “Never Say Never,” a holdover title that scored $46.1 million. Lightchaser Animation-produced “Chang An San Wan Li” (aka “Chang An 30,000 Miles”) earned a shade less, at $43.9 million, according to data from consultancy Artisan Gateway. After 11 days of official release (plus substantial previews), “Never Say Never,” written and directed by actor Wang Baoqiang (“Lost in Thailand,” “Detective Chinatown”) has already become one of the biggest hits of the year. Its cumulative stands at $212 million. “Chang An” has accumulated $96.1 million in nine days.

Patrick Frater Asia Bureau Chief Tom Cruise has become a regular visitor to South Korea and, while his latest visit was more than a week ago, the impact of his efforts appeared to endure. His ‘Mission: Impossible – Dead Reckoning’ got off to the second strongest start at the Korean box office of any Hollywood movie released this year. The film grossed $9.75 million between Friday and Sunday, according to Kobis, the tracking service operated by the Korean Film Council (Kofic). That represented a 60% market share, earned from some 2,400 screens. In its full opening five days (plus previews), it earned $14.2 million.

Patrick Frater Asia Bureau Chief Specialty distributor, Trinity CineAsia is releasing China’s summer blockbuster “Lost in the Stars” in the U.K and Ireland on some 30 screens from Friday. “I was fortunate to watch the film when it opened in China and once I saw it I just knew we had to have it,” said Cedric Behrel “‘Lost In The Stars’ is a very clever, uncanny thrill of a ride that harks back to classic Hitchcock and any noteworthy thriller since – the master himself had in fact once optioned the rights to the same story. We organized the fastest turnaround premiere known to man and we’ve been delighted by the reactions to the early previews. It epitomizes the best of what new Chinese cinema can bring to audiences.”

Patrick Frater Asia Bureau Chief Sakamoto Ryuichi, the Japanese film composer and music supervisor who died in March, has been posthumously named as the recipient of the Jecheon Film Music Award at the 19th Jecheon International Music & Film Festival (Aug. 10-15). Sakamoto won Academy Awards and Golden Globes for his score for “The Last Emperor” and has other credits including “The Sheltering Sky,” “Railroad Man,” “The Revenant,” “Call Me By Your Name” and “The Fortress.”Abrai Joji from Commons the music label established jointly with Sakamoto, and Yutaka Toyama from Promax, which had produced Sakamoto’s concerts since 1986, will visit the festival. Additionally, a tribute concert will be held on Aug. 12 at the Jecheon Stadium.

Patrick Frater Asia Bureau Chief Wanda Investment, a subsidiary of the privately-owned Chinese property giant Dalian Wanda, has sold an 8.3% stake in Wanda Film Holding for RMB2.2 billion ($306 million). Wanda Film, which is listed on the Shenzhen stock exchange, operates China’s largest circuit of multiplexes and retains a stake in Hollywood producer Legendary Entertainment (“Dune”). The buyer is Lu Lili, the wife of Shen Jun, the controller of East Money Information, a financial data platform, Wanda Film said in a regulatory filing this week. The share sale appears to be a move to raise finance for Dalian Wanda and Wang Jianlin, the politically-connected former army officer who built one of China’s largest property empires and from 2012 mounted a seven-year campaign to own a large chunk of Hollywood.

Patrick Frater Asia Bureau Chief Greta Gerwig’s “Barbie” has been allowed a commercial release in the Philippines, following a review by the country’s film censors. However, the scene that shows a controversial map may have to be blurred. The film was last week banned in Vietnam over its inclusion of a scene with a map alleged to show the ‘nine dash line’ by which China lays claim to nearly all of the South China Sea as its own territory. Vietnam says that China’s claims violate its sovereignty and that films and TV shows must not show the illegal map. On Monday, Vietnam banned Chinese series “Flight to You” for showing the map in multiple episodes.

Patrick Frater Asia Bureau Chief

Patrick Frater Asia Bureau Chief Smash hit Japanese animation feature “The First Slam Dunk” is set to be the first film theatrically released by newly-launched Australian distribution and New Zealand licensing firm Sugoi Co. The company is headed by Tim Anderson, founder and former CEO of Madman Entertainment, the Australian indie with a strong leaning for Japanese content, and Sylvester “Sly” Ip. The pair made an announcement on Twitter and conducted a soft launch at the recent Anime Expo in Los Angeles. “The First Slam Dunk. Coming soon to cinemas across Australia. Follow us for full release and ticket info,” said Sugoi Co on Twitter.

Patrick Frater Asia Bureau Chief Global streaming platform Netflix has removed the Chinese-produced drama series “Flight to You” from its service in Vietnam. The Vietnamese government banned the series on similar grounds to its objection to the upcoming Warner Bros. film “Barbie.” “As a result of the Vietnamese regulator banning elements of the series, we have removed ‘Flight to You’ from Netflix in Vietnam. It remains available on our service in other markets,” a Netflix spokesperson told Variety in an emailed statement. Both “Barbie” and “Flight to You” are understood to have included scenes that show a map of the South China Sea that depicts the “nine dash line” that represents China’s territorial claim to almost all of the area. Vietnam says that use of the map violates its sovereignty and that it will not tolerate the “nine dash line” in film and TV.

Patrick Frater Asia Bureau Chief Pixar animation film “Elemental” expanded further at the South Korean box office in its fourth weekend of release, giving the film its third weekend triumph in four weeks of release. “Mission: Impossible – Dead Reckoning Part One” took third place from preview screening ahead of its official release on Wednesday. “Elemental” earned $6.11 million between Friday and Sunday, according to data from Kobis, the box office tracking service operated by the Korean Film Council (Kofic). That represented a 14% increase on its previous weekend performance and was the best of its four weekends so far. It also increased its market share to 49%, also its strongest market position, despite only adding a handful of additional screens.

Patrick Frater Asia Bureau Chief Coco Lee, a Hong Kong-born singer and songwriter, has died at age 48. She had a career of some 30 years, which included providing the voice of the heroine Mulan in the Mandarin-language version of Disney’s “Mulan.” Lee’s sisters, Carol and Nancy Lee, said in a statement on Facebook and Instagram that Coco had attempted suicide at home on Sunday. She was in a coma since that point and died on Wednesday at Hong Kong’s Queen Mary Hospital. “With great sadness, we are here [to] break the most devastating news: Coco had been suffering from depression for a few years, but her condition deteriorated drastically over the last few months,” the sisters said. “Although Coco sought professional help and did her best to fight depression, sadly that demon inside of her took the better of her.”

Patrick Frater Asia Bureau Chief Authorities in The Philippines are weighing a decision on whether to follow the lead taken by Vietnam and ban Greta Gerwig’s “Barbie” movie. Vietnam on Monday announced that it will bar the film’s commercial release due to the movie’s depiction of a map that depicts the “nine dash line,” a disputed representation of China’s territorial claims in the South China Sea. The Philippines, like Vietnam, Brunei and Malaysia, have competing claims in the South China Sea and strongly refute China’s claim to nearly the entire maritime region. “If the invalidated 9-dash line was indeed depicted in the movie ‘Barbie,’ then it is incumbent upon the Movie and Television Review and Classification Board (MTRCB) to ban the same as it denigrates Philippine sovereignty,” said Philippines Senator Francis Tolentino, vice chairman of the Senate foreign relations committee, according to local media reports.

Patrick Frater Asia Bureau Chief Authorities in Vietnam have banned commercial screenings of Greta Gerwig’s “Barbie.” The Warner Bros. film starring Margot Robbie and Ryan Gosling, one of the most anticipated movies of the summer, was set to have been released in the country on July 21. The film contains a scene that depicts a map with the “nine dash line,” a representation of China’s territorial claims in the South China Sea, which Vietnam says violates its sovereignty. Vi Kien Thanh, director general of the Vietnam Cinema Department under the Ministry of Culture, Sports, and Tourism, said on Monday that the ban was decided by the National Film Evaluation Council.

Patrick Frater Asia Bureau Chief Production is now under way on “The Elephant Odyssey,” a major wildlife documentary film that will release in Imax theaters next year. The film, directed by Alice Gu, chronicles the highly unusual trek by a herd of elephants in China that began in early 2020. As the group diverted from their usual habitat and marched over 1,000 km (600 miles) across remote Yunnan Province they attracted global attention, including live-streamed drone footage. They raided grain stores, indulged in impromptu village feasts and messy mud fights, and even gave birth while on the road. Reasons for the herd’s 18-month trek are unclear, with wildlife experts variously pointing to climate change and the failure of conservation efforts.

Patrick Frater Asia Bureau Chief Chinese mystery drama “Lost in the Stars” expanded in its second week on release and gave China its third biggest box office weekend of the year. The film earned $117 million, according to data from consultancy Artisan Gateway. That was significantly up from its opening weekend of $70.7 million (RMB502 million) a week earlier and enough to make it the second biggest film on the planet, behind “Indiana Jones,” according to Comscore. After two weekends on release, it has accumulated $320 million. “Lost in the Stars” is a Chinese adaptation of a 1990 Russian movie “A Trap for the Lonely Man,” which itself was adapted from a Robert Thomas stage play. It sees a woman disappear while on an overseas trip with her husband. Just as mysteriously, she reappears at the moment that the search for her is running out of steam. But the man refuses to accept that she is the same woman and believes that she is an imposter.