Here’s when ‘Castaway Diva’ starring Park Eun-bin premieres

When Netflix announced in April that it’s planning to spend $2.5 billion on Korean content across the next four years, on top of the more than $1 billion already spent since 2016, it made the world sit up and take notice.

Hopeless.The actor made headlines recently when he revealed that he had rejected a fee for his work in the film.During an interview on the latest episode of Lee Dong-jin’s YouTube series, Song commented on the interest in his lack of payment. “Things went bigger than I expected,” he laughed (translated by SBS Star).

Patrick Frater Asia Bureau Chief Unrecognizable from her co-starring and breakout role in 2018 hit “Burning,” Jeon Jong-seo is the centerpiece, the tortured protagonist and the athletic avenger, but not the titular dancer, in Netflix movie and Busan International Film Festival selection “Ballerina.” In the hands of fast-rising director Lee Chung-hyung, Jeon is a coolly calculating female former bodyguard who, until roused, looks like she is half dazed. The suicide of her best friend, a sweet wannabe ballerina, who had been blackmailed into sex slavery by a nasty gang, however, is enough to set Jeon’s character, Ok-ju, on the path towards “John Wick”-like ultra-violence. While Lee never leaves the audience in much doubt as to where the film is heading – an early scene in a convenience store is cool, shocking and righteous – his “Ballerina” is typically Korean in that it spends most of the first two reels establishing Ok-ju’s moral standing and motivation for the bloodshed that is going to dominate the latter portions. Once justified, Lee pours it all on, with a dose of weapons fetishization, a horde of mostly disposable villains and heaps of neon-lit bloodshed.

Welcome to Deadline’s The Hot Ones, our guide to some of the best television being sold at Mipcom next week. Our editorial team has done extensive research in the run-up to the 2023 market and handpicked what we think are sure to be the shows that will be big talking points at this year’s event in Cannes. In between meetings and cocktail parties, you’re sure to hear whispers about the next potential global hit and The Hot Ones is here to guide you. Here’s our pick of top scripted titles headed for the Croisette.

Actors and filmmakers Steven Yeun, John Cho, Justin Chon and Lee Isaac Chung shared their thoughts on the appeal of Korean Diaspora cinema – as well as how they see the current wave of content coming out of Korea – in a philosophical but relaxed press conference at Busan International Film Festival. 

Leo Barraclough International Features Editor The Match Factory has sold Sofia Coppola‘s “Priscilla” to distributors worldwide, the sales agency revealed Friday ahead of its North American premiere at the New York Film Festival. The film had its world premiere at the Venice Film Festival last month, and won the Coppa Volpi award for best actress for Cailee Spaeny’s performance. Adding to the previously announced sales in France (ARP SAS), The Match Factory has secured distribution in Australia and New Zealand (Madman Entertainment), Spain (Elastica Films and BTeam Pictures), Switzerland (Filmcoopi), CIS (Capella Film), Scandinavia and Iceland (Nordisk Film), Poland (Best Film), Greece (Spentzos Film), Portugal (Nos Lusomundo), Baltics (Kino Pavasaris), Hungary (ADS), Middle East and North Africa (Front Row Filmed Ent.), Israel (Lev Cinemas), former Yugoslavia (MCF Megacom), Ukraine (Arthouse Traffic), Japan (GAGA Corporation), Taiwan (Moviecloud) and worldwide airline distribution (Echo Lake Distribution).

Patrick Frater Asia Bureau Chief The growing media and entertainment connections between Korean Americans and those Koreans living in Korea may be changing both communities, a public discussion at the Busan International Film Festival on Friday heard. “Being in a room full of fans, feels like they accepted me as a member of the family. It feels like, culturally, Korea [may be in] a moment of transition,” said John Cho. He was joined in the debate by actor-director Justin Chon (“Gook”), director Lee Isaac Chung (“Minari”) and actor Steven Yeun, who are all either first or second generation immigrants to the U.S. They were careful not to speak about their current movies or projects out of respect for SAG strike protocols, but the avoidance of promotional niceties permitted a wider-ranging and more philosophical discussion. It touched on issues of identity, generational change and the development of the post-pandemic, streaming-era global village. “The reception I’ve had [in Busan] feels connective, not foreign, like living in a global reality,” said Yeun.

The Match Factory has announced a raft of world sales for Sofia Coppola’s biopic Priscilla ahead of its North American premiere as the Centrepiece selection of the New York Film Festival on Friday.

The Masked Singer is back for season 10!

The Masked Singer is back for season 10!

The Masked Singer is back for season 10!

The Masked Singer is back for season 10!

Patrick Frater Asia Bureau Chief “I hope we can communicate and reconcile again,” said Busan Mayor Park Heong-joon on the opening night of the South Korean city’s film festival. With so much of the dialogue in opening drama “Because I Hate Korea” discussing Korean societal rigidities, group loyalties, long working hours and poor pay (which cause the protagonist to emigrate to laid-back New Zealand), it is easy to forget that many of these characteristics are what may have saved this year’s Busan International FIlm Festival from going off the rails.

Manchester has been named one of the World’s Best Cities in a prestigious report - beating out the likes of Mexico City, Valencia and Bucharest, but missing out on the top spot, which was claimed by London.

It’s no exaggeration to say that Korea’s Busan International Film Festival (BIFF) has been through a fair amount of drama this year. 

Kris Jenner is taking over Paris Fashion Week!

All of Us Are Dead has begun teasing the series’ upcoming second season.On September 26, All of Us Are Dead director Lee Jae-kyoo visited the site of Universal Studios Singapore’s annual Halloween Horror Nights event, which will feature a themed haunted house based on the series in this year’s rendition. During his visit, Lee spoke about what fans can look forward to in its upcoming second season.“In season two, more powerful and evolved zombies will be featured, and the series will be set in the fallen Seoul.

Showtime has set a November premiere date for comedy The Curse, starring Emma Stone, Nathan Fielder and Benny Safdie. The 10-episode series will launch Friday, November 10 on streaming and on demand for Showtime and Paramount+ subscribers before making is linear debut on Showtime on Sunday, November 12 at 1 pm ET/PT. Showtime also has unveiled an expanded look at images from the series, which will have its world premiere at the 2023 New York Film Festival on Thursday, October 12, screening the first three episodes. You can see the images above and below.

Yellow Door: ’90s Lo-fi Film Club, a new documentary that will feature Parasite director Bong Joon-ho.According to Netflix, the upcoming documentary is an “ode to the golden era of Korean cinephilia” that will take a look at the “young film enthusiasts who paved the way for the Korean cinematic renaissance”The upcoming film is directed by Lee Hyuk-rae (2022’s Sewing Sisters) and will delve into the history and members of the Yellow Door Film Club, of which Oscar-winning Parasite director Bong Joon-ho was a member of.“The 1990s witnessed an explosion of film clubs on Korean campuses, providing young students with a creative outlet and a platform to study the art of cinema,” said Netflix of the film in a press release. “Yellow Door Film Club was one of them.”In the new trailer for Netflix’s Yellow Door: ’90s Lo-fi Film Club, Bong and his fellow Yellow Door Film Club are seen reuniting to speak about the club, how it came about and its influence on the South Korean entertainment industry.“At overseas film festivals in the early to mid-2000s, people would ask, ‘Where did all these directors come from?'” Bong recalls in the trailer.

Leo Barraclough International Features Editor Neo Sora’s concert documentary “Ryuichi Sakamoto | Opus,” a standout at the Venice Film Festival, has sold for theatrical distribution in North America to Janus Films ahead of its North American premiere at the New York Film Festival. The theatrical release will be followed by a Blu-ray Disc release on the “Janus Contemporaries” label. This is the latest deal inked by London and Paris-based production, finance and sales outfit Film Constellation, following a slew of sales to Spain (Filmin), Portugal (Midas Filmes), Germany and Austria (Rapid Eye), Scandinavia (NjutaFilms), Baltics (Kino Pavasaris), South Korea (Media Castle), China (JL Vision Films), Hong Kong and Macau (Edko Films), Taiwan (Cai Chang) and Singapore (Anticipate Pictures).