Emerging Filmmakers Discuss Crossover Between Documentary and Fiction at Cannes Docs

U.S. Rep. Marjorie Taylor Greene (R-GA) now has a podcast, which is a nearly hour-long scripted and off-script talk show that she is using to promote her far-right extremist agenda.Her latest episode went viral on Sunday when the right-wing watchdog Patriot Takes posted a short excerpt (below) that catches Greene in an embarrassing display of ignorance declaring globalists want to track every move you make.“The extremist lawmaker who once warned the world of ‘gazpacho police‘ now claims the feds are planning to track bowel movements, too,” HuffPost reports.“You have to accept the fact that the government totally wants to provide surveillance on every part of your life,” says Greene, a conspiracy theorist who “keeps peddling pro-Russia, anti-Ukraine talking points,” and has “publicly aligned herself with neo-Nazis and white nationalists,” according to MSNBC’s Ja’han Jones.“They want to know when you’re eating,” Greene claims in her podcast.

A Vancouver-based Indigenous film producer says he was treated like he was “trying to steal something” after being turned away from a red carpet event at the Cannes Film Festival because he was wearing a pair of traditional moccasins.

India’s All That Breathes followed up its victory at the Sundance Film Festival by winning top documentary honors in Cannes.

Though shot and set prior to the Russian invasion, by dint of being a Ukrainian picture detailing the aftermath of a woman soldier’s assault in the Donbas, “Butterfly Vision” lays claim to uniquely wretched timeliness at this year’s Cannes. What is an impressive if formally flawed first film from Maksym Nakonechnyi earns some emotional weight vis-a-vis present events: the Ukrainian flags of blue and white, flown with unsparing pride across Nakonechnyi’s images, bear the immediate frisson of beleaguered resistance, and that women Stateside presently face unprecedented threats to their bodily autonomy only compounds the miserable resonance.

NEON earned bragging rights tonight with the third consecutive Palme d’Or Cannes winner in a row, that being Ruben Östlund’s satirical comedy Triangle of Sadness, which was a huge crowd pleaser during the fest.

Naman Ramachandran Indian filmmaker Shaunak Sen’s “All That Breathes” has won the Cannes Film Festival’s top documentary award, the Golden Eye.The film won the documentary grand jury prize at the Sundance Film Festival earlier this year and was acquired by HBO Documentary Films during Cannes, where it played as a special screening.Set in Indian capital Delhi, where, in an unbreathable atmosphere, the threat of inter-religious massacres floats in the air, the film follows two brothers, Nadeem and Saud, who along with their assistant, dedicate their lives to save the migratory black kites that are destroyed by human madness.The Golden Eye jury, composed of Agnieszka Holland, Iryna Tsilyk, Pierre Deladonchamps, Alex Vicente and Hicham Falah, said: “The Golden Eye goes to a film that, in a world of destruction, reminds us that every life matters, and every small action matters. You can grab your camera, you can save a bird, you can hunt for some moments of stealing beauty, it matters.

Chancellor Rishi Sunak has said his new emergency cost-of-living package will have a “minimal” impact on inflation which will be “much less” than 1%.

Cannes Film Festival.Members of the production team for “Butterly Vision,” by Ukrainian director Maksym Nakonechni, protested the ongoing war in Ukraine while on the red carpet Wednesday.In front of Salle Debussy, the second-largest theater in Cannes, the team — including producers Darya Bassel and Yelizaveta Smit, plus actress Rita Burkovska — held a banner that read, “Russians kill Ukrainians. Do you find it offensive or disturbing to talk about this genocide?”The sirens heard on the red carpet stairs were meant to symbolize air raids in Ukraine, while the protestors held signs that read “sensitive content” over their faces.Not only were they demonstrating the ongoing devastation in Ukraine, but they were also attempting to show the extent of Russian censorship.The film “Butterfly Vision” explores a similar idea, albeit in a fictional world.

here. Earlier in the festival, an unplanned demonstration disrupted the red carpet for George Miller’s film “Three Thousand Years of Longing” when a topless, screaming woman wearing body paint of the Ukraine flag was escorted off the red carpet.

The Cannes Film Festival has had its third red carpet protest in the space of a week.

Christopher Vourlias With the Cannes Film Festival abuzz ahead of the world premiere of Baz Luhrmann’s “Elvis,” a mournful air raid siren sounded over the Croisette on Wednesday afternoon, serving as a somber reminder that the war in Ukraine has entered its fourth brutal month.In a solemn protest outside the Salle Debussy, just steps from where Tom Hanks, Austin Butler and other stars of the “King of Rock” biopic were set to hit the red carpet at the Grand Théâtre Lumière, the Ukrainian filmmaking team behind Un Certain Regard player “Butterfly Vision” made an impassioned plea that the world remember their country’s suffering.Standing on the steps of the Palais as the siren wailed – a nod toward the warnings that sound across Ukraine when a Russian attack is imminent – director Maksym Nakonechnyi, producers Darya Bassel and Yelizaveta Smit, and lead actress Rita Burkovska stood side by side with nearly two dozen members of the production team. They held translucent squares over their faces bearing the crossed-eye logo used on social-media platforms when content is considered sensitive or disturbing.

Rise Films is nearing the end of what has been a monumental month for the London-based production outfit. Last week, HBO Max launched the company’s two-part documentary George Carlin’s American Dream, which chronicles the life and five-decade career of the comedian with Judd Apatow in the director’s seat.

The International Coalition For Filmmakers At Risk (ICFR) has demanded “an end to a growing environment of fear and insecurity” in Iran after two documentary creators were arrested then released on bail, preventing them from travelling or working.

“Either/Or,” by Elif Batuman (Penguin Press)Do you remember what it felt like to be a college sophomore? The Jell-O shots, cookie dough and moments of abject humiliation and terror as you tried, oh so self-importantly, to figure out how to live?Elif Batuman brings back the tedium and exhilaration of undergraduate life in “Either/Or,” a charming, mordantly funny follow-up to her first novel, “The Idiot,” which was a finalist for the 2018 Pulitzer Prize.Selin, the overachieving daughter of Turkish immigrants and Batuman’s alter ego, spent much of that book mooning over Ivan, an older, emotionally unavailable boy in her Russian class. Hence the title, “The Idiot,” a reference to Fyodor Dostoevsky and the generally clueless behavior of young people everywhere.In “Either/Or,” whose title nods to the Danish philosopher Soren Kierkegaard’s treatise on the aesthetic versus the ethical life, Selin decides to opt for the former and become the writer she has longed to be since childhood.

Matt Donnelly Senior Film WriterA group of women protestors staged a dramatic scene at the Cannes Film Festival on Sunday, releasing plumes of smoke from handheld devices and displaying a long banner for the global press.At the premiere of “Holy Spider,” director Ali Abbasi’s female-centered thriller, roughly 12 women in formalwear gathered on the famed stairs of the festival’s Grand Palais with raised fists — filling the space with thick black smoke and holding a long scroll of women’s names.Security seemed unfazed by the event, allowing the protestors to be filmed and photographed. One insider close to the production said the protest was not a coordinated stunt to promote the film, about a journalist who travels to the Iranian holy city of Mashhad to investigate a serial killer murdering sex workers.

CANNES – We are living in yet another era of European history where old battles over the borders of nation-states are being disputed. Russia has invaded the sovereign nation of Ukraine after already annexing the province of Crimea less than a decade ago.

Ukrainian filmmakers are here in Cannes and, in the words of poet Dylan Thomas, they will not go gentle. While some are here to promote films screening here in Cannes, many are here to drum up support for their country and ensure that their voices are not forgotten as media headlines about the Russian invasion begin to diminish.

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Three Thousand Years of Longing” at the Cannes Festival on Friday.Wearing only panties drenched with blood-red paint, the screaming woman had the Ukrainian flag sprayed across her chest with the words “Stop raping us.” The word “scum” was also written on her lower back. Video posted to Twitter shows security personnel covering up the woman and escorting her off the carpet.

Christopher Vourlias In the days after Russia’s invasion of Ukraine on Feb. 24, organizers of the Tallinn Black Nights Film Festival quickly shifted gears to offer whatever support they could.