‘Everything Everywhere All At Once’s Tallie Medel Signs With Stewart Talent

In an awards season dominated by Oscars rules discussion and the multiversal “Everything Everywhere All at Once,” the night is finally here. And guess what? Everything went just about as expected.

The soft pink and beige background on the red carpet of this year’s Oscars ceremony echoed the generally much more mellow tone of the evening than we have been used to in the recent past. If last year’s event was one of the most disjointed and chaotic in years, the 2023 evening hosted by Jimmy Kimmel was reassuringly smooth sailing, starting with a (for my money) genuinely funny and charming opening set of jokes.

Oscars 2023, it’s been reported that Everything Everywhere All At Once is now the world’s most-awarded movie ever.Everything Everywhere All At Once is nominated in 11 categories including Best Picture and Best Director at the 95th Academy Awards, which take place this weekend (March 12).But ahead of that, research done by IGN suggests that Everything Everywhere All At Once is already the world’s most-awarded movie ever, a title previously thought to be held by Lord Of The Rings: Return Of The King.The absurdist, multiversal comedy-drama has racked up 158 accolades from major critic organisations and award bodies, compared to Return Of The King which achieved 101.According to IGN, they also looked at nominations but only included “award-giving bodies that recognised both films,” with only 45 out of 152 including both films in their selections.“Narrowing down their totals to just these 45 organisations, Everything Everywhere All At Once still has Return Of The King beat when it comes to awards (138 to 127) and nominations (295 to 189).”Everything Everywhere All At Once was released last April. In a review, NME wrote: “By weaving together so much action, drama, comedy, sci-fi and general invention, directing duo Daniels repeatedly set high bars for their movie to clear.”Most of the time they do so easily – a wild joke will turn into a wilder running gag, or the actors will deliver a touching scene while voicing a pair of inanimate objects.

The scream queen! Jamie Lee Curtis has had a long and successful career, starting off in iconic horror films before venturing into hit comedies.

Julia MacCary editor “Everything Everywhere All at Once,” “Abbott Elementary” and “Yellowjackets” received top honors at the 38th annual Casting Society Artios Awards. The ceremony honors top casting spanning films, TV and theater. The celebrations were in-person for the first time in three years, taking place in Los Angeles, New York City and London, with hosts Yvette Nicole Brown, Amber Ruffin and Gordin Griffin, respectively. EGOT winner Rita Moreno received career honors with the Lynn Stalmaster Award, which was presented by her “80s for Brady” co-star Glynn Turman. The Associated Casting Director / Unscripted Casting Producer Spotlight Awards went to Joy Gordo, Jenn Noyes and Martin Ware. Other top honors included United Agents (London), Leslee Feldman, Black Theatre United, Jessica Sherman and Simone Bär.

“Everything Everywhere All at Once” swept all the major guild awards, the first time that grand slam had happened in a decade and only the fifth time in history, the suspense seemed to drain out of the 95th Academy Awards. After all, how suspenseful can it be if everything goes to “Everything?” But it’d be a mistake to think that Sunday’s show won’t be a nail-biter in many ways.

A comeback king. Ke Huy Quan has taken Hollywood by storm with his performance as Waymond Wang in Everything Everywhere All at Once.

For the first time since2020, just before Covid dealt a devastating blow to the industry, exhibitors and awards season, it feels like this year’s Oscar show may return to some sense of normalcy. And with box office hits mixed with acclaimed indies among the 10 Best Picture nominees, this could be the turning point in the recovery of the Academy Awards. At the nominees’ luncheon, in fact, Steven Spielberg was overheard telling Tom Cruise that he may have saved the movie business with Top Gun: Maverick, 2022’s No. 1 movie and a billion-dollar rescue for the industry. On Maverick’s tail came Avatar: The Way of Water, which became the third biggest global-grossing film of all time. And shock of shocks, both of those long-gestating sequels are Best Picture contenders with 10 nominations between them.

Monday’s “The Late Show” treated viewers to a delightful surprise, courtesy of Daniels, the Oscar-nominated directors of “Everything Everywhere All at Once,” who whipped up a delightful and absolutely bonkers opening credits sequence for the show that we kind of wish could be used forever.The bit began when the show ditched the usual cold open gag for a clip in which host Stephen Colbert explained that his dog had eaten the show’s normal opening credits. (Yes, the scene cuts to the dog, who is eating out of a bowl labeled “opening credits” next to his normal food bowl.)Then came Daniels — the professional name used by directing partners Daniel Kwan and Daniel Scheinert — to unveil their replacement opening credits sequence.

EXCLUSIVE: Actor-writer-director Jake Weber, known for his film roles in Dawn of the Dead and Meet Joe Black, and for his seven-season run on Medium, has signed with Stewart Talent for representation.

almost is key – because one film with enormous support throughout the Academy’s branches, the German-language “All Quiet on the Western Front,” wasn’t nominated for SAG, DGA, PGA or WGA awards. (It didn’t qualify for the last of those, at which a few major contenders are almost always ineligible.) It seems counterintuitive that a movie not even nominated for those top awards could beat a movie that has won them.

Zack Sharf Digital News Director Ke Huy Quan is the frontrunner to win the Oscar for best supporting actor thanks to his performance in “Everything Everywhere All at Once,” which has already nabbed him prizes from the Golden Globes, Critics’ Choice Awards and Screen Actors Guild Awards. The upcoming Academy Awards will cap a three-year journey Quan has taken with “Everything Everywhere All at Once.” The A24 multiverse drama shot in January 2020, but its theatrical release was held for two years until March 2022 because of the COVID pandemic. During a recent interview on “The Late Late Show,” Quan said he spent the pandemic “at home trying to stay safe like everybody.” But he was also “so nervous” because no other acting offers were coming in since his comeback role in “Everything Everywhere” was being held for release for so long.

Following his long break from Hollywood, Ke Huy Quan relied on Michelle Yeoh to guide him on the “Everything Everywhere All at Once” set.

Son Lux is the first band ever to be nominated for best original score at the Oscars with Everything Everywhere All at Once, and this year they’re the only composer to own noms in original score and original song the latter for their collaboration with Mitski and Oscar winner/former Talking Heads frontman David Byrne with “This is a Life”, the end credits song of the A24 movie.

Organizers of the annual ReFrame Report said Wednesday that 29 of the 100 most popular films of 2022 met the criteria to be awarded a ReFrame Stamp for gender-balanced productions, a list that includes Oscar Best Picture nominees like Sarah Polley’s Women Talking and The Daniels’ Everything Everywhere All at Once, as well as Gina Prince-Bythewood’s The Woman King and Disney/Marvel’s Black Panther: Wakanda Forever.

Jennifer Coolidge demands attention on the final cover of Volume 2 of W Magazine‘s Directors Issue. 

Jennifer Coolidge is springing into action!

“Everything Everywhere All at Once” actress Stephanie Hsu feels a lot of different things about her role in increasing representation, especially as she steps further into the spotlight.“It’s hard enough to be an artist and it’s very hard to be an artist who’s marginalized in any way,” Hsu told TheWrap in our new interview series The Impact Report, focused on marginalized artists who are making an impact in their craft. Hsu skyrocketed to fame in the past year thanks to her performance playing daughter to Michelle Yeoh and Ke Huy Quan in “Everything Everywhere All at Once,” and she says it was in this film that her mother finally saw the impact that Hsu’s acting had on other people.“I remember seeing ‘Crazy Rich Asians,’ I was kind of late to seeing it and everyone was going, ‘You have to see it, you have to see it,'” Hsu said.

Jazz Tangcay Artisans Editor “Elvis” and “Everything Everywhere All At Once” were the film winners at the 2023 Costume Designers Guild Awards. Shirley Kurata’s win comes as “Everything Everywhere All At Once” has garnered momentum heading into the final phase of Oscar voting which begins on March 2. Kurata bested titans in the field going up against Deborah L. Scott (“Avatar: The Way of Water”), history-making Ruth E. Carter (“Black Panther) and Mayes C. Rubeo (“Thor: Love and Thunder”). Catherine Martin won for her work on Baz Luhrmann’s “Elvis.” Building over 90 looks alone for Austin Butler, Martin, a triple-nominee for production design and best picture remains a favorite.

Excellence in Sci-Fi / Fantasy Film: “Everything Everywhere All at Once” – Shirley Kurata Excellence in Contemporary Film: “Glass Onion: A Knives Out Mystery” – Jenny Eagan Excellence in Period Film: “Elvis” – Catherine Martin Excellence in Sci-Fi / Fantasy Television: “House of the Dragon”: “The Heirs of the Dragon” – Jany Temime Excellence in Contemporary Television: “Wednesday”: “Wednesday’s Child is Full of Woe” – Colleen Atwood & Mark Sutherland   Excellence in Period Television: “The Crown”: “Ipatiev House” – Amy Roberts Excellence in Variety, Reality-Competition, Live Television: “Lizzo’s Watch Out for the Big Grrrls”: “Girl Run That Sh*t Back” – Carrie Cramer & Jason Rembert Excellence in Short Form Design: Yeah Yeah Yeahs: “Spitting Off the Edge of the World” (Music Video) – Natasha Newman-Thomas