Greener Grass President Phil Tang On Taiwan’s Streaming Landscape; Upcoming Cross Border Series ‘The Outlaw Doctor’ & ‘Three Tears In Borneo’

John Hopewell Chief International Correspondent BUENOS AIRES — Paris-based sales agency MPM Premium has has closed its second major territory deal on “On the Go,” toplining “Elite” star Omar Ayuso in an Andalusia-set road movie with lashings of sun, sex and sensuality. Directed by Maria Gisèle Royo and Julia de Castro, and one of Spain’s most memorable feature debuts, “On the Go” has been licensed to Outplay Films which plans a theatrical release in Sumer 2024 after the film’s French premiere in premiere in Chéries Chéris.

EXCLUSIVE: Cuban star Mario Cimarro and Hong Kong actress Nina Paw Hee-Ching are joining the cast of historical scripted drama series Coolie, produced by Meileen Choo’s Singapore-based Cathay Film Company.

Patrick Frater Asia Bureau Chief The husband and wife team of Otsuka Ryuji and Huang Ji, who worked with a minimalist crew and mostly non-professional actors, gave a round of thanks to Asian leading auteurs for inspiring them, and then hugged each other on stage for winning the Taipei Golden Horse Film Awards best narrative feature prize with their pregnancy drama “Stonewalling.” The numerical winner on Saturday night was “Old Fox,” which earned the best director award for Hsiao Ya-chuan, as well as the best supporting actor, makeup and costume, and best film score prizes. The nominations, announced in October, saw “Snow in Midsummer” collect nine nominations and Taiwan‘s Oscar contender “Marry My Dead Body” head the field with eight.

Patrick Frater Asia Bureau Chief The QCinema Project Market, the industry initiative that accompanies The Philippines’ QCinema International Film Festival, revealed its winners list on Tuesday delivering almost $500,000 of grants and in-kind support. The prizes followed a two-day networking and pitching event on Nov. 18 and 19 for 19 feature-length fiction film projects from Southeast Asia.

Patrick Frater Asia Bureau Chief Cannes’ Directors Fortnight section has joined forces with The Philippines for the latest edition of its Directors Factory professional training program. Operating since 2013, when it kicked off in Taiwan, the Directors’ Factory works with a new partner country each year to mentor eight budding filmmakers who are preparing ambitious first or second feature projects that they will make in pairs. The four resulting co-written and co-directed short films will be screened as part of the Directors’ Fortnight (aka Quinzaine des Cineastes) in May. Four pairs were selected in Manila in October: Eve Baswel (Philippines) and Gogularaajan Rajendran (Malaysia); Maria Estela Paiso (Philippines) and Ashok Vish (India); Arvin Belarmino (Philippines) and Lomorpich Rithy (aka YoKi) (Cambodia); Don Josephus Raphael Eblahan (Philippines) and Tan Siyou (Singapore). They have now begun writing their screenplays and are expected to shoot their films March in Dapitan, a city in The Philippines’ Zamboanga Peninsula, known for its many shrines and as the place of exile of Philippines’ national hero, Jose Rizal. These days it is a hub for domestic and international tourism. Post-production of the four titles will then be hosted in Quezon City, which seeks to become the new film capital of the Philippines and where many of the country’s post-production houses are already based. The program is operated and co-produced by Epicmedia Productions of The Philippines and Dominique Welinski, founder and curator of DW (France).

This year’s winners at Camerimage Film Festival in Toruń, Poland were unveiled Saturday, with The New Boy, Warwick Thornton’s drama about an indigenous boy taken in at a mysterious remote monastery, taking the top prize.

Patrick Frater Asia Bureau Chief “Deep Sea,” an innovative Chinese-made animation film that has played the international festival circuit throughout this year, will release in North American theaters later this month. Theatrical rights were acquired by Viva Films from Netherlands-China sales outfit Fortissimo Films. Viva plans an outing on Nov.

Happy Friday Insiders. Jesse Whittock back again. The strike is over and normality is set to return to the world of TV and film after months of madness. Here’s a rundown of the biggest stories of the week. Don’t forget to sign up to the newsletter here.

Taiwan-Japan documentary After the Snowmelt and Filipino fantasy feature Mother Maybe were presented with the TAICCA X CNC Awards at the close of the pitching forum at Taiwan Creative Content Fest (TCCF). Both awards came with a cash prize of $30,000. 

Patrick Frater Asia Bureau Chief The fourth running of the Taiwan Creative Content Fest (aka TCCF) wrapped on Friday with the award of some 30 prizes to film and TV projects in five sections. The prizes followed three and a half days of one-on-one meetings and pitching within the context of the TAICCA-backed project, innovation and rights sales market.

France’s Centre National du cinéma et de l’image animée (CNC) and Taiwan Creative Content Agency (TAICCA) have signed a cooperation agreement, aimed at increasing collaboration and exchanges between the film and TV industries of Taiwan and France. 

Patrick Frater Asia Bureau Chief Taiwanese production companies DaMou Entertainment and KOKO Entertainment unveiled a starry local cast for “Fired Up,” their Taiwan remake of hit Korean series “Itaewon Class.” At an event held within the Taiwan Creative Content Fest (TCCF) on Thursday, the two companies also confirmed plans for a second season of “The World Between Us,” a 2019 drama series that premiered on Taiwan’s Public Television Service and regional streamer Catchplay. “Fired Up” will star Mandarin-language pop star Eric Chou, Golden Horse Film Award nominee Angela Yuen, Shao Yu-wei, Huang Guan-zhi, Cosmos Lin, Ben Wu and Sean Lin in leading roles. The show is co-directed by kao Pin-chuan and Tseng Ying-ting, working from a script headed by Chien Li-ying (“Wave Makers”). “Itaewon Class” is a story about an ex-convict who sets up his own business after release from jail.

Patrick Frater Asia Bureau Chief France and Taiwan on Thursday signed a wide-ranging agreement to enable their film and TV industries co-operate on a higher level. At a signing ceremony in Taipei at the Taiwan Creative Culture Fest (TCCF) convention, government representatives of both territories stressed shared values at the political level and in the audiovisual sphere.

Warner Bros Discovery is reteaming with Taiwanese production company DaMou Entertainment to produce HBO Asia original Fired Up! (working title), an adaptation of hit Kakao webtoon Itaewon Class. 

Patrick Frater Asia Bureau Chief Adele Lim, the screenwriter behind “Crazy Rich Asians” and Disney’s “Raya and the Last Dragon” animation, says that the opportunities for Asian filmmakers are growing as Hollywood is becoming more receptive to international talent. “[In Hollywood] I felt that I was disadvantaged, coming from Malaysia. It is not the cultural nexus,” said Lim, whose infancy was in Malaysia, before her family moved to the U.S.

Patrick Frater Asia Bureau Chief Series Mania Institute, the first school entirely dedicated to series, and Taiwan Creative Content Agency (TAICCA), Wednesday announced launch next year of Serial Bridges, a workshop event, in France and Taiwan. The first workshop will begin in March at Series Mania (Mar. 15-21, 2023, 2024) in Lille, France, and conclude at the Taiwan Creative Content Fest in November 2024. The Serial Bridges workshop is open to six writer-producer duos with a series project.

France’s Series Mania Festival is teaming with Taiwan Creative Content Agency (TAICCA) to launch a workshop, Serial  Bridges, in France and Taiwan next year that is aimed at East Asian screenwriters and producers. 

Adele Lim, screenwriter of Crazy Rich Asians and writer-director of Joy Ride, talked about the realities of bringing Asian stories to mainstream global audiences in a panel, ‘Asian Rising Power in Hollywood’, on the second day of Taiwan Creative Content Fest (TCCF). 

Taiwan Creative Content Fest kicked off in Taipei today with organizer, Taiwan Creative Content Agency (TAICCA), emphasizing its soft power ambitions and growing international cooperation activities, in particular with France, South Korea and Japan. 

Patrick Frater Asia Bureau Chief Japanese entertainment conglomerate Kadokawa is seeking to double its international revenues through a strategy of diversification and localization. Taiwan is expected to be a key plank in the outreach, executives at the Taiwan Creative Content Fest (TCCF) heard on Tuesday. “Currently 20% of Kadokawa’s revenues come from outside Japan. I want to get this figure to 40%,” said Natsuno Takeshi, CEO Kadokawa Corp. Kadokawa has its roots in publishing of comics and other fiction and also has deeply-established roots in film production and distribution.