EXCLUSIVE: London-based Dogwoof has locked a series of international deals on Eternal You, a documentary about AI startups set to screen at this month’s Hot Docs Fest following a debut bow at Sundance.
03.04.2024 - 13:45 / variety.com
Leo Barraclough International Features Editor Mario Van Peebles has been tapped to direct “That’ll Be the Day,” the story of how Buddy Holly and other musicians of the late 1950s helped give birth to rock ‘n’ roll and influence the wider societal and cultural landscape, including the civil rights movement. Music has been central to much of Van Peebles’ work, from his 1991 gangster movie “New Jack City” to his work on “Wu-Tang: An American Saga,” which he co-executive produced for Hulu.
Van Peebles is currently writing a musical stage tribute to his father Melvin Van Peebles, to be performed at New York City’s Lincoln Center later this year. “America’s tumultuous cultural melting pot has produced transcendent musical talent, including Buddy Holly, who was our first bad ass rock ’n’ roll nerd,” Van Peebles said in a statement.
His 2003 docudrama “Baadasssss!” pays homage to his father’s groundbreaking film “Sweet Sweetback’s Baadasssss Song.” His latest film, “Outlaw Posse” – a Western starring Edward James Olmos, Whoopi Goldberg, Cedric the Entertainer and John Caroll Lynch – which Van Peebles wrote, directed and starred in – is out now in theaters. The producers of “That’ll Be the Day” are Rick French (“Not Without Hope,” “Four Down”) of Prix Productions and Stuart Benjamin (“Ray,” “La Bamba”) of Stuart Benjamin Productions, working in collaboration with STX.
The screenplay was written by Patrick Shanahan and Matthew Benjamin, with additional material written by Van Peebles. The script is based on a story by French and Stephen Easley, general counsel to the Buddy Holly Educational Foundation.
BMG – which manages the Buddy Holly estate and controls the rights to the Holly music publishing catalog in the U.S. – provided
.EXCLUSIVE: London-based Dogwoof has locked a series of international deals on Eternal You, a documentary about AI startups set to screen at this month’s Hot Docs Fest following a debut bow at Sundance.
Lise Pedersen Two new cash prizes introduced this year in Swiss film festival Visions du Reel’s industry section, VdR-Industry, were among a flurry of awards handed out as the program wrapped in Nyon, Switzerland, on Wednesday. The Eurimages Co-production Development Award, created to promote the fund’s role in encouraging international co-production from the initial stages of a project, and which comes with a cash prize of €20,000 ($22,000), went to “The Last Days of the Hospital” by Mehran Tamadon (“My Worst Enemy,” “Bassidji”).
Annika Pham New York-based director/producer Katy Scoggin has worked with high-profile U.S. documentary filmmaker/journalist Laura Poitras on two shorts and three features, notably as co-producer and DP on Poitras’ Oscar-winner “Citizenfour” and Cannes Directors’ Fortnight’s “Risk.” Poitras now serves as executive producer on Scoggin’s feature debut “Flood,” one of six creative documentaries to be pitched as works in progress April 16, at the Visions du Réel festival in Nyon, Switzerland. “Flood” centers on Scoggin’s journey to repair her relationship with her former missionary father, with whom she has become estranged.
Leo Barraclough International Features Editor Leading European distributor Global Screen, part of Telepool, has secured further international sales of high-end drama “Davos 1917” at MipTV. New acquisitions of the six-part thriller include SBS Australia, TVP in Poland and Big Tree Entertainment in India and the subcontinent. “Davos 1917,” which launched at the end of last year on SRF in Switzerland and ARD in Germany, has already been bought by a strong lineup of premium international broadcasters and streamers across North America, Europe and Asia.
Katcy Stephan Two-time Oscar winner Renée Zellweger is set to return to one of her most beloved roles in Universal Pictures’ and Working Title’s “Bridget Jones: Mad About the Boy,” an adaptation of Helen Fielding’s best-selling novel. Hugh Grant and Emma Thompson are confirmed to return alongside franchise newcomers Chiwetel Ejiofor and Leo Woodall. The film will be directed by Michael Morris (“To Leslie,” “Better Call Saul”).
Producers in Southeast Asia are facing a very different, much quieter landscape to the one in front of them just 12 months ago, as U.S. players rein in their spending to appease shareholders, and neighboring countries such as Korea, Japan and India draw attention.
Nick Vivarelli International Correspondent Qatar-based powerhouse BeIN Media Group, a co-owner of U.S. indie studio Miramax, has taken distribution rights across the Middle East and North Africa (MENA) region to live-action pre-school series “Saïd & Anna,” which has been nominated for this year’s Banff World Media Festival‘s Rockie Awards.
Refresh for latest…: A busy holdover weekend for wide studio releases was led by the trio of Godzilla x Kong: The New Empire, Kung Fu Panda 4 and Dune: Part Two. And, in a soaring performance, Hayao Miyazaki’s Oscar winner The Boy and the Heron swooped into China helping the market set a new Qingming holiday record.
John Hopewell Chief International Correspondent CANNES — For years, reports of MipTV’s terminal decline were somewhat exaggerated. Now, however, they’re real. On March 26, RX France, organizers of MipTV, announced the launch of Mip London, over Feb.
Elsa Keslassy International Correspondent With one week to go before the press conference unveiling the 77th Cannes Film Festival Official Selection, director Thierry Fremaux is pledging to remain zen — despite wrestling with submission delays, reverberations of Hollywood’s double strikes and high expectations after last year’s edition unveiled Oscar winners “The Zone of Interest” and “Anatomy of a Fall.” This year’s edition is already heating up, with George Miller’s “Furiosa: A Mad Max Saga” confirmed to premiere at the festival and Quentin Dupieux’s “A Second Act,” starring Léa Seydoux, set as the opening night film. In his first and only interview ahead of the lineup reveal, Fremaux tells Variety all about this year’s edition, including his hopes to welcome back Francis Ford Coppola with “Megalopolis” and Yorgos Lanthimos with “Kinds of Kindness,” his appeal to Ted Sarandos to lure Netflix back on the Croisette, his stance on France’s new #MeToo reckoning, the presence of female directors at the festival and how geopolitical turmoil may shape the Official Selection. Last year was a milestone year for the Cannes Film Festival. How did you approach this year’s lineup, and how many films have been selected so far? The unanimous feedback we got is that 2023 was a really great year.
Gene Maddaus Senior Media Writer When the Writers Guild of America went on strike last May, union leaders argued that artificial intelligence posed an existential threat to writers, painting a picture of a dystopian future in which TV shows might be crafted by one writer and a machine. Ten months later, the tone in Hollywood labor circles has shifted significantly. At a March 3 rally in Los Angeles, Matthew Loeb, international president of IATSE, argued that AI has the potential to make union members’ jobs easier.
Nick Vivarelli International Correspondent Italy’s Cinecittà Studios, which have been undergoing a radical overhaul since 2021, recently released their fiscal 2023 results, which saw the Rome-based facilities turn a profit for the second year in a row after bleeding red ink for years. The iconic studios are being managed by Nicola Maccanico, a former Warner Bros.
Leo Barraclough International Features Editor “Long Live the Tyrant: Life and Times of Giancarlo DiTrapano,” a feature documentary about the independent book publisher, is being developed as an Italy-U.S. coproduction. DiTrapano is described by Ian Thornton, one of the film’s producers, as the “Basquiat of the New York literary scene.” The film is written by Guia Cortassa and directed by Cortassa and Vittorio Antonacci.
Nick Vivarelli International Correspondent Switzerland’s Locarno Film Festival is set to celebrate the centennial of Columbia Pictures with a retrospective featuring classic titles spawned by the Hollywood studio between the dawn of sound and the late 1950s. The Locarno retro, titled “The Lady With the Torch –– The Centenary of Columbia Pictures,” is being curated by Ehsan Khoshbakht, co-director of Italy’s Il Cinema Ritrovato festival, which is dedicated to cinematic treasures of the past and organized in partnership with Switzerland’s Cinémathèque Suisse.
Universal/DreamWorks Animation’s Kung Fu Panda 4 had a rock ‘em sock ‘em weekend at the international box office, adding $55.3M from 69 markets for a $135M overseas running cume, and $268.2M global (there are several key markets still to release, including France, Australia, the UK and Korea).
Erik ten Hag will hope that no other Manchester United player is added to the treatment room after the international break, ahead of the Premier League run-in.
Series Mania was Warner Bros. Discovery’s European roll-out timeline for Max, announced Thursday at the climax of the Series Mania’s Lille Dialogues. The most keenly anticipated session was nearly Series Mania’ Forum first: a Netflix showcase hosted by a confident Larry Tanz who significantly proved the only goal streamer exec to drill down on volume commitment.
Elsa Keslassy International Correspondent In one of the most anticipated keynotes at Series Mania Festival, JB Perrette, president/CEO of global streaming and games at Warner Bros. Discovery, dropped the launch date for Max across the first nine European countries on May 21.
Elsa Keslassy International Correspondent Arte has boarded “Reykjavik Fusion,” the first series produced by ACT4, an Icelandic banner launched by award-winning industry veterans, including Ólafur Darri Ólafsson (“True Detective”), Hörður Rúnarsson (“Black Sands”), Jónas Margeir Ingólfsson (“The Minister”) and Birkir Blær Ingólfsson (“Thin Ice”). The high-concept show will be distributed internationally by Wild Sheep Content, led by Erik Barmack, a former Netflix head of international.
Elsa Keslassy International Correspondent Banijay Nordic’s banner Yellow Bird is set to produce “A Life’s Worth,” a drama series inspired by real events within the Bosnian conflict in the 1990s. The show is being produced by Arte France and Viaplay Content Distribution which will also handle global sales. “A Life’s Worth” is set in the fall of 1993, amid the devastating turmoil unfurling in Bosnia.