‘Goodbye Julia,’ Cannes’ First Film From Sudan, Snapped Up by France’s ARP Sélection (EXCLUSIVE)

Jessica Kiang With conflict currently erupting in Sudan, one could be forgiven for approaching Mohamed Kordofani’s “Goodbye Julia,” which takes place in Khartoum during the six years prior to the 2011 secession of South Sudan, as a worthy, topical history lesson. And it certainly does have merit as a primer for the class, ethnic and religious unrest that besets the troubled state. But what actually transpires is far more engaging, in the vein of Asghar Farhadi, wherein a tight, high-concept moral core unravels into strands of widening, deepening social consequence. Telling the story of a fraught friendship between two very different women, Kordofani’s intelligent, compassionate scripting ensures that the political never overwhelms the personal. Yet it also illuminates just how well the fault lines that divide a nation can map onto the rifts within a human heart divided against itself. 

Variety‘s critics pick the most notable dozen. Distributor: Neon One of seven women filmmakers in competition, Justine Triet has taken a familiar genre (the court- room drama) and turned it on its head. A frustrated writer dies of suspicious causes, leaving behind clues that implicate his wife (Sandra Hüller).

Nick Vivarelli International Correspondent Italy’s RAI Cinema, which has four titles in this year’s Cannes selection, has closed a deal on Ron Howard’s next movie “Origin of Species,” a hot project at the Cannes market starring Daisy Edgar-Jones, Ana de Armas, Jude Law and Alicia Vikander. RAI Cinema chief Paolo Del Brocco said the company – which is the film arm of Italian state broadcaster RAI – has teamed up with Rome-based Lucisano Media Group to acquire Italian rights from CAA Media Finance on Howard’s survival thriller penned by Noah Pink (“Tetris”) about a a group of eclectics who turn their backs on civilization and head to the Galapagos. In Cannes, RAI Cinema also picked up Italian rights from Gaumont on family movie “Moon The Panda,” by French humans and animals adventures specialist Gilles de Maistre, known for “Mia and the White Lion”and “The Wolf and the Lion.” De Maistre’s latest, about the friendship between a boy and a panda, is set to shoot later this month in China’s Sichuan mountains.

Nick Vivarelli International Correspondent “Bikini Blue” director Jarek Marszewski will direct the 1920s-set euthanasia drama “Iron Ribbon,” for which Los Angeles-based Egyptian actor Mohamed Karim is attached and Tom Hughes (“The English”) is in advanced talks.  The English-language romantic thriller, which is being produced by London-based Daniella Gonella and Jay Michaelson’s DG Productions, is based on the true story of rising Polish stage star Stanislawa Uminska, who in 1924 killed her cancer-stricken fiancé (the dashing painter, critic and writer Jan Zynowski) in Paris upon his request as an act of euthanasia. She then stood trial, but was set free by the French court.

every year, and 2023 is no different. Among all the diamonds and show-stopping gowns are the beauty looks, both classic and experimental, that are just as much of a spectacle as the outfits.Take Helen Mirren, who switched up her signature silver strands for a very modern .

Marta Balaga  Zoljargal Purevdash’s “If Only I Could Hibernate,” the first Mongolian film to be shown in Cannes’ official selection, marks another important step for the industry that’s ready to make some moves.  “Things are looking up,” observes the director, mentioning the newly established Mongolian National Film Council and Mongolian Film Fund. “Mongolia just introduced its new film law [which came into force in January 2022] so it’s really starting right now. I hope we will be able to make more films in the future.”  Her debut feature, presented at Un Certain Regard, was produced by Amygdala Films and France’s Urban Factory, with Urban Sales also on board. 

Nick Vivarelli International Correspondent Adrian Wootton, CEO of Film London and the British Film Commission, will preside over the jury of the Malta Film Commission’s inaugural Mediterrane Film Festival celebrating movies from the Mediterranean Basin. The fest, which will take place in Valletta, Malta’s capital, and other locations on the island between June 25-30, will showcase films from each of the MED9 nations, an alliance of nine Mediterranean and Southern European Union member states. It comprises: Croatia, Cyprus, France, Greece, Italy, Malta, Portugal, Slovenia and Spain. Besides Wotton the other jury members are “Triangle Of Sadness”actor Zlatko Burić; Cypriot filmmaker Tonia Mishiali; French actor and director Vahina Giocante; Greek producer Amanda Livanou; Italian journalist Boris Sollazzo; Maltese critic Mario Azzopardi; Portuguese journalist and programmer José Vieira Mendes; Slovenian journalist Tina Poglajen; and Spanish programmer Carlos Reviriego.

Nick Vivarelli International Correspondent CAA Media Finance has come on board to handle sales in North America on Mohamed Kordofani’s “Goodbye Julia,” the first film from Sudan to launch from the Cannes Film Festival. CAA will be working in tandem with Egypt-based producer Ali El Arabi’s Ambient Light Films, which holds North American rights for the timely drama that premiered on May 21 in Un Certain Regard. “Goodbye Julia” takes place just before the 2011 secession of South Sudan. It revolves around two women, one from the north, the other from the south, that are brought together by fate in a complex relationship that attempts to reconcile differences between northern and southern Sudanese communities.

EXCLUSIVE: Egyptian-U.S. company Ambient Light has acquired North American sales rights for Sudanese director Mohamed Kordofani’s Cannes Un Certain Regard title Goodbye Julia.

Nick Vivarelli International Correspondent Italy’s Intramovies has acquired global rights outside of Israel and France on Israeli director Dani Rosenberg’s Gaza-Strip conflict drama “The Vanishing Soldier.”  “Vanishing Soldier” is Rosenberg’s second feature after “The Death of Cinema and My Father Too,” which was in the official selection in Cannes 202O and won the Jerusalem Film Festival’s top prize. The film is about an 18-year-old Israeli soldier who flees the Gaza battlefield and heads back to his girlfriend in Tel Aviv only to discover that the military elite is convinced he was kidnapped in the fog of war. What ensues is a tragicomic journey and takes place over a period of 24 hours on the streets of Tel Aviv.

Nick Vivarelli International Correspondent Nanni Moretti’s “Il sol dell’avvenire” (“A Brighter Tomorrow”), a multi-layered love letter to filmmaking in the age of streaming giants, has scored a slew of sales ahead of it’s Cannes bow. French sales company Kinology has sealed deals to Moretti’s latest work with a slew of territories including Germany (Prokino); Spain (Caramel Films); Benelux (Cineart) and Switzerland (Xenix Filmdistribution).  Additional countries that have taken a shine to “Brighter Tomorrow” are Portugal (Midas Filmes); Austria (Filmladen); Ex-Yugoslavia (MCF Megacom Film) Greece (Feelgood Entertainment); Hungary (Circo Film); Israel (Lev Films and Cinemas); Latin America (Providences Films); Romania (Independent Film);  and Turkey (Filmarti).

Nick Vivarelli International Correspondent Saudi Arabia is flying the flag at the Cannes Film Festival where the kingdom’s Cultural Development Fund officially unveiled two separate film sector funds worth a total of $180 million aimed at fostering the local film industry and attracting international industry players. At a breakfast event titled “A Billion Dollar Opportunity” Mohammed Bin Dayel, who is CEO of the Cultural Development Fund, and the fund’s chief strategy and business development officer Najla AlNomair announced an investment program with a budget of $80 million “that will target film and media production, distribution and infrastructure,” said Bin Dayel. He separately announced Saudi’s first film investment fund worth $100 million.

“Elemental” and Martin Scorsese’s Apple-produced “Killers of the Flower Moon” an additional veneer of vindication. As to the box-office futures of the 20-odd films competing for this year’s Palme d’Or, certainly none will reach the international highs of James Mangold’s “Indiana Jones and the Dial of Destiny,” but then, none were ever expected to.Instead — and at its best — Cannes works as a sophisticated shell game, channeling the glamour of the red carpet and the frenzy of 40,000 accredited guests to make glitzy international events out of existential Turkish dramas like Nuri Bilge Ceylan’s “About Dry Grasses,” existential Finnish dramedies like Aki Kaurismäki’s “Fallen Leaves”or intimate two-headers about 19th-century French gastronomy like Tran Anh Hung’s “The Pot au Feu.”Other Palme d’Or contenders will come with built-in SEO, as Wes Anderson’s more-star-packed-than-usual “Asteroid City”threatens to saddle red-carpet rubberneckers with a permanent case of whiplash once the Texan auteur’s full repertory company mounts the Palais steps alongside new additions Tom Hanks and Scarlett Johansson.That all the aforementioned filmmakers could walk those Palais steps in blindfolds is another notable element of an official competition marked by staggering high fidelity.

Leo Barraclough International Features Editor Berlin-based sales agency M-Appeal has released the trailer (below) for Swiss director Maxime Rappaz’s debut feature “Let Me Go,” which will open the Cannes ACID sidebar on Wednesday. Set in a remote town in the Swiss mountains, the film features French actress Jeanne Balibar in the lead role. She plays the character of Claudine, a mother who has devoted her life to taking care of her son, sacrificing her own needs and desires. An unexpected love affair causes Claudine’s carefully controlled world to unravel, “reviving in her an intense thirst for freedom and, at the same time, a painful questioning about her future,” Rappaz says.

After one of France’s top actors announced she was quitting the industry that she denounced for “complacency toward sexual aggressors”, Cannes Film Festival chief Thierry Fremaux rejected her criticisms. Adele Haenel, star of the 2019 Cannes entry Portrait Of A Lady On Fire, last week published an open letter in the Telerama magazine in which the 34-year-old said Cannes and other pillars of the French film industry are “ready to do anything to defend their rapist chiefs”. Mr Fremaux strongly disagreed while speaking to journalists before the festival kicks off on Tuesday with the premiere of Maiwenn’s historical drama Jeanne Du Barry, starring Johnny Depp.

Nick Vivarelli International Correspondent Emmy Award-winning director Adam Bernstein (“30 Rock,” “Fargo,” “Better Call Saul”) is set to helm new Prime Video Italy original “Costiera,” an English-language action drama set on Italy’s iconic Amalfi Coast. The high-end show is being co-produced by Amazon Studios and Luca Bernabei for Lux Vide, the prominent Italian company behind financial thriller “Devils” that is owned by Fremantle. Though production on “Costiera” is set to start on location this summer, the international cast is being kept under wraps. Under a highly innovative deal structure, Fremantle will handle global sales on “Costiera” in all territories outside of Italy, France, Spain and Portugal where Amazon is holding on to full exclusive rights.

A Scots mum and her kids can start rebuild their lives after being evacuated from war-torn Sudan after a fundraising appeal raised thousands.

Khartoum-set drama Goodbye Julia will make history in Cannes this year as the first Sudanese film to play in the festival across its 76 editions.

Nick Vivarelli International Correspondent Italian actor Caterina Murino, best known globally for playing Solange in James Bond movie “Casino Royale,” will be the master of ceremonies at the upcoming Venice Film Festival. Born in Cagliari, Sardegna, Murino made her big screen debut in 2002 in late Chilean writer/director Luis Sepulveda’s political drama “Nowhere” which played well in France. She returned to French film screens in 2004 in “L’Enquete Corse” opposite actors Christian Clavier and Jean Reno. In 2006 Murino gained global visibility as the new 007 Bond Girl alongside Daniel Craig with her role as the shady seductive Solange Dimitrios in “Casino Royale.” 

Elsa Keslassy International Correspondent Memento International has closed major deals on Martin Provost’s “Bonnard, Pierre And Marthe” ahead of the film’s world premiere at the Cannes Film Festival. Slated for Cannes Premiere, the period film revolves around the colorful relationship and epic love between renowned French painters Pierre and Marthe Bonnard who are played by Vincent Macaigne (“Irma Vep”) and Cecile de France (“Lost Illusions”). The film has been pre-sold by Memento International to key distributors in Italy (I Wonder), Canada (Sphère Films), Latin America (California Filmes), South Korea (AUD), Taiwan (Flash Forward), Airlines (Skeye), Poland (Hagi), Hungary (Vertigo), Portugal (Nos Lusomundo), Czech Republic (Cinemart), Bulgaria (Beta Film), Ex-Yugoslavia (Demiurg).