Four Key Trends in European Series Production Identified at Series Mania: ‘Streaming Is Changing the Topography of Production in Europe’

Nick Vivarelli International Correspondent Qatar-based powerhouse BeIN Media Group, a co-owner of U.S. indie studio Miramax, has taken distribution rights across the Middle East and North Africa (MENA) region to live-action pre-school series “Saïd & Anna,” which has been nominated for this year’s Banff World Media Festival‘s Rockie Awards.

A French adaptation of Beta Film‘s International Emmy-winning Turkish thriller series Persona is in the works with a female protagonist.

Selome Hailu Netflix is at or near the top of both Nielsen and Luminate‘s streaming rankings every week, but achieved that with some titles that differ from its usual fare during the March 29-April 3 viewing window. As expected, “3 Body Problem” remained the most-watched streaming original series of the week per Luminate with 964.1 million minutes watched (an estimated 3.6 million views) — unsurprising, as the title is the follow-up from “Game of Thrones” helmers David Benioff and D.B. Weiss, who created the show alongside Alexander Woo.

Elsa Keslassy International Correspondent Mediawan Rights has boarded “Kabul,” a highly anticipated thriller series produced by France’s 24 25 Films and Cinétévé. Shervin Alenabi (“Tehran”) and “Euphoria’s” Eric Dane (in a small role) have joined the international cast of the show, which already comprises Jonathan Zaccaï (“Le bureau des legendes”), Thibault Evrard (“The Night of the 12th”), Vassilis Kukalawi (“Kandahar”), Jeanne Goursaud (“Pax Massilia”), Gianmarco Saurino (“L’estate piu Calda”) and Valentina Cervi (“Medici: Masters of Florence”). The series, set against the backdrop of U.S.

Leo Barraclough International Features Editor Mario Van Peebles has been tapped to direct “That’ll Be the Day,” the story of how Buddy Holly and other musicians of the late 1950s helped give birth to rock ‘n’ roll and influence the wider societal and cultural landscape, including the civil rights movement. Music has been central to much of Van Peebles’ work, from his 1991 gangster movie “New Jack City” to his work on “Wu-Tang: An American Saga,” which he co-executive produced for Hulu.

Elsa Keslassy International Correspondent Bettina Blümner’s “Vamos a la playa” won ArteKino Festival’s European Audience Award at a ceremony co-organized by the iconic French fashion house Chanel in Paris. Held at La Femis, Paris’ prestigious film school, the event also included a conversation with French filmmaker Rebecca Zlotowski (“Other People’s Children”), followed by a ceremony honoring Blümner and a screening of “Vamos a la playa,” as well as a posh cocktail which brought together film talent, executives and students.

The Cannes Film Festival’s Marché du Film is launching a new initiative, bannered Cannes Remakes, aimed at fostering remake opportunities for European feature films that have proven successful in their home territories.

Steve Clarke won’t throw the baby out with the bathwater after a Dutch drubbing as he looks to earn a first win in seven games when Northern Ireland visit Hampden for a friendly.

Series Mania was Warner Bros. Discovery’s European roll-out timeline for Max, announced Thursday at the climax of the Series Mania’s Lille Dialogues. The most keenly anticipated session was nearly Series Mania’ Forum first: a Netflix showcase hosted by a confident Larry Tanz who significantly proved the only goal streamer exec to drill down on volume commitment.

The wait for Max‘s European launch is nearly over.

Ben Croll Facing greater international competition alongside smart TV interfaces that grow all the more convoluted, France Televisions president Delphine Ernotte issued a clarion call to Gallic broadcasters: It’s time to launch a new shared streaming platform that could offer a single point of access for local programing. ‘We’re stronger together,” said the public broadcasting exec.

Nick Vivarelli International Correspondent Italian animation auteur Alessandro Rak – best known for European Film Award-winner “The Art of Happiness” and Neapolitan mob fable “Cinderella The Cat” – is at work on a new project titled “The Little Prince of Shangri-La” set in an imaginary Tibet and involving the search for the Dalai Lama. Rak’s new work, which follows “Yaya and Lenny — The Walking Liberty,” that launched in 2021 from Locarno, was unveiled earlier this month at the Cartoon Movie co-production and pitch forum in Bordeaux, France.

Elsa Keslassy International Correspondent In one of the most anticipated keynotes at Series Mania Festival, JB Perrette, president/CEO of global streaming and games at Warner Bros. Discovery, dropped the launch date for Max across the first nine European countries on May 21.

French commercial broadcast giant TF1 is taking its streaming service international. CEO Rodolphe Belmer told Series Mania on Thursday that TF1+ will start rolling out in the middle of this year before a wider series of launches in 2025.

Elsa Keslassy International Correspondent Arte has boarded “Reykjavik Fusion,” the first series produced by ACT4, an Icelandic banner launched by award-winning industry veterans, including Ólafur Darri Ólafsson (“True Detective”), Hörður Rúnarsson (“Black Sands”), Jónas Margeir Ingólfsson (“The Minister”) and Birkir Blær Ingólfsson (“Thin Ice”). The high-concept show will be distributed internationally by Wild Sheep Content, led by Erik Barmack, a former Netflix head of international.

Sony Pictures Television‘s President of International Production, Wayne Garvie, has said the scripted TV landscape in the post-peak TV era is like “going back to the future” — especially with his Netflix hits The Crown and Sex Education coming to an end.

EXCLUSIVE: AGC Television is dropping a hot TV project into this week’s Series Mania market in Lille.

Ed Meza @edmezavar Variety’s Series Mania Bulletin highlights breaking news at this year’s French TV festival: Paramount+ has announced the schedule and pricing for its international ad-supported Basic subscription offering and Premium plan, both set to begin this month in selected countries. The ad-supported Basic plan will be available in April in Canada and in June in Australia, priced at $6.99 in Canadian and Australian dollars.

Elsa Keslassy International Correspondent While at Series Mania Festival, Larry Tanz, Netflix‘s VP of EMEA Content, unveiled ambitious new shows commissioned from France and the Netherlands, including an untitled thriller series starring Isabelle Adjani, and “Amsterdam Empire,” a Dutch crime series starring and executive produced by Famke Janssen. The untitled French thriller series revolves around a young mother on the run finds an unexpected opportunity to bounce back by becoming a picker in a prestigious flower farm in Provence. But the mysterious death of the family patriarch of the company casts her under the spotlight as the prime suspect.

Ed Meza @edmezavar Spinning audiences back to the mid-1970s, UFA Fiction‘s latest period series “Disko 76” is set in a pivotal time in the industrial heartland of West Germany as a new American pop music craze takes over the airwaves and dance floors. The six-part series, which premiered at the recent Berlinale Series Market, continues its international rollout at Series Mania in Lille before bowing on the RTL+ streaming platform on March 28 and on RTL Group channel Nitro on April 1. UFA Fiction quickly won over RTL+ with the idea from former UFA Fiction producer Benjamin Benedict of a family story set in the disco era, says fellow producer Sinah Swyter.