‘The Many Saints of Newark’ Review: The Prequel to ‘The Sopranos’ Is a Pretty Good Yarn, but It Doesn’t Explain Tony Soprano

Matt Donnelly Senior Film WriterStreaming viewership for David Chase’s “The Many Saints of Newark” is coming into focus, as is the massive bump it gave the series that inspired it, “The Sopranos,” according to WarnerMedia’s metrics.While the film’s theatrical rollout last weekend earned $4.6 million at the domestic box office, its performance on HBO Max underscores an important advantage the WarnerMedia platform has against its competitors — the ability to resuscitate its deep bench of

The team behind "The Many Saints of Newark" had a unique challenge ahead of them when they had to cast younger versions of iconic characters from "The Sopranos." The flick is a prequel to the famed mob drama featuring younger versions of many of the original show's characters, including the late James Gandolfini's son Michael, who plays Tony Soprano – the role previously inhabited by his father.

Adam B. Vary Senior Entertainment WriterSPOILER WARNING: This story discusses a major sequence in “The Many Saints of Newark,” currently playing in theaters and streaming on HBO Max.Part of the enduring appeal of “The Sopranos” was how the HBO series operated in counterpoint to decades of organized crime myth-making by Hollywood, from Warner Bros.

When it comes to WarnerMedia’s theatrical-day-date HBO Max fare, we’ve often written that whatever pales at the cinemas also sours on the service. That was not the case this weekend with the The Sopranos prequel feature The Many Saints of Newark. 

, David Chase’s prequel to his critically acclaimed HBO show,, arrived today to screens both big and small. In, James Gandolfini’s son, Michael, portrays Tony Soprano in his young life, years prior to the events of the Emmy-winning show. Also stepping back into the world of are frequent episode director Alan Taylor and former Sopranos writer Lawrence Konner.

Jazz Tangcay Artisans Editor“The Many Saints of Newark” is a prequel to the beloved HBO series “The Sopranos,” but it unfolds in a much different sliver of New Jersey. This film is set in the apartment buildings and tenements of 1960s and ’70s Newark instead of the sprawling McMansions where Tony and much of his crew decamped on the show.It is a city on a knife edge, with roiling racial tensions and inequity that are about to explode in a dramatic conflagration of unrest.

Joe Otterson TV Reporter“The Sopranos” creator David Chase has signed a five year first-look deal with WarnerMedia.News of the deal comes on the day that “The Many Saints of Newark,” a “Sopranos” prequel film written by Chase and Lawrence Konner, is debuting in theaters and on HBO Max. Under his new deal, Chase will develop content for HBO, HBO Max, and Warner Bros.

The Many Saints of Newark,” premiering Friday (in theaters and HBO Max), it’s tempting to try to rewatch the iconic series all the way from the beginning.That’s because the new film, which shows what life was like for the DiMeo crime family in the 1960s and 1970s, requires a little bit of background knowledge about the major players, including infamously complex eventual mob boss Tony Soprano (James Gandolfini).But we’ve got you covered.

14-year long mysterious fate.“The Many Saints of Newark” prequel film director Alan Taylor recently shared his thoughts on “The Sopranos‘” iconic, blackout ending — a stunning conclusion to James Gandolfini’s superb work as a mob don in therapy, an end which came over onion rings and Journey’s “Don’t Stop Believin’.”“I have to go with Tony’s dead,” Taylor, who directed several “Sopranos” episodes, told the Hollywood Reporter of the hotly debated finale episode, “Made In America.”In that

The list of names of those who have had a greater impact on television than David Chase is exceedingly short, if such a list exists at all. Chase made his debut in the medium in 1971, as a one-off writer for “The Lawyers,” penning the episode “In Defense of Ellen McKay.” Chase went on to work as the story editor for the influential horror-thriller series “Kolchak: The Night Stalker,” and then as a writer and producer for four seasons of “The Rockford Files,” where he won his first Emmy.

The Sopranos creator David Chase has opened up about bringing back original star Michael Imperioli for the new prequel film The Many Saints Of Newark.The actor, who played Christopher Moltisanti in the original HBO series, reprises his role briefly to narrate the opening and closing scenes, the film itself focusing on young Tony Soprano (Michael Gandolfini).Speaking to NME, Chase admitted that “was not always how the film was going to start”, explaining that Imperioli’s return was to help clear

Todd Spangler NY Digital EditorBada bing!HBO Max is letting anyone in the U.S. watch Season 1 of groundbreaking Jersey crime drama “The Sopranos” — for free in the app — for a limited time.

Michael Appler “I’m not coming back to ‘The Sopranos,’” Aida Turtorro, the two-time Emmy nominee for her role as Janice Soprano in the iconic HBO series, said Wednesday on the red carpet for the show’s long-awaited prequel movie, “The Many Saints of Newark.” “The truth is,” she said, “I’m not sure I ever left.”Inside the film’s world premiere—where the Beacon Theatre in New York City overflowed with guests, including Edie Falco, Steve Buscemi, Steven Van Zandt and cast members Michael

He’s part of a new generation poised to take over, along with Corrado “Junior” (Corey Stoll) and Johnny Soprano (Jon Bernthal). They clash with Harold McBrayer (Leslie Odom Jr.), a black gangster who works for Dickie but has his own grander aspirations.

TheWrap: The problem with the modern lust for origin stories is that audiences supposedly want everything explained to them, but just look online — you will see ecstatic comment threads questioning and dissecting every complex moment and line reading in practically every scene of “The Sopranos.” The art that lasts is the art that stimulates people to ask questions.

What is it that compels people to sin and give themselves continuous self-inflicted pain? This is one of the central questions raised in the otherwise largely incurious “The Many Saints Of Newark,” David Chase’s prequel film to his “Sopranos” series on HBO.

riot tonight,” says the girlfriend of numbers runner Harold (Leslie Odom Jr.), right before the Newark riots of 1967 start. Worse than this is the scene where baby Christopher cries whenever he sees his uncle Tony and an older female family member says the infant might know something they don’t.The new characters are all one-dimensional, and we learn nothing new about the old characters from the series.

Tony Soprano may or may not be dead, but unfortunately James Gandolfini is, so to continue The Sopranos saga, creator David Chase has flipped back the calendar to craft something of an origins story for America’s favorite crime family in The Many Saints Of Newark. Set for domestic release while wedded to a simultaneous HBO Max bow on October 1, the Warner Bros/New Line film has its world premiere on September 22 at the Tribeca Fall Preview at New York’s Beacon Theater.

Edie Falco will not be appearing in the upcoming “Sopranos” prequel movie after a scene she shot for the film was cut. 

How did Tony Soprano become the man we met in “The Sopranos?” That’s a question that is going to partially be answered in the upcoming film, “The Many Saints of Newark.” READ MORE: Fall 2021 Movie Preview: 60+ Must-See Films As seen in the trailer for “The Many Saints of Newark,” the film serves as a prequel to HBO’s “The Sopranos” and shows a young Anthony Soprano as he grows up in one of the most tumultuous times in Newark’s history, as crime families fight over control.