Cannes Palme d’Or Winner Ruben Östlund Says Theatrical Cut Of ‘Triangle Of Sadness’ Will Be “Longer And Richer” – Cannes

Winner: Neon. The indie distributor has a special touch with Palme d’Or winners. Following 2019’s “Parasite” and 2021’s “Titane,” Neon landed North American rights to this year’s big Cannes champ: Ruben Östlund’s comedy “Triangle of Sadness,” which stars Woody Harrelson as a rabid Marxist who is the captain of a cruise for the super-rich.

The closing ceremony for the 2022 Cannes Film Festival provided a number of surprises. The biggest being “Triangle of Sadness” taking the Palme d’Or.

The 75th Cannes Film Festival is coming to a close on Saturday afternoon, and after much speculation as to what would take home the top prize, it was a familiar winner striking gold again. For the second time in five years, director Ruben Östlund won the coveted Palme d’Or for his English-language debut film, “Triangle of Sadness.” Östlund first won the prize back in 2017 for “The Square” and beat out eighteen other films to win this year’s top prize.

The Cannes Film Festival has a long and distinguished track record of spotlighting landmark works in the history of cinema with its highest honor, the Palme d’or.

The 75th Cannes Film Festival is coming to a close on Saturday afternoon, and after much speculation as to what would take home the top prize, it was familair winner striking gold again. For his second time in five year, director Ruben Östlund won the coveted Palme d’Or for his English-laungage debut film, “Triangle of Sadness.” Östlund first won the prize back in 2017 for “The Square,” and beat out eighteen other films to win this years top prize.

Refresh for latest…: The 75th Cannes Film Festival draws to a close tonight as the main awards, including the Palme d’Or, are soon to be handed out in the Palais. Scroll down for the list of winners which is being updated as prizes are announced.

Afternoon Insiders, Max Goldbart here. Cannes is wrapping and we have the very latest from the Croisette, plus a hell of a lot more in this week’s deep dive. Read on.

Leo Barraclough International Features EditorOn Saturday, film and TV funder Medienboard Berlin-Brandenburg celebrated the six films that it funded running in the official program of the Cannes Film Festival.These were Ruben Östlund’s “Triangle of Sadness,” in Competition, Ali Abbasi’s “Holy Spider,” in Competition, Emily Atef’s “More Than Ever,” in Un Certain Regard, Mia Hansen-Løve’s “Un beau matin,” in Directors’ Fortnight, Sergei Loznitsa’s “The Natural History of Destruction,” in Special Screening, and Mantas Kvedaravicius’ “Mariupolis 2,” in Special Screening.Commenting on the role Medienboard played in funding the films in Cannes, the organization’s chief Kirsten Niehuus said: “Medienboard Berlin-Brandenburg and other film funds play an important role in sustaining high quality cinema in Europe and in international co-productions around the world.” Speaking about the type of films Medienboard likes to fund, she said: “Not very original but true – we prefer films that bring something original to an audience. That goes for mainstream as well as young talent and arthouse.

Swedish director Ruben Östlund‘s already won one Palme d’Or at the Cannes Film Festival; in 2017 for “The Square.” And while he’s back in Cannes again this year with “Triangle Of Sadness” to try and win another, he already has his next film in mind, with Woody Harrelson set to star for him again. READ MORE: ‘Triangle Of Sadness’ Review: Ruben Östland’s Falters In This Broad Class Satire [Cannes] In an interview with Variety, Östlund gave details about the new project, including its title and premise.

Manori Ravindran International Editor[Warning: Spoilers ahead for “Triangle of Sadness”]Dolly de Leon doesn’t get very far in Cannes without being stopped in the street by enthusiastic supporters. The scene-stealing Filipina actor stars in Ruben Östlund’s festival sensation “Triangle of Sadness,” where her every line has so far prompted cheers in press and public screenings alike.De Leon plays Abigail, a toilet manager on a chaotic cruise ship who gets her own back on her bosses and guests when, well, shit hits the fan.

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Neon has acquired North American rights to Ruben Östlund’s buzzy satire, Triangle of Sadness, following its world premiere in competition at the Cannes Film Festival.

The Square,” which won the Palme d’Or in 2017. This film marks his English-language debut.

Elsa Keslassy International CorrespondentAfter winning the Palme d’Or with “The Square,” Ruben Östlund has shocked Cannes audiences again with “Triangle of Sadness,” an equally provocative social satire starring Woody Harrelson as a rabid Marxist who is the captain of a cruise for the super-rich. “Triangle of Sadness” is so far the most buzzed-about movie in competition and a domestic deal believed to be in the $8 million arena is currently being negotiated. Östlund spoke to Variety about his original way of developing scripts and casting, and the sociological aspects of both “Triangle of Sadness” and his next project “The Entertainment System Is Down,” which he said will star Harrelson as the “captain of an airplane.”It’s now 2 hours and 22 minutes.

Clayton Davis The best movie involving a boat since “Titanic” with the best vomiting sequence since “Team America: World Police,”  Ruben Östlund’s “Triangle of Sadness” is an energetic and wacky examination of class, gender norms and culture, woven into a dynamite script. After debuting at Cannes, Östlund’s English-language debut will finally introduce the Swedish writer and director to more mainstream American audiences, and possibly even Oscar voters.The film tells the story of Carl (Harris Dickenson) and Yaya (Charlbi Dean), two fashion models and a celebrity couple who in three narrative chapters explore their roles in each other’s lives — following a dinner date, a luxury cruise and a shocking x-factor that presents an interesting turn of events.

Timing can be cruel. Norwegian director Kristoffer Borgli’s second feature, Sick Of Myself, has the misfortune to arrive in the Cannes Film Festival’s Un Certain Regard section in the slipstream of Ruben Östlund’s divisive but funny competition title Triangle of Sadness; the latter being a broader, sillier but much more brutal dissection of class and culture. Sick Of Myself also has to compete with the unexpected longevity of fellow countryman Joachim Trier’s hit The Worst Person In The World, which last year went from the Cannes competition all the way to the Oscars.

CANNES, France -- Fashion models, Instagram influencers and Russian oligarchs collide on a yacht — and some very extreme sickness ensues — in Ruben Östlund's “Triangle of Sadness,” a social satire that had viewers at the Cannes Film Festival in hysterics.The Swedish filmmaker's latest, co-starring Woody Harrelson as a Marxist boat captain, has made one of the biggest splashes at this year's festival. At its premiere Saturday evening, there were such waves of laughter and applause that Östlund on Sunday compared it to a crowd at a soccer match.Östlund has already found an international audience for movies that take an uproarious, uncomfortable aim at money, masculinity and other big social targets in films like the Alpine marital drama “Force Majeure” (remade as “Downhill,” with Julia Louis Dreyfus and Will Ferrell) and the art-world satire “The Square,” which won the Palme d'Or top prize at Cannes in 2017.But in his first English-language film, and with a budget twice that of “The Square,” Östlund wanted to go even further with his particular brand of “rollercoaster for adults” cinema.“I wanted to do something that’s worth leaving your home and leaving your screens, leaving the streaming services you have at home,” Östlund said ahead of the film's premiere.

Rolling applause, and lots of it, greeted Ruben Östlund and the cast of Triangle Of Sadness as they entered the Cannes press conference this morning.

Elsa Keslassy International CorrespondentWoody Harrelson will reteam with “Triangle of Sadness” director Ruben Östlund for his next film “The Entertainment System is Down.” The Oscar-nominee broke the news during the press conference for “Triangle of Sadness” at Cannes on Monday, the morning after the movie world premiered in competition.In “Triangle of Sadness,” Harrelson plays a rabid Marxist who is the captain of a cruise for the super-rich. The yacht sinks, leaving survivors, including a fashion model celebrity couple, marooned on an island.

After his 2017 art-world satire “The Square” scored the Palme d’Or at Cannes, Swedish provocateur Ruben Östlund swaggers back to competition with “Triangle of Sadness,” a mixed-bag of social commentary and gross-out comedy that could only come from a filmmaker with a secured reputation and zero f—s to give. Taking aim at the 1% and shouting “Eat the rich!” with the anger of a sea storm and the subtlety of an exploding toilet, the film is both over-long and under-stuffed, but it nevertheless left Cannes’ notoriously tough crowd doubled over in laughter.Running just under two-and-a-half hours and split up into three chapters, the film lifts as much from Noam Chomsky as from John Waters as it hoses down beauty standards and luxury culture with gallons of projectile vomit.