Two British soldiers captured whilst fighting in Ukraine have been 'sentenced to death' and are now set to face a firing squad it has been reported.
25.05.2022 - 20:17 / thewrap.com
here. Earlier in the festival, an unplanned demonstration disrupted the red carpet for George Miller’s film “Three Thousand Years of Longing” when a topless, screaming woman wearing body paint of the Ukraine flag was escorted off the red carpet.
But there’s been additional backlash over Cannes booking the competition title “Tchaikovsky’s Wife” from a Russian director and backed by a Russian oligarch, Roman Abramovich.
.Two British soldiers captured whilst fighting in Ukraine have been 'sentenced to death' and are now set to face a firing squad it has been reported.
A Vancouver-based Indigenous film producer says he was treated like he was “trying to steal something” after being turned away from a red carpet event at the Cannes Film Festival because he was wearing a pair of traditional moccasins.
The major prize-winners at the 2022 Cannes Film Festival have yet to be announced, but there is no question about which film is the most important. “Butterfly Vision” doesn’t just have the distinction of being one of the two Ukrainian productions on display (the other being Dmytro Sukholytkyy-Sobchuk’s “Pamfir”), it also tells a story about the effects of warfare both on Ukraine’s soldiers and the citizens who have waited for them back home. It is almost incredible that Maksym Nakonechnyi was able to finish “Butterfly Vision” and to bring it to Cannes, where he made a touching speech about the risk of Ukrainian culture being extinguished.
Cannes Film Festival.Members of the production team for “Butterly Vision,” by Ukrainian director Maksym Nakonechni, protested the ongoing war in Ukraine while on the red carpet Wednesday.In front of Salle Debussy, the second-largest theater in Cannes, the team — including producers Darya Bassel and Yelizaveta Smit, plus actress Rita Burkovska — held a banner that read, “Russians kill Ukrainians. Do you find it offensive or disturbing to talk about this genocide?”The sirens heard on the red carpet stairs were meant to symbolize air raids in Ukraine, while the protestors held signs that read “sensitive content” over their faces.Not only were they demonstrating the ongoing devastation in Ukraine, but they were also attempting to show the extent of Russian censorship.The film “Butterfly Vision” explores a similar idea, albeit in a fictional world.
The Cannes Film Festival has had its third red carpet protest in the space of a week.
Christopher Vourlias With the Cannes Film Festival abuzz ahead of the world premiere of Baz Luhrmann’s “Elvis,” a mournful air raid siren sounded over the Croisette on Wednesday afternoon, serving as a somber reminder that the war in Ukraine has entered its fourth brutal month.In a solemn protest outside the Salle Debussy, just steps from where Tom Hanks, Austin Butler and other stars of the “King of Rock” biopic were set to hit the red carpet at the Grand Théâtre Lumière, the Ukrainian filmmaking team behind Un Certain Regard player “Butterfly Vision” made an impassioned plea that the world remember their country’s suffering.Standing on the steps of the Palais as the siren wailed – a nod toward the warnings that sound across Ukraine when a Russian attack is imminent – director Maksym Nakonechnyi, producers Darya Bassel and Yelizaveta Smit, and lead actress Rita Burkovska stood side by side with nearly two dozen members of the production team. They held translucent squares over their faces bearing the crossed-eye logo used on social-media platforms when content is considered sensitive or disturbing.
Lise Pedersen As the boundaries in cinema become increasingly fluid, emerging filmmakers whose films have been selected at the Cannes Film Festival have been discussing their journey from documentary to fiction at the Cannes Market’s Cannes Docs sidebar.Curated by the Documentary Assn. of Europe, the panel on Sunday brought together Ukrainian director Maksym Nakonechnyi, the director of Un Certain Regard title “Butterfly Vision,” and Erige Sehiri (“Railway Men”), the Tunisian director of “Under the Fig Leaves,” which had its world premiere in the Directors’ Fortnight sidebar.The titles are fiction debuts for Nakonechnyi and Sehiri, who are both experienced documentary filmmakers.Inspired by the conflict in Ukraine’s Eastern Donbas region that has been ongoing since 2014, “Butterfly Vision” is the story of a young Ukrainian soldier who returns home after being held captive for months and discovers she is pregnant after being raped by her Russian warden.
Cannes has had another protest on the red-carpet, a couple of days after a naked woman demonstrated against violence towards women in Ukraine.
Ukrainian filmmakers are here in Cannes and, in the words of poet Dylan Thomas, they will not go gentle. While some are here to promote films screening here in Cannes, many are here to drum up support for their country and ensure that their voices are not forgotten as media headlines about the Russian invasion begin to diminish.