In an awards season dominated by Oscars rules discussion and the multiversal “Everything Everywhere All at Once,” the night is finally here. And guess what? Everything went just about as expected.
10.03.2023 - 09:03 / variety.com
Julia MacCary editor “Everything Everywhere All at Once,” “Abbott Elementary” and “Yellowjackets” received top honors at the 38th annual Casting Society Artios Awards. The ceremony honors top casting spanning films, TV and theater. The celebrations were in-person for the first time in three years, taking place in Los Angeles, New York City and London, with hosts Yvette Nicole Brown, Amber Ruffin and Gordin Griffin, respectively. EGOT winner Rita Moreno received career honors with the Lynn Stalmaster Award, which was presented by her “80s for Brady” co-star Glynn Turman. The Associated Casting Director / Unscripted Casting Producer Spotlight Awards went to Joy Gordo, Jenn Noyes and Martin Ware. Other top honors included United Agents (London), Leslee Feldman, Black Theatre United, Jessica Sherman and Simone Bär.
“This evening was fantastic, from New York to London to Los Angeles, celebrating our peers and recognizing their hard work and masterfulness in their craft across film, television and theatre,” said Casting Society of America president Destiny Lilly in a statement. “We are continuing to see changes and advancements in the industry to recognize our craft and tonight’s celebration fortifies our commitment and urge to move our mission forward. And we couldn’t do it without actors. They are our craft.” See the full list of winners below: Animation “Marcel the Shell With Shoes On” – Jessica Kelly, Kate Geller (Associate) Big Budget – Comedy “Roald Dahl’s Matilda the Musical” – Lucy Bevan, Emily Brockmann Big Budget – Drama “The Fabelmans”– Cindy Tolan, Nicholas Petrovich (Associate) Low Budget – Comedy or Drama “Emily the Criminal” – Chelsea Ellis Bloch, Marisol Roncali Micro Budget – Comedy or Drama “The Same
In an awards season dominated by Oscars rules discussion and the multiversal “Everything Everywhere All at Once,” the night is finally here. And guess what? Everything went just about as expected.
The Oscars 2023 returned to our screens on Sunday night, celebrating the very best talent in film, design and sound.
Celebrities from far and wide flocked to Los Angeles for this year's highly anticipated Oscars on Sunday night, from Rihanna and Cara Delevingne to Florence Pugh and Lady Gaga, with Jimmy Kimmel hosting the star-studded affair this year. It's been a busy awards season this year, with Everything Everywhere All At Once, The Whale, The Banshees of Inisherin and Tár proving as some of the critics' favourites.
presented Best Screenplay together at the previous Oscars, in 1991.In terms of Oscar history, this particular achievement by “EEAAO” is not unprecedented. After all, classics such as 1972’s “The Godfather,” 1977’s “Annie Hall” and 1969’s “Midnight Cowboy” were released in March, April, and May, respectively, of the years before they won Best Picture.
In an awards season dominated by Oscars rules discussion and the multiversal “Everything Everywhere All at Once,” the night is finally here. And guess what? Everything went just about as expected.
Oscars 2023, it’s been reported that Everything Everywhere All At Once is now the world’s most-awarded movie ever.Everything Everywhere All At Once is nominated in 11 categories including Best Picture and Best Director at the 95th Academy Awards, which take place this weekend (March 12).But ahead of that, research done by IGN suggests that Everything Everywhere All At Once is already the world’s most-awarded movie ever, a title previously thought to be held by Lord Of The Rings: Return Of The King.The absurdist, multiversal comedy-drama has racked up 158 accolades from major critic organisations and award bodies, compared to Return Of The King which achieved 101.According to IGN, they also looked at nominations but only included “award-giving bodies that recognised both films,” with only 45 out of 152 including both films in their selections.“Narrowing down their totals to just these 45 organisations, Everything Everywhere All At Once still has Return Of The King beat when it comes to awards (138 to 127) and nominations (295 to 189).”Everything Everywhere All At Once was released last April. In a review, NME wrote: “By weaving together so much action, drama, comedy, sci-fi and general invention, directing duo Daniels repeatedly set high bars for their movie to clear.”Most of the time they do so easily – a wild joke will turn into a wilder running gag, or the actors will deliver a touching scene while voicing a pair of inanimate objects.
The scream queen! Jamie Lee Curtis has had a long and successful career, starting off in iconic horror films before venturing into hit comedies.
The Fabelmans, The Banshees of Inisherin, Marcel the Shell with Shoes On and Roald Dahl’s Matilda the Musical were among the big film winners Thursday at the Casting Society’s 38th annual Artios Awards.
“Everything Everywhere All at Once” swept all the major guild awards, the first time that grand slam had happened in a decade and only the fifth time in history, the suspense seemed to drain out of the 95th Academy Awards. After all, how suspenseful can it be if everything goes to “Everything?” But it’d be a mistake to think that Sunday’s show won’t be a nail-biter in many ways.
A comeback king. Ke Huy Quan has taken Hollywood by storm with his performance as Waymond Wang in Everything Everywhere All at Once.
Hong Chau (“The Whale,” “The Menu”), Anna Camp (“Pitch Perfect”), Melanie Lynskey (“The Last of Us”) and Sheryl Lee Ralph (“Abbott Elementary”) are among the presenters for its 38th Artios Awards taking place in both Los Angeles and New York City. Also presenting at the Los Angeles gala alongside host Yvette Nicole Brown are Utkarsh Ambudkar, Paul Walter Hauser, Andrew Leeds, Sam Richardson, Britt Robertson, Glynn Turman and Tuc Watkins. Sarita Choudhury, Jordan E. Cooper, Rory Culkin, Khris Davis, Alex Edelman, Raúl Esparza, Katie Finneran,Katrina Lenk, Nicole Ari Parker, Peppermint, Morgan Spector, Celia Rose Goodin, Chris Sullivan and Kuhoo Verma will present at the New York ceremony, with Amber Ruffin as host.
For the first time since2020, just before Covid dealt a devastating blow to the industry, exhibitors and awards season, it feels like this year’s Oscar show may return to some sense of normalcy. And with box office hits mixed with acclaimed indies among the 10 Best Picture nominees, this could be the turning point in the recovery of the Academy Awards. At the nominees’ luncheon, in fact, Steven Spielberg was overheard telling Tom Cruise that he may have saved the movie business with Top Gun: Maverick, 2022’s No. 1 movie and a billion-dollar rescue for the industry. On Maverick’s tail came Avatar: The Way of Water, which became the third biggest global-grossing film of all time. And shock of shocks, both of those long-gestating sequels are Best Picture contenders with 10 nominations between them.
A24’s Everything Everywhere All at Once won a pair of awards as did Rob Lowry for his music supervision on both Cha Cha Real Smooth and Do Revenge on Sunday at the 13th annual Guild of Music Supervisors Awards.
Top Gun: Maverick, Eddie Hamilton, ACEEverything Everywhere All at Once, Paul RogersGuillermo del Toro’s Pinocchio, Ken Schretzmann, ACE; Holly KleinFire of Love, Erin Casper; Jocelyne ChaputGeorge Carlin’s American Dream, Joe Beshenkovsky, ACEThe Neighborhood: “Welcome to the Art of Negotiation,” Chris PoulosThe Bear: “System,” Joanna NaugleAndor: “One Way Out,” Simon SmithWeird: The Al Yankovic Story, Jamie Kennedy The White Lotus:“Arrivederci,” John M. Valerio, ACEVice: “Killing for Success & Marcos Returns,” Paula Salhany; Brandon Kieffer; Andrew Pattison; Catherine Lee; Victoria LesiwA Black Lady Sketch Show: “Save My Edges, I’m A Donor!,” Stephanie Filo, ACE; Bradinn French; Taylor Joy Mason; S.
almost is key – because one film with enormous support throughout the Academy’s branches, the German-language “All Quiet on the Western Front,” wasn’t nominated for SAG, DGA, PGA or WGA awards. (It didn’t qualify for the last of those, at which a few major contenders are almost always ineligible.) It seems counterintuitive that a movie not even nominated for those top awards could beat a movie that has won them.
Zack Sharf Digital News Director Ke Huy Quan is the frontrunner to win the Oscar for best supporting actor thanks to his performance in “Everything Everywhere All at Once,” which has already nabbed him prizes from the Golden Globes, Critics’ Choice Awards and Screen Actors Guild Awards. The upcoming Academy Awards will cap a three-year journey Quan has taken with “Everything Everywhere All at Once.” The A24 multiverse drama shot in January 2020, but its theatrical release was held for two years until March 2022 because of the COVID pandemic. During a recent interview on “The Late Late Show,” Quan said he spent the pandemic “at home trying to stay safe like everybody.” But he was also “so nervous” because no other acting offers were coming in since his comeback role in “Everything Everywhere” was being held for release for so long.
Following his long break from Hollywood, Ke Huy Quan relied on Michelle Yeoh to guide him on the “Everything Everywhere All at Once” set.
Son Lux is the first band ever to be nominated for best original score at the Oscars with Everything Everywhere All at Once, and this year they’re the only composer to own noms in original score and original song the latter for their collaboration with Mitski and Oscar winner/former Talking Heads frontman David Byrne with “This is a Life”, the end credits song of the A24 movie.
Organizers of the annual ReFrame Report said Wednesday that 29 of the 100 most popular films of 2022 met the criteria to be awarded a ReFrame Stamp for gender-balanced productions, a list that includes Oscar Best Picture nominees like Sarah Polley’s Women Talking and The Daniels’ Everything Everywhere All at Once, as well as Gina Prince-Bythewood’s The Woman King and Disney/Marvel’s Black Panther: Wakanda Forever.
Jennifer Coolidge demands attention on the final cover of Volume 2 of W Magazine‘s Directors Issue.