Edie Falco Reprised Her Role As Carmela Soprano for 'Many Saints of Newark,' But Her Scene Got Cut

Matt Donnelly Senior Film WriterStreaming viewership for David Chase’s “The Many Saints of Newark” is coming into focus, as is the massive bump it gave the series that inspired it, “The Sopranos,” according to WarnerMedia’s metrics.While the film’s theatrical rollout last weekend earned $4.6 million at the domestic box office, its performance on HBO Max underscores an important advantage the WarnerMedia platform has against its competitors — the ability to resuscitate its deep bench of

The team behind "The Many Saints of Newark" had a unique challenge ahead of them when they had to cast younger versions of iconic characters from "The Sopranos." The flick is a prequel to the famed mob drama featuring younger versions of many of the original show's characters, including the late James Gandolfini's son Michael, who plays Tony Soprano – the role previously inhabited by his father.

Adam B. Vary Senior Entertainment WriterSPOILER WARNING: This story discusses a major sequence in “The Many Saints of Newark,” currently playing in theaters and streaming on HBO Max.Part of the enduring appeal of “The Sopranos” was how the HBO series operated in counterpoint to decades of organized crime myth-making by Hollywood, from Warner Bros.

When it comes to WarnerMedia’s theatrical-day-date HBO Max fare, we’ve often written that whatever pales at the cinemas also sours on the service. That was not the case this weekend with the The Sopranos prequel feature The Many Saints of Newark. 

*Warning spoilers ahead for “The Many Saints of Newark.”* HBO’s “The Sopranos” is considered by many, as one of the key forerunners of the new age of Prestige Television, PeakTV as it were. Yet, with the new spin-off, “The Many Saints of Newark” because of where it was set— during the late-1960s/early-1970s— it didn’t allow for original cast members to return.

Owen Gleiberman Chief Film CriticWhen I saw “The Many Saints of Newark,” I wanted it to immerse me in the lives of New Jersey mobsters in the late ’60s and early ’70s the same way that “The Sopranos” immersed us in the lives of New Jersey mobsters at the turn of the 21st century. The film more or less achieves that.

Michael Gandolfini is opening up about portraying a young Tony Soprano for The Many Saints of Newark.

The Many Saints of Newark,” premiering Friday (in theaters and HBO Max), it’s tempting to try to rewatch the iconic series all the way from the beginning.That’s because the new film, which shows what life was like for the DiMeo crime family in the 1960s and 1970s, requires a little bit of background knowledge about the major players, including infamously complex eventual mob boss Tony Soprano (James Gandolfini).But we’ve got you covered.

The list of names of those who have had a greater impact on television than David Chase is exceedingly short, if such a list exists at all. Chase made his debut in the medium in 1971, as a one-off writer for “The Lawyers,” penning the episode “In Defense of Ellen McKay.” Chase went on to work as the story editor for the influential horror-thriller series “Kolchak: The Night Stalker,” and then as a writer and producer for four seasons of “The Rockford Files,” where he won his first Emmy.

The Sopranos creator David Chase has opened up about bringing back original star Michael Imperioli for the new prequel film The Many Saints Of Newark.The actor, who played Christopher Moltisanti in the original HBO series, reprises his role briefly to narrate the opening and closing scenes, the film itself focusing on young Tony Soprano (Michael Gandolfini).Speaking to NME, Chase admitted that “was not always how the film was going to start”, explaining that Imperioli’s return was to help clear

Todd Spangler NY Digital EditorBada bing!HBO Max is letting anyone in the U.S. watch Season 1 of groundbreaking Jersey crime drama “The Sopranos” — for free in the app — for a limited time.

Michael Appler “I’m not coming back to ‘The Sopranos,’” Aida Turtorro, the two-time Emmy nominee for her role as Janice Soprano in the iconic HBO series, said Wednesday on the red carpet for the show’s long-awaited prequel movie, “The Many Saints of Newark.” “The truth is,” she said, “I’m not sure I ever left.”Inside the film’s world premiere—where the Beacon Theatre in New York City overflowed with guests, including Edie Falco, Steve Buscemi, Steven Van Zandt and cast members Michael

Michael Gandolfini is carrying on his late father's legacy in . Gandolfini opened up to ET at the film's premiere at the opening night of the Tribeca Fall Preview, about the pressure he's faced in taking on James Gandolfini's role in the film.«I want to make my dad proud, but I want to make the fans proud,» Gandolfini told ET.

Bobby Canavale and Rose Byrne hold hands on the red carpet while attending the premiere of The Many Saints Of Newark held at Beacon Theatre on Wednesday night (September 22) in New York City.

“The Sopranos” earned her countless awards, was supposed to open the upcoming prequel movie, “The Many Saints of Newark,” which debuts on HBO and in theaters Oct. 1.“We had Edie come in and she dressed up as Carmela and we shot something with her and it wound up not being in the final movie,” the film’s director, Alan Taylor, told NME.Taylor went on to say “there was some confusion” about how the film should start.

NME Monday that Falco was among those who came in to film a scene that could have opened the film, but the scene ended up cut from the finished movie. “Yes, not to give away too much but, when you make a movie you’re not exactly sure the final shape it’s going to be and we, believe it or not, shot a few things that included other cast members,” Taylor said.

Owen Gleiberman Chief Film CriticIn its heyday, there was an ad campaign for “The Sopranos” that played, in an obvious but irresistible way, off the word “family.” The show was about Tony Soprano and his tempestuous suburban family, and it was also, of course, about that other family: the Mafia. When it comes to television, though, there is always an additional meaning to family.