Box Office: ‘PAW Patrol’ Sequel Wins Weekend With $23 Million Debut, ‘Dumb Money’ Flops With $3.5 Million

Killers of the Flower Moon” earned $9.4 million from 3,628 theaters on its opening day, a figure that includes $2.6 million in Thursday previews. The epic-length historical drama is now projecting a finish of $23.5 million over the three-day opening frame, tracking behind the second weekend of Swift’s “Eras Tour” concert film.

Jordan Moreau This weekend at the box office is a showdown of two pop culture titans: Martin Scorsese and Taylor Swift. The “Mean Streets” director and “Mean” singer each have a movie facing off this weekend, “Killers of the Flower Moon” and “Taylor Swift: The Eras Tour.” Scorsese’s latest movie has so far made $2.6 million in Thursday previews at the box office. “Eras Tour” made $5.9 million on Thursday, Oct.

Rebecca Rubin Film and Media Reporter Taylor Swift‘s “The Eras Tour” concert film officially opened to $92.8 million in North America and $30.7 million internationally, bringing its first weekend tally to a massive $123.5 million globally. These ticket sales are slightly below Sunday’s estimates of $95 million to $97 million domestically and $126 million to $130 million worldwide, but wildly impressive nonetheless. At the domestic box office, it’s the second-biggest October debut of all time, trailing only 2019’s “Joker” with $96 million.

Patrick Frater Asia Bureau Chief South Korean cinema box office slumped to its second lowest weekend of the year, continuing a recent weakening trend that was briefly punctuated last month by the local holiday season. Between Friday and Sunday, aggregate nationwide revenues in Korea were just $5.11 million. Since the end of summer, there has only been one weekend when the cinema industry earned more than $10 million – a deeply depressed picture in what was the world’s fourth largest box office market in the pre-COVID era. “Love Reset,” a local romantic comedy, was the only title that acquitted itself with much dignity.

Rebecca Rubin Film and Media Reporter “Taylor Swift: The Eras Tour” is towering over the global box office with estimates of $126 million to $130 million in its first weekend of release. It’s a seismic start for any concert film, but this is particularly impressive because it was announced just six weeks ago and unspooled on the big screen with minimal marketing dollars. “The Eras Tour” which is produced by Swift and distributed by AMC Theatres, collected a projected $31 million to $33 million from 94 international markets.

Rebecca Rubin Film and Media Reporter Long live the new box office queen. After selling out stadiums across the country, Taylor Swift is filling movie theaters with “The Eras Tour” concert film, which ignited to estimates of $95 million to $97 million over the weekend. Studios typically report a firmer number at this point, but “without clear comparisons, Sunday box office projections remain a range,” the film’s official distributor AMC Theatres said in a note to press.

Taylor Swift, but the box office fun is just beginning. Her concert movie, “Taylor Swift: The Eras Tour,” is opening this weekend and has made $2.8 million in Thursday previews from 2,700 theaters. Showings began last night at 6 p.m.

Rebecca Rubin Film and Media Reporter Taylor Swift‘s “Eras Tour” concert film is projected to open to $100 million at the domestic box office, but the final weekend number will likely be much bigger. The movie, a cinematic rendering of the pop star’s record-breaking, three-hour stadium tour, looks to generate up to $125 million from approximately 3,850 theaters in North America, according to early estimates. It’s also expected to add $30 million to $50 million from 4,150 venues internationally in more than 90 countries for a global start upwards of $150 to 175 million.

Patrick Frater Asia Bureau Chief Romantic comedy “Love Reset” grabbed the box office crown in South Korea on the weekend following the Chuseok holiday period. But numbers reverted to the pre-festival downtrend. Directed by Nam Dae-joong, “Love Reset” is the story of a young couple in the midst of divorce who are involved in a car accident and lose their memories.

Refresh for latest…: Just as it came in lower than hoped for domestically, Universal/Blumhouse/Morgan Creek’s The Exorcist: Believer didn’t fully convert overseas audiences, summoning a $17.9M international box office debut for $45.1M global. The R-rated David Gordon Green-directed reboot/sequel did see some of its 52 launch markets give it a No. 1 start, while in like-for-likes, the bow is above M3GAN, Evil Dead Rise, Scream VI and Smile. (As regards the latter, recall that it legged out with terrific holds, so the comparison may not stick down the line since scores on Believer are not good, and Taylor Swift is on deck.) 

Rebecca Rubin Film and Media Reporter “The Exorcist: Believer,” a reboot in the legacy horror franchise, opened atop box office charts despite falling short of expectations. The film, from Universal and Blumhouse, collected $27.2 million from 3,663 North American venues over the weekend, below estimates that were closer to $35 million. “Believer” also opened at the international box office with $17.8 million for a global start of $45.1 million.

With a budget of $80 million—a pittance compared to the budgets of most modern blockbusters— Gareth Edwards has made his long-awaited return to science-fiction on the big screen with “The Creator,” a provocative sci-fi adventure set roughly 50 years in the future, where Western society is devastated by and at war with artificial intelligence (read our review). Whereas the East, having not undergone a similar tragedy, has embraced and fostered the technology.

After several quiet weeks in movie theaters, four films entered wide release over the weekend. “PAW Patrol: The Mighty Movie” came out the top dog, with $23 million in ticket sales, according to studio estimates Sunday.

Refresh for latest…: Here we are with a sort of hybrid weekend at the international box office: there were fresh entries from the Hollywood studios, as well as major new titles timed to holiday play in local markets, and a holdover that’s continuing to rack up records.

Story Ave starring Luis Guzman grossed $9.85k in a limited opening at one theater, Quad Cinema, with multiple sold-out shows. The first feature from director Aristotle Torres, which won for Best Cinematography at SXSW (see Deadline review) expands to Chicago and the Bronx next week, followed by LA and additional markets October 13.

SUNDAY AM: Refresh for chart and more analysis Paw Patrol: The Mighty Movie is lapping up $23M, a big win for Paramount and Spin Master as the picture is part of a $14 billion global retail franchise which both companies get a nice cut of. And successful movies drive toy sales. It was part of Brian Robbins’ plan when he took over Paramount Pictures Studios to have family brands work at the box office, which also have a rainfall of cash in merchandise, particularly in an entertainment conglomerate that counts the powerful, and evergreen Nickelodeon brand. EntTelligence says Paw Patrol 2 drew 2.3M admissions, with close to half of the pic’s tickets being sold at child pricing.

The numbers are in!

J. Kim Murphy There was one key question gripping the box office heading into this weekend: would audiences be PAWing, or would they be Sawing? In a crowded September capper with four new wide releases, Paramount’s “PAW Patrol: The Mighty Movie” looks to come out on top. The animated feature is edging out Lionsgate’s horror entry “Saw X” to lead domestic charts.

Jordan Moreau Move over, Barbenheimer, it’s time for Saw Patrol. This weekend sees the releases of four major movies, including Paramount’s family friendly “PAW Patrol: The Mighty Movie,” Lionsgate’s gory, R-rated “Saw X,” 20th Century’s sci-fi epic “The Creator” and “Sony’s GameStop stock story “Dumb Money.” “PAW Patrol” is expected to come out on top with an estimated $18 million to $20 million opening, but “Saw X” will be right on its tail with an estimated $15 million to $18 million. However, some projections go as high as $20 million to $25 million, overtaking the “PAW Patrol” pups.

Rebecca Rubin Film and Media Reporter Paramount’s animated “PAW Patrol: The Mighty Movie” looks to rule the box office in a weekend that’s packed with new releases. Three other movies, Lionsgate’s gruesome “Saw X,” Disney and New Regency’s sci-fi thriller “The Creator” and Sony’s Game Stop stock-inspired “Dumb Money,” will open nationwide and attempt to break through during a crowded weekend.