‘Filipinana,’ ‘The Remotes’ Win Top Prizes at QCinema Project Market in The Philippines – Global Bulletin

Patrick Frater Asia Bureau Chief Australian streamer Stan has acquired rights to both seasons, totaling 20 episodes, of the Malaysian adaptation of Scandinavian crime series “The Bridge.” The agreement, brokered by Lyle Bettson-Barker, SVP Australia and New Zealand from Banijay Rights, represents the first time that Stan has acquired a Malaysian drama series. The Asian version of “The Bridge” was initially commissioned by Viu and HBO Asia in 2018, after Double Vision, part of the Vision New Media group, introduced Viu to the format. It broadcast to across 23 territories in the combined footprints of Viu and HBO Asia and was also shown on Viu in South Africa.The title has garnered more than 20 regional awards and nominations across its two seasons, making it the most awarded drama in Malaysian history. Season one faithfully follows the original show, and sees a dead body found on the border between Malaysia and Singapore, necessitating an investigator from each country to work together to solve the crime.

Larian Studios’ Baldur’s Gate 3 took the marquee Game of the Year prize at the 10th annual Game Awards, which were handed out tonight at the Peacock Theater in Los Angeles.

Patrick Frater Asia Bureau Chief The Korean-produced series “The Glory” won the best drama series award on Thursday at the Asian Academy Creative Awards Gala Final. Thai-produced TV movie “Hunger” was named best feature film. The awards are organized by the Asian Academy of Creative Arts (AACA) a.k.a Asian Academy Creative Awards (AAA) and are held alongside the Asia Television Forum and Market (ATF) in Singapore. The AACA “was established to honor creative excellence and serve as a peer judged pinnacle of achievement in content creation, performance and media production.” By the conclusion of the gala ceremony, Singapore, Japan and India had each claimed seven prize wins.

Patrick Frater Asia Bureau Chief China’s Linmon Media celebrated its tenth anniversary this week by unveiling 16 new shows for its 2024 production and release slate. The roster included seven Chinese period drama series, five contemporary shows and two more being made in Thailand. “We are not just a producer, we are a studio,” Zhou Yuan, co-founder and EVP of Linmon, told Variety on the sidelines of the company’s predominantly English-language presentation at the Asia Television Forum & Market in Singapore.

Nick Holdsworth At the closing ceremony of the 3rd edition of the Red Sea Film Festival Thursday, which took place in Jeddah, Saudi Arabia, in front of an audience that included Hollywood stars Nicolas Cage, Gwyneth Paltrow, Halle Berry, Jason Statham and Adrien Brody, the Golden Yusr for best film and a $100,000 cash prize went to Pakistani-Canadian horror film “In Flames,” directed by Zarrar Kahn. The director said that the indie movie was shot for “just $300,000 — the size of a Red Sea Fund production grant.” He urged “everyone who gets a grant to go make a movie, because this was made for nothing.” The Silver Yusr prize for best feature film went to Tarsem Singh for “Dear Jassi.” The film, an India/Canada/U.S.

Patrick Frater Asia Bureau Chief Something Special, the Seoul-based international format agency founded by format specialists Jin Woo Hwang (president and executive producer) and Kim In Soon (EVP & head of content) announce that ITV Studios has optioned the hit Korean celebrity format “Battle in the Box” for France, Australia, New Zealand, and Israel. The deal was unveiled on Wednewday, the first full day of the Asia Television Forum and Market (ATF) in Singapore. “Battle in the Box,” created by Korea’s NMedia and represented globally by Something Special, has previously seen deals announced with Fremantle for Denmark, Norway, Sweden, Finland, the Netherlands, Belgium and Portugal.

Naman Ramachandran The BBC has revealed a first look for season 2 of show “The Traitors.” Season 1 was a huge success and won two BAFTAs, including for host Claudia Winkleman. Set in a Scottish castle, the format sees 22 strangers compete in a series of missions for a chance to win £120,000 ($151,000). However, amongst the players lie the ‘Traitors,’ who meet in secret and decide who to eliminate from their fellow players known as ‘Faithfuls.’ “The Traitors” will return on Jan.

Patrick Frater Asia Bureau Chief Webtoons, the vertical-scrolling iteration of digital comics that emerged some twenty years ago in Korea, along with the smartphone, are now a global medium. But they are only at the beginning of their global journey, says Charlie Park, CEO of Kakao Entertainment-owned Tapas. Park was speaking Tuesday at the Asia Television Forum in Singapore in a session moderated by industry consultant Jimmy Kim. Park explained that the webtoon segment was for several years a niche fan-driven activity with few opportunities for monetization.

Emmerdale star Matthew Wolfenden has confirmed that he is working on a new project just days after his exit aired on the soap.The David Metcalfe actor left the Dales after almost two decades of playing the iconic shopkeeper. It comes amid a time of change for the star who recently confirmed he was calling time on his marriage to former co-star Charley Webb, who he shares three children with.

Patrick Frater Asia Bureau Chief Singapore actor and filmmaker Alaric Tay (“Zombiepura”), through his Very Tay Media company has joined forces with two Philippines companies Black Ops Studios Asia and PsyOps Studios to produce a slate of films aimed at international markets. The venture, that was facilitated by Hong Kong-based producer Mike Leeder, was announced on the eve of the Asia Television Forum (ATF) in Singapore. They aim to put together a combined slate across diverse genres, including action, sci-fi, horror and comedy and have suggested a timeline extending to the fourth quarter of 2026. The joint venture also includes partnerships with other Asian companies including Screen Ops (HK), Fly Entertainment, Causeway Media Productions and IAmCasting. “Singapore and the Philippines have the individual potential to execute projects with commercial appeal,” said Tay. “But by building stories together with like-minded visionaries beyond our own shores, we can elevate the types of projects that are being produced in our collective countries.” Tay was the star and executive producer of 2018 Singapore zombie movie “Zombiepura.” He was also co-producer and director of HBO Asia’s first comedy drama series “SeNT” and is best known for playing multiple characters on Mediacorp satirical series “The Noose.” Headed by director Pedring Lopez and producer Rex Lopez, Black Ops Studios Asia and PsyOps Studios focus on action films and series.

K.J. Yossman Canal+ is launching in the Netherlands, offering a mix of live TV and streaming on one platform.

The Last Dinner Party feature on The Cover this week (December 4) as we continue to renew our commitment to supporting emerging talent across the globe on a weekly basis. Every week, a rising artist will feature on The Cover, and the full interview with The Last Dinner Party can be read here.To celebrate, the five-piece have put together a playlist titled ‘Songs To Rip Pillows To’, featuring tracks from Lady Gaga, Nova Twins, Grace Jones, Mitksi and more.

Moroccan filmmaker Asmae El Moudir has made history at the 20th edition of Morocco’s Marrakech Film Festival as the first local director to win its top prize with her hybrid documentary The Mother Of All Lies.

FBI is a smash hit series for CBS.

Mike Wass A densely layered multimedia project that combines music, comic book art, holograms and mini-movies, Metro Boomin’s “Heroes & Villains” is wildly ambitious. That scope and vision comes through in the music. “Superhero” sets the tone for the album with its propulsive beats and “The Dark Knight”-referencing Kanye West sample, while “Creepin’” finds the producer rebuilding Mario Winans’ 2004 classic “I Don’t Wanna Know” from the ground up.

It's not often that Manchester City do business in the January transfer window but you never can rule it out.

Patrick Frater Asia Bureau Chief The Philippines’ ABS-CBN is to launch its new series “The Bagman” at next month’s ATF market in Singapore. Series star Arjo Atayde will attend as part of the promotional team. “The Bagman” is a spin-off from the original, locally-produced digital series “Bagman” that was aimed at the Filipino audience.

Patrick Frater Asia Bureau Chief Chinese films “Trending Topic” and “The Invisible Guest” will be given theatrical releases in Malaysia and Singapore in the coming month. This step follows agreements between Chinese streamer iQiyi and Malaysian cinema chain GSC and Singaporean distributor Clover Films.

Patrick Frater Asia Bureau Chief Cannes’ Directors Fortnight section has joined forces with The Philippines for the latest edition of its Directors Factory professional training program. Operating since 2013, when it kicked off in Taiwan, the Directors’ Factory works with a new partner country each year to mentor eight budding filmmakers who are preparing ambitious first or second feature projects that they will make in pairs. The four resulting co-written and co-directed short films will be screened as part of the Directors’ Fortnight (aka Quinzaine des Cineastes) in May. Four pairs were selected in Manila in October: Eve Baswel (Philippines) and Gogularaajan Rajendran (Malaysia); Maria Estela Paiso (Philippines) and Ashok Vish (India); Arvin Belarmino (Philippines) and Lomorpich Rithy (aka YoKi) (Cambodia); Don Josephus Raphael Eblahan (Philippines) and Tan Siyou (Singapore). They have now begun writing their screenplays and are expected to shoot their films March in Dapitan, a city in The Philippines’ Zamboanga Peninsula, known for its many shrines and as the place of exile of Philippines’ national hero, Jose Rizal. These days it is a hub for domestic and international tourism. Post-production of the four titles will then be hosted in Quezon City, which seeks to become the new film capital of the Philippines and where many of the country’s post-production houses are already based. The program is operated and co-produced by Epicmedia Productions of The Philippines and Dominique Welinski, founder and curator of DW (France).

Patrick Frater Asia Bureau Chief iQiyi, the NASDAQ-listed Chinese streaming firm, confirmed its recent swing from loss to profitability with a July-September quarter that saw revenue and profits growth even as subscription numbers dipped fractionally. Net income attributable to iQIYI was RMB476 million ($65.2 million), compared to a net loss of RMB396 million in the same period in 2022, the company said in a filing on Tuesday. Using the company’s preferred non-GAAP statement of its accounts, net income was RMB622 million ($85.3 million), compared to non-GAAP net profits of RMB187 million in the same period last year. Total revenues in the period were RMB8.0 billion ($1.1 billion), a 7% year over year increase. Within that figure, subscription revenue was RMB5.0 billion ($687 million), up 19% year over year.