Gaga Corp & Goodfellas Post Fresh Deals On Hirokazu Kore-Eda’s Cannes Title ‘Monster’

Warner Music Korea, the South Korean subsidiary of Warner Music, has issued a statement against claims by their agency Attrakt that it had attempted to illegally poach members of girl group FIFTY FIFTY.On June 26, K-pop girl group FIFTY FIFTY’s label Attrakt released a statement claiming that Warner Music Korea had been colluding with an unnamed third party to illegally poach members of the group.“We have evidence of [an outside party] clearly attempting to poach FIFTY FIFTY members illegally, and we request Warner Music Korea to provide an adequate explanation and answers,” said Attrakt earlier today, per Korea JoongAng Daily.This also comes several days after Attrakt stated last Friday (June 23) that it would take legal action against other agencies that had been spreading negative rumours about it “in an attempt to lure the members of FIFTY FIFTY” into breaking their exclusive contracts.Warner Music Korea has since denied the claims made by Attrakt in a new statement, per XSportsNews. “First, as FIFTY FIFTY’s overseas distributor, Warner Music Korea has has been working [with FIFTY FIFTY] since April 1, 2023,” it said, as translated by Soompi.“We have done our best to make the dazzling achievements of FIFTY FIFTY and their agency shine even brighter by mobilising Warner Music Group’s abilities and network, so we are very sorry that such unfortunate suspicions were raised,” added Warner Music Korea.The agency went on to say: “Attrakt’s claims are groundless, and we are regretful that they have sent [us] a certification of contents.

The Match Factory has posted fresh deals of for veteran Italian director Marco Bellocchio’s Cannes 2023 Palme d’Or contender Kidnapped about the true story of the kidnapping of a young Jewish boy.

EXCLUSIVE: Paris-based Goodfellas has unveiled a raft of deals on French genre title Vincent Must Die by Stéphan Castang following its buzzy world premiere in Cannes Critics’ Week in May.

EXCLUSIVE: Veteran Actor Alfredo Castro (The Club, No, From Afar) is in the middle of what could be described as a mid-career boom, but he doesn’t think it’ll bring him many plaudits in his native country.

Eva Vik’s ‘Serpentine’ Starring Barbara Palvin To Make European Premiere at TaorminaEva Vik’s short film Serpentine, starring supermodel Barbara Palvin, will make its European premiere at the 69th edition of Italy’s Taormina Film Festival, running from June 23 to July 1. Czech writer and director Eva Vik explores the possibilities of interspecies development in the film, which was previously nominated for the X Award at the Tribeca Film Festival. Set within a mysterious snake cult, the stylistic body-horror follows attempts to initiate a snake-human hybrid through genetic engineering – creating an extraterrestrial higher power intelligence as a new influential force. Palvin is joined in the cast by Soo Joo Park, and Luke Brandon Field. The film’s official partner is Bulgari brand, and it was produced by Evasion Pictures. The film will play in Taormina’s Influential Shorts program, a special gala event curated by Bella Thorne. “I look forward to welcoming both Eva Vik and Barbara Palvin to the Taormina Film Festival later this month. The short is thought-provoking and we are excited to be presenting it as part of our Influential Shorts evening,” said festival co-Artistic Director Barrett Wissman.

Nick Vivarelli International Correspondent Alice Rohrwacher’s “La Chimera,” in which “The Crown” star Josh O’Connor plays a British archeologist named Arthur who gets involved in an international network of stolen Etruscan artifacts during the 1980s, has sold worldwide after premiering positively in Cannes. The Match Factory has inked deals for the film in the U.K. and Ireland (Curzon); Australia and New Zealand (Palace Entertainement); Benelux (September Film); Germany (Piffl Medien); Hong Kong (Edko);  Spain (Elastica); South Korea (M&M International); China (Jetsen); Japan (Bitters End); Taiwan (Swallow Wings); Austria (Stadtkino); Baltics (A-One); Bulgaria (Art Fest); CIS (Mauris Film); Czech Republic & Slovakia (Aerofilms); Finland (B-Film); Denmark (Filmbazar); Former Yugoslavia (MCF): Greece (Cinobo); Hungary (Cirko); Middle East and North Africa (Moving Turtle); Poland (Aurora Films); Portugal (Midas); Romania (Independenta); Singapore (Anticipate Pictures); Thailand (Documentary Club); and Ukraine (Arthouse Traffic). 

Italian filmmaker Alice Rohrwacher’s latest pic La Chimera has inked a series of international deals for The Match Factory following its well-received debut at last month’s Cannes Film Festival.

Naman Ramachandran Sovereign has acquired U.K. and Ireland distribution rights for Lisandro Alonso’s Cannes title “Eureka,” starring Viggo Mortensen. The film recently had its world premiere at the Cannes Film Festival’s Cannes Premiere strand in May. “Eureka” follows the story of Alaina (Alaina Clifford), a police officer in the Pine Ridge Reservation who decides to stop responding to her radio, leaving her niece Sadie waiting in vain for her return. Hurt by Alaina’s absence, Sadie embarks on a journey with the guidance of her grandfather. The journey transcends time and space, taking her to South America and transforming her perception of the world. As Sadie encounters the dreams of the forest dwellers, she learns that birds, if understood, hold truths that humans can’t grasp.

Elsa Keslassy International Correspondent Well Go USA Entertainment has acquired North American rights to Kore-eda Hirokazu’s film “Monster” which world premiered in competition at the Cannes Film Festival and and won best screenplay (for Yuji Sakamoto). A critically acclaimed Japanese master, Kore-eda previously won Cannes’ Palme d’Or with “Shoplifters” in 2018 and returned to the competition last year with “Broker” which won best actor for Song Kang-ho. Well Go USA Entertainment plans to release “Monster” in North American theaters in late 2023 or early 2024. Scored by late Oscar-winning composer Ryuichi Sakamoto (“The Last Emperor”) and lensed by Ryoto Kondo (“Shoplifters”), “Monster” tells the story of a widowed mother (Ando Sakura, “Shoplifters) who notices that her young son (Kurokawa Soya) has begun exhibiting strange behaviors. When she brings her concerns to the staff at his school, she discovers that a teacher (Nagayama Eita, “Hara-Kiri: Death of a Samurai”) is responsible and demands an explanation. Told through the multilayered perspectives of mother, teacher and child, the film gradually unveils the truth which proves much more complex than anyone expects.

Cynthia Littleton Business Editor From Paul Lee’s perspective, the streaming boom that led Hollywood to binge on original content has evolved significantly during his half-dozen years as CEO of production company Wiip. Over the past year, the industry has been through “a moment where the streaming revolution went from a land grab to ‘This land needs to be fertile,’ ” Lee says on the latest episode of Variety podcast “Strictly Business.” Lee spent a dozen years at Disney, rising to become head of ABC Family and later head of ABC Entertainment and ABC Studios. He’s mostly kept a low profile since launching Wiip in partnership with CAA in 2016.

Patrick Frater Asia Bureau Chief Aniplex, a Sony business unit best known as a major producer and distributor of anime films and series including the hit “Demon Slayer,” is to acquire Japanese IP development and talent management firm Origamix Partners. The firm will be expanded into live-action production. The deal was announced Wednesday and will become effective from June 1. The terms of the acquisition were not disclosed other than Aniplex obtaining “a full share” of the company. Sony said that Origamix, which has previously been behind the “Kingdom” film franchise and the “Alice in Borderland” series, now in its second season at Netflix,” will be renamed Myragion Studio.

Patrick Frater Asia Bureau Chief NBCUniversal (NBCU) and JioCinema, Viacom18’s streaming service, have entered into a multi-year partnership bringing thousands of hours of NBCU films and TV series to India. Content is sourced from the Universal Television, UCP, Universal International Studios, Universal Television Alternative Studio, Sky Studios, DreamWorks Animation, Universal Pictures, Focus Features and Bravo brands. NBCU’s programming will live in a Peacock branded hub starting next month on JioCinema’s newly announced “JioCinema Premium” SVOD tier. While JioCinema has been making an audience impact with free-of-charge screenings of the ongoing IPL cricket tournament, the first content announced on the subscription tier hailed from another recent deal with Warner Bros Discovery.

The average South Korean consumes around 80 packets of ramyeon a year. The rehydrated mix of dried, curly noodles, freeze-dried vegetables and a sachet of powdered soup is one of the country’s most beloved comfort foods, a quickly-whipped, heartwarming meal that sits at the tricky intersection of tasty and convenient.

Anthony Chen’s well-regarded Mainland China-set “The Breaking Ice” has found favor with multiple European and Asian buyers in the few days since its Sunday premiere as part of the Cannes Film Festival’s Un Certain Regard. The film narrates a love triangle story among China’s lost youth generation and is set in the middle of winter in Yanji, a town that is heavily populated by ethnic Koreans. It is headlined by a star-studded Chinese cast of Zhou Dongyu (“Better Days”), Liu Haoran (“Detective Chinatown” franchise) and Qu Chuxiao (“The Wandering Earth”). “The Breaking Ice” has been newly licensed to Challan for release in South Korea, Trigon-Film for Switzerland, One From the Heart for Greece, Tucker Film for Italy and Edko Films for Hong Kong.Rights sales are handled by Rediance, Mainland China’s leading indie sales company, which reports that addition territory deals are currently being negotiated.

Chinese actress Zhou Dongyu, who is in Cannes with Anthony Chen’s Un Certain Regard title The Breaking Ice, has had a fairytale career trajectory. 

Matt Donnelly Senior Film Writer The upper deck at France’s Hotel Du-Cap-Eden-Roc offers a stunning coastal view of nearby city Cannes, the kind that Jay Gatsby would covet to peep Daisy Buchanan. On Tuesday, at one of the hottest parties at this year’s Cannes Film Festival, that view belonged to Graydon Carter. Standing alone with a female companion, the creator of the digital publication Air Mail and iconic former editor of Vanity Fair observed not a long-lost love but a cliffside full of movie stars, auteur directors and Hollywood power players. Carter’s Air Mail co-hosted an evening celebrating the 100-year anniversary of Warner Bros. Pictures, the latter represented by Warner Bros. Discovery CEO David Zaslav and his top content lieutenants. Leonardo DiCaprio, Scarlett Johansson and Colin Jost, Robert De Niro, Martin Scorsese, Lily-Rose Depp, Sam Levinson, Jason Statham and Rosie Huntington-Whiteley, Rebel Wilson and more turned up to toast cinema and each other.

Mubi has picked The Settlers, the latest pic from Chilean filmmaker Felipe Gálvez for North America, the UK, Latin America, Turkey, Germany, Austria, Switzerland, Italy, Benelux, and India.

EXCLUSIVE: French director Jean-Bernard Marlin made waves in Cannes Critics’ Week in 2018 with Marseille-set feature debut Shéhérazade about the relationship between a young prostitute and an underage ex-convict who becomes her pimp.

Lise Pedersen Award-winning US producer and distributor Karin Chien (“Robot Stories,” “Circumstance”), whose latest co-production, “Man in Black,” is one of two films by Chinese director Wang Bing running in Cannes’ official selection, shared her experience with the crowd during a masterclass at Cannes Docs, the Film Market section dedicated to documentary films. “Man in Black” premiered at a special screening in Cannes on May 22. Wang’s other film selected in this year’s edition is main competition title “Youth.” In the talk, moderated by Documentary Association of Europe co-founder Brigid O’Shea, Chien put on her distributor’s hat to talk about a job she said was “not pitched enough but [represented] some of the most meaningful work she [had] ever done.”

Lise Pedersen Newcomer Docs-by-the-Sea, the international documentary Labs and Forum for creative doc projects from Asia, will present and works-in-progress showcase for the first time at the Marché du Film’s Cannes Docs.  Featuring four films in late production stage, the showcase is highly necessary, argues its curator, Gugi Gumilang, the executive director of In-Docs, the non-profit org behind Docs by the Sea.   A member of last year’s Docs-in-Progress jury, he said this gave him a chance to see what people are looking for. “There’s a lack of Asian representation [in documentaries],” he tells Variety, adding: “It’s really tough for documentary filmmakers in Asia, few countries have film funds,” he said, citing Taiwan, Singapore, South Korea, the Philippines and, more recently, Hong Kong. “There are few dedicated festivals, the biggest being South Korea’s DMZ. Other international film festivals like Busan, Singapore and Jeonju cater for documentary film, but the competition is tough as they don’t just focus on Asian projects.”