Italy’s RAI Cinema Takes Ron Howard’s ‘Origin of Species’ at Cannes Where They Have Four Films Including ‘Killers of the Flower Moon’ (EXCLUSIVE)

Nick Vivarelli International Correspondent Reactions are pouring in across Italy and globally to the death on Monday of scandal-tainted media mogul and politician Silvio Berlusconi that marks the end of an Italian era and raises questions about the future of his empire which spans from TV, advertising, and sports to real estate and insurance. Berlusconi, who was 86, died Monday morning at Milan’s San Raffaele hospital from complications of a lung infection due to chronic leukemia. At his bedside where four of his five children Eleonora, Barbara, Marina and Pier Silvio and his brother Paolo. As former Italian prime minister Matteo Renzi, a political rival and leader of Italy’s centrist Italia Viva party put it: “Silvio Berlusconi made the history of this country. Many loved him, many hated him: everyone must recognize that his impact on our political life, as well as on its economic, sports and television spheres, was unprecedented. Today Italy mourns together with his family, his loved ones, his party.”

Nick Vivarelli International Correspondent The Taormina Film Festival, one of Italy’s oldest movie celebrations, has undergone many makeovers through the years. Held since the mid-1950s in the Sicilian resort that recently got a promotional boost as the location of “The White Lotus” Season Two, this storied summer fest boasts an 8,000-seat open-air ancient Greek amphitheater in the shadow of Sicily’s active Mt. Etna volcano. In 2000, Tom Cruise stood on stage, greeted by hundreds of lit candles and a standing ovation to celebrate his 38th birthday while he was promoting “Mission: Impossible 2.” Ups and downs followed, as several chiefs took the Taormina reins over the the ensuing decades, until more recently the event fell off the international radar.

noting that the film “doesn’t so much pit one faith against another, casting oppressors against oppressed; instead, the film sets individuals against larger institutions.” It has earned $1.14 million in Italy since opening there in late May.Marco Bellocchio, along with his contemporaries Bernardo Bertolucci and Pier Paolo Pasolini, helped redefine Italian and world cinema in the 1960s and beyond. He created the landmark films “Fists in the Pocket,” “China Is Near,” “The Eyes, the Mouth” and “Devil in the Flesh,” among other films amid a career that spans over 50 years.

Elsa Keslassy International Correspondent Cohen Media Group has scooped rights to “Kidnapped,” the latest movie by revered Italian master Marco Bellocchio, which world premiered in competition at the Cannes Film Festival. The drama reconstructs the true tale of Edgardo Mortara, a young Jewish boy who was kidnapped and forcibly raised as a Christian in 19th-century Italy. Described by Variety as a “handsomely mounted period drama,” “Kidnapped” opens in 1858, in the Jewish quarter of Bologna, where the Pope’s soldiers burst into the home of the Mortara family. By order of the cardinal, they have come to take Edgardo, their seven-year-old son. The child had been secretly baptized by his nurse as a baby, and the papal law is unquestionable: he must receive a Catholic education.

Nick Vivarelli International Correspondent Roman Polanski’s “The Palace” has been set for release in Italian theatres in September, prompting speculation that the controversial director’s black comedy set in a posh hotel in the Swiss Alps resort of Gstaad on the eve of the new millennium could be launching from the Venice Film Festival. Italy’s RAI Cinema, which is a main backer of Polanski’s new film, has slated a September 28 local release date via its 01 Distribuzione unit for “The Palace” which has an ensemble cast including Mickey Rourke, John Cleese and Fanny Ardant. Other key cast members include German actor Oliver Masucci (“Fantastic Beasts: The Secrets of Dumbledore”); Portugal’s Joaquin De Almeida; the U.K.’s Bronwyn James (“The Dig”) and Italy’s Fortunato Cerlino (”Gomorrah”).

Nick Vivarelli International Correspondent Pablo Larraín is in Italy where the prolific Chilean auteur – whose body of work comprises “Spencer” with Kristen Stewart as Princess Diana and “Jackie,” in which Natalie Portman portrayed Jackie Kennedy, as well as scathing criticisms of the Chilean dictatorship “Post Mortem,” “No,” and “Neruda” – is being honored by Italy’s National Museum of Cinema with a lifetime achievement award. Prior to his masterclass conducted on Tuesday by museum president Domenico De Gaetano, Larraín spoke to Variety about his two latest projects: Netflix movie “El Conde” which is tipped to launch from Venice, and “Maria,” the biopic of late great soprano Maria Callas, to be played by Angelina Jolie, which is now in prep.

Nick Vivarelli International Correspondent Alice Rohrwacher’s “La Chimera,” in which “The Crown” star Josh O’Connor plays a British archeologist named Arthur who gets involved in an international network of stolen Etruscan artifacts during the 1980s, has sold worldwide after premiering positively in Cannes. The Match Factory has inked deals for the film in the U.K. and Ireland (Curzon); Australia and New Zealand (Palace Entertainement); Benelux (September Film); Germany (Piffl Medien); Hong Kong (Edko);  Spain (Elastica); South Korea (M&M International); China (Jetsen); Japan (Bitters End); Taiwan (Swallow Wings); Austria (Stadtkino); Baltics (A-One); Bulgaria (Art Fest); CIS (Mauris Film); Czech Republic & Slovakia (Aerofilms); Finland (B-Film); Denmark (Filmbazar); Former Yugoslavia (MCF): Greece (Cinobo); Hungary (Cirko); Middle East and North Africa (Moving Turtle); Poland (Aurora Films); Portugal (Midas); Romania (Independenta); Singapore (Anticipate Pictures); Thailand (Documentary Club); and Ukraine (Arthouse Traffic). 

Italian filmmaker Alice Rohrwacher’s latest pic La Chimera has inked a series of international deals for The Match Factory following its well-received debut at last month’s Cannes Film Festival.

Nick Vivarelli International Correspondent Marco Bellocchio’s drama “Kidnapped” that reconstructs the true tale of a Jewish boy who was kidnapped and forcibly raised as a Christian in 19th century Rome, has opened strongly in Italy following its Cannes launch. The revered Italian auteur’s film about Edgardo Mortara, who in 1858 was taken away from his family in Bologna to live in the Vatican – after it surfaced that the boy secretly been baptized a Christian – has also sparked debate and prompted the Vatican to comment the abduction for which Pope Pius IX has been held responsible. “Kidnapped” over the weekend bowed in third place at the Italian box office, placing itself after “The Little Mermaid” and “Fast X” and pulling a handsome more than €550,000 ($587,000) intake to date from roughly 300 screens.

Wim Wenders’ Tokyo-based Cannes Competition title Perfect Days has clocked a series of international deals for The Match Factory.

attending the Cannes Film Festival last week, Scorsese visited Italy and had a conversation with Antonio Spadaro, editor-in-chief of the magazine “La Civiltà Cattolica” — translated to the “Catholic Civilization” — Monday.He revealed in the chat that he recently saw the pontiff, 86.“I responded to the Pope’s appeal to artists the only way I know how: by imagining and writing a screenplay for a film about Jesus,” he said. “And I’m about to start making it.”The “Aviator” director — who was raised Catholic and often deals with religious subjects in his films — also spoke with Spadaro about his acclaim for Pier Paolo Pasolini’s 1964 epic “The Gospel According to St.

Nick Vivarelli International Correspondent Eight months after Italy took a sharp turn to the right, the government headed by Prime Minister Giorgia Meloni – whose Brothers of Italy party has neo-fascist roots – is wreaking havoc at state broadcaster RAI, prompting the abrupt exit of several executives and TV personalities and causing alarm within the country’s film and TV sectors. At RAI, where politics have always held sway, managing director Carlo Fuortes resigned earlier this month saying he was unwilling to “agree to changes” in the broadcaster’s content and programming “that I do not consider to be in RAI’s best interests,” he underlined. Fuortes has now been replaced by Roberto Sergio, a veteran RAI executive who is considered basically bi-partisan. The pubcaster’s new general director, instead, is former RAI board member Giampaolo Rossi, who is backed by Meloni’s Brothers of Italy and is known for his controversial tweets and support of Vladimir Putin, Donald Trump and far-right Hungarian Prime Minister Viktor Orbán.

Martin Scorsese has announced that he’s making a new film about Jesus after meeting Pope Francis in Italy.The director, who identifies as Catholic, shared the news on Saturday (May 27) during a conference at the Vatican.“I have responded to the Pope’s appeal to artists in the only way I know how: by imagining and writing a screenplay for a film about Jesus,” Scorsese said (via Variety), adding: “And I’m about to start making it.”Scorsese was in Rome with his wife, Helen Morris, to attend a conference titled The Global Aesthetics of the Catholic Imagination, where he briefly met Pope Francis.The director previously tackled the life of Jesus Christ in his 1988 religious epic The Last Temptation Of Christ, where Willem Dafoe played the lead character.

Alice Rohrwacher’s “La Chimera” flits between languages (English, Italian, French, German) as fluidly as it does mediums (35mm, Super16mm, and 16mm cinematography) and styles (jerkily sped up Chaplin-esque scenes, clinical CCTV footage, audacious 180-degree camera flips). Rohrwacher uses this mosaic of disparate approaches to hone in on other kinds of incongruous and unpredictable interplay: modern Italy and its ancient past, heartbreak and new love, and the real world and its spiritual mirror realm.

Italian filmmaker Alice Rohrwacher’s La Chimera absolutely charmed the Cannes Film Festival audience at its world premiere in competition this afternoon, receiving a 9-minute standing ovation inside the Palais’ Lumière theater. For those keeping score, that ties for the longest of this year’s event with Martin Scorsese’s Killers of the Flower Moon which played out of competition.

A Chimera is something one tries to achieve but alas, never manages to find. It is the heart and soul of a quest in life, in different ways, for the cast of characters in writer/director Alice Rohrwacher’s beautiful new film La Chimera premiering today as one of the last entries in competition at the 2023 Cannes Film Festival. It also happens to be one of the best.

In less than 10 years, Alice Rohrwacher has carved out a formidable reputation for herself, notably by gatecrashing the boys’ club that is traditionally the Cannes competition, and the fact that she did so in 2014 with only her second film, The Wonders, is further proof of a distinctive talent. One competition slot doesn’t guarantee another, yet Rohrwacher was back in 2018 with the follow-up, Happy as Lazzaro. Both films won prizes — Grand Prix and Best Screenplay, respectively — which means that expectations are high for the Oscar-nominated 41-year-old Italian, whose new film, La chimera, makes it three in a row.

Matt Donnelly Senior Film Writer The upper deck at France’s Hotel Du-Cap-Eden-Roc offers a stunning coastal view of nearby city Cannes, the kind that Jay Gatsby would covet to peep Daisy Buchanan. On Tuesday, at one of the hottest parties at this year’s Cannes Film Festival, that view belonged to Graydon Carter. Standing alone with a female companion, the creator of the digital publication Air Mail and iconic former editor of Vanity Fair observed not a long-lost love but a cliffside full of movie stars, auteur directors and Hollywood power players. Carter’s Air Mail co-hosted an evening celebrating the 100-year anniversary of Warner Bros. Pictures, the latter represented by Warner Bros. Discovery CEO David Zaslav and his top content lieutenants. Leonardo DiCaprio, Scarlett Johansson and Colin Jost, Robert De Niro, Martin Scorsese, Lily-Rose Depp, Sam Levinson, Jason Statham and Rosie Huntington-Whiteley, Rebel Wilson and more turned up to toast cinema and each other.

Kristen Stewart, Josh O’Connor and Elle Fanning are to lead The Match Factory and Mubi’s Rosebushpruning from Firebrand director Karim Aïnouz.

“I didn’t make a film against the pope or to condemn the Pope,” Italian filmmaker Marco Bellocchio said of his Cannes competition title Kidnapped at the official festival presser this morning.