Gareth Edwards Said He Was Offered 2 ‘Star Wars’ Films & Says Lucasfilm May Still Want To Make The One He Passed On

Disney has unset the wide theatrical release of Jeff Nichols’ Bikeriders from its Dec. 1 theatrical release. Wouldn’t you know? AMC has their Renaissance: A Film by Beyoncé on that date. Even though Beyoncé won’t be as big as Taylor Swift, she’ll the queen bee at the box office on the post Thanksgiving dead December weekend with around a $20M start.

Spoilers for the “Ahsoka” finale, “The Jedi, the Witch, and the Warlord,” are contained in this post. “Ashoka,” the “Star Wars” spin-off series starring Rosario Dawson, concluded last week on Disney+, and boy, I’m still grappling with just how frustrating, colossally disappointing, and underwhelming a whimper it all was.

Bradley Cooper has moved from one supermodel to the next… with help from the first??

Filmmaker Gareth Edwards is coming off his epic sci-fi original film, “The Creator,” a film that saved millions of dollars in VFX by essentially doing it all after the fact. Meaning instead of setting up expensive green screens, blue screens, and mo-cap suits to capture the spots where VFX would typically be inserted, Edwards and his team just shot the movie generally as one would in the wild and then basically Photoshopped on all the VFX afterward (that’s not the most technical version, but probably the most accurate the audiences will understand; read our ‘Creator’ review here).

Loose Women star Coleen Nolan joined fellow panellists Ruth Langsford, Brenda Edwards, and Coronation Street star Sally Dynevor on Monday's episode to discuss first impressions following the return of Big Brother. Just minutes after meeting one another, the Big Brother housemates were forced to make decisions based on their initial reactions to one another. Reflecting on the episode, lead panellist Ruth, 63, explained people inadvertently judge others when they first meet..

was spotted leaving dinner with A Star Is Born actor in New York City.According to photos shared by , the 28-year-old model and 48-year-old actor left the Italian restaurant Via Carota in the same black SUV. The pair walked side-by-side to the car, with Hadid dressed in a tan miniskirt, white crop top, and brown leather jacket, which she topped off with this season's favored black loafer and white crew sock combo. Cooper was dressed much more casually in a bright blue t-shirt, a plaid jacket, navy pants, and a yellow and blue cap.

Jazz Tangcay Artisans Editor Gareth Edwards’ “The Creator” was a resourceful sci-fi endeavor with an $80 million production budget, but its visuals are on par with epic blockbusters that cost three times that amount. Rather than shoot on a studio backlot, the filmmaker behind “Godzilla” and “Rogue One: A Star Wars Story” opted to shoot in eight different countries, including Nepal, Thailand, Vietnam, Cambodia, Indonesia and Japan. For an all-out climatic action sequence set in Thailand, a village comes under attack by the U.S.

We guess you really can’t help Who You Love.

With a budget of $80 million—a pittance compared to the budgets of most modern blockbusters— Gareth Edwards has made his long-awaited return to science-fiction on the big screen with “The Creator,” a provocative sci-fi adventure set roughly 50 years in the future, where Western society is devastated by and at war with artificial intelligence (read our review). Whereas the East, having not undergone a similar tragedy, has embraced and fostered the technology.

Michaela Zee “Rogue One: A Star Wars Story” director Gareth Edwards is once again addressing the multiple reports about the 2016 film requiring extensive reshoots overseen by Tony Gilroy (the eventual “Andor” creator was hired by Lucasfilm to join the “Rogue One” team in June 2016). On a recent episode of KCRW’s “The Business” podcast, Edwards claimed “there is so much inaccuracy” surrounding the making of the “Star Wars” prequel.

Refresh for latest…: Here we are with a sort of hybrid weekend at the international box office: there were fresh entries from the Hollywood studios, as well as major new titles timed to holiday play in local markets, and a holdover that’s continuing to rack up records.

Rebecca Rubin Film and Media Reporter Paramount’s animated sequel “PAW Patrol: The Mighty Movie” topped the box office in its debut, earning a solid $23 million from 3,989 North American locations over the weekend. Those ticket sales were more than enough to rule over the three other new nationwide releases, which could be categorized as the good (Lionsgate’s gruesome “Saw X“), the meh (Disney and New Regency’s sci-fi thriller “The Creator“) and the ugly (Sony’s Game Stop stock-inspired “Dumb Money“). “Saw X” took second place with $18 million, an impressive start for the 10th entry in the long-running horror series.

Rogue One director Gareth Edwards‘ new movie The Creator is now in theaters and it’s an epic sci-fi action thriller that will definitely have audiences excited!

Todd Gilchrist editor As costs spiral upward for production infrastructure, visual effects and good old fashioned star wattage, blockbuster budgets tend to be one of the closely guarded secrets in Hollywood. Yet in the weeks and months leading to the release of “The Creator,” due Sept.

Flashback looks back on fascinating stories or artifacts of the past, not necessarily tied to today’s news but still relevant and sometimes extra-significant in relation to today’s ever-evolving context. As we all know, “Rogue One: A Star Wars Movie” underwent major reshoots, apparently to salvage the film.

Jordan Moreau Move over, Barbenheimer, it’s time for Saw Patrol. This weekend sees the releases of four major movies, including Paramount’s family friendly “PAW Patrol: The Mighty Movie,” Lionsgate’s gory, R-rated “Saw X,” 20th Century’s sci-fi epic “The Creator” and “Sony’s GameStop stock story “Dumb Money.” “PAW Patrol” is expected to come out on top with an estimated $18 million to $20 million opening, but “Saw X” will be right on its tail with an estimated $15 million to $18 million. However, some projections go as high as $20 million to $25 million, overtaking the “PAW Patrol” pups.

“No one is really creating original sci-fi blockbusters anymore, it’s an endangered species.”

Gareth Edwards returns to theaters this weekend with “The Creator,” a sci-fi epic that’s his first feature since 2016’s “Rogue One: A Star Wars Story.” But is a return to big-budget blockbuster filmmaking for the director? Kind of, sort of, but not quite. “The Creator” boasts an $80 budget, still a hefty price tag these days, but mild in comparison to the estimated $265 million for “Rogue One” and the $160 for Edward’s 2014 film “Godzilla.” READ MORE: ‘The Creator’ Final Trailer: Gareth Edwards’ Sci-Fi Epic About The War Between Humans & A.I.

A familiar mélange and pastiche of sci-fi-tropes you’ve seen and felt before, filmmaker Gareth Edwards’ science-fiction drama, “The Creator,” is recognizable but, nonetheless, largely compelling— skillfully understanding the crucial balance of blockbuster scale and grounding character intimacy. Its intriguing examination of what constitutes a sentient being—coupled with its aesthetic mix of lo-fi, gritty, and grimy tech blended with sleeker, cleaner, and austerely traditional visual references to the future— makes for an engaging experience clearly designed for the big screen.

Emmerdale fans have said they're 'still recovering' as they were left stunned by Moira Dingle's sudden change. The ITV soap was back on screens on Tuesday night (September 26) and the character, played by Natalie J Robb, unveiled a glam new makeover by sporting a brand new hairdo.