Disney’s ‘Wish’ Eyes $50M Debut, Apple & Sony’s ‘Napoleon’ To Gallop To $24M Over Thanksgiving 5-Day: Box Office Early Look

Jordan Moreau Disney is wishing upon a box office star this Thanksgiving, as its latest animated movie “Wish” takes on Apple’s historical drama “Napoleon.” “Wish” is expected to come out on top this weekend, but “Napoleon” won the first box office battle in previews. “Napoleon” made $3 million in previews, which began on Tuesday due to the Thanksgiving holiday, and “Wish” made $2.3 million. The family friendly animated movie about Disney’s iconic wishing star is expected to make $35 million over the typical weekend.

Zack Sharf Digital News Director With “Twilight” celebrating its 15th anniversary this month, director Catherine Hardwicke joined the “Happy Sad Confused” spinoff podcast “Watchalong” to remember all the highs and lows that went into getting the vampire romance made. One of her more interesting revelations revolves around how impossible it was to predict the film’s box office. No one was expecting a phenomenon, and Hardwicke was even told her film would probably never crack the $30 million mark.

Broadway box office took a 7% slide in the week before the Thanksgiving holiday, with the 29 shows settling in at a total $27,060,113 in receipts.

Elsa Keslassy International Correspondent Maryam Touzani‘s “The Blue Caftan,” a drama revolving around the love between a closeted man and his wife, has sold more than 500,000 tickets around the world. The Arabic-language movie, which world premiered at Cannes in 2022 and won the Fipresci prize, has become the Moroccan film that sold the most admissions overseas in recent history, according to French promotion org Unifrance. Produced by veteran Moroccan filmmaker Nabil Ayouch (“Casablanca Beats,” “Much Loved”), “The Blue Caftan” stars Lubna Azabal (“Incendies”) and Saleh Bakri (“Costa Brava, Lebanon”).

Rebecca Rubin Film and Media Reporter It’s become a holiday tradition for Disney to release an animated movie around Thanksgiving, and this year is no different. “Wish,” a musical origin story for the Wishing Star that so many Disney characters have wished upon before, is expected to lead box office charts over the busy weekend. But it won’t be all Disney, all the time, like it was last year when two of the studio’s offerings, “Black Panther: Wakanda Forever” and “Strange World,” topped the box office.

Disney original animation is looking at a comeback this Thanksgiving. The princess pic Wish is looking at as much as $45M-$50M over five days after the studio suffering a setback over last year’s holiday with Strange World, which did $18.8M.

In a super weekend for specialty, Saltburn had a lofty open on seven screens and The Holdovers a nice $2.7 million in a major week-three expansion that put it at no. 6 at the domestic box office. Actors are once again out promoting their films and indie/original fare continues to benefit from fewer studio releases in the aftermath of the SAG-AFTRA strike.

according to Deadline.The Post said the dystopian action film, which is predicted to enjoy a $30-million opening weekend, leaves viewers “hungry for a meatier conclusion.”“Trolls Band Together” which Deadline praised as a “cute psychedelic pop satire,” came in second, raking in close to $9.4 million.The animated musical comedy, also in its theatrical debut Friday, features the voices of Anna Kendrick, Justin Timberlake, RuPaul and Amy Schumer. The slasher movie “Thanksgiving,” which also premiered on Friday, landed in third, with just over $3.8 million in sales.Rolling Stone called it a “lazy horror film that strains to be merely mediocre” and said it “can go stuff itself.”“The Marvels,” which was in the No.1 spot last week, fell down to fourth, earning $2.8 million.

EXCLUSIVE: Getting a leg-up here on our Thanksgiving stretch preview, Apple Studios production of Ridley Scott’s Napoleon will invade the global box office via Sony this Wednesday, in what’s shaping up to be a $46M WW global start.

Apple Original Films and Sony Pictures’ Ridley Scott-directed action epic Napoleon has landed a theatrical release date in China of Dec. 1.

The Marvels’ low box office numbers.Following its release on Friday (November 10), The Marvels made just $47million (£38m) in its opening weekend in the US – the lowest opening ever for a movie in the Marvel Cinematic Universe since 2008’s The Incredible Hulk. At the worldwide box office, the film has made just over $88million (£71m).In a post on X, King called out those dogpiling on the film’s failure, later suggesting it might be down to “adolescent fanboy hate”.“I don’t go to MCU movies, don’t care for them, but I find this barely masked gloating over the low box office for THE MARVELS very unpleasant,” King wrote.

Festival and specialty fare crowded the top ten this weekend with Priscilla (A24) and The Holdovers (Focus Features) expanding to hit nos. 4 and 6 respectively. Yash Raj Films’ Bollywood thriller Tiger 3 is at no. 8, and world of mouth continued to buoy Radical (Pantelion/Participant) with Eugenio Derbez, rounding out the list at no. 10.

Reviews weren’t strong (62% fresh on Rotten Tomatoes) and neither was audience reaction. “The Marvels” is only the third MCU release to receive a “B” CinemaScore from moviegoers, following “Eternals” and “Ant-Man and the Wasp: Quantamania.”“The Marvels,” which added $63.3 million in overseas ticket sales, may go down as a turning point in the MCU. Over the years, the franchise has collected $33 billion globally — a point Disney noted in reporting its grosses Sunday.But with movie screens and streaming platforms increasingly crowded with superhero films and series, some analysts have detected a new fatigue setting in for audiences.

“abject misery” and the worst entry yet in the Marvel Cinematic Universe — the film pulled in $21.5 million in ticket sales, according to IMDB’s Box Office Mojo.“Five Nights at Freddy’s,” which had taken the top spot the last two Fridays, slipped to second place with ticket sales of $3 million.Concert film sensation “Taylor Swift: The Eras Tour” took in $1.9 million as it dropped one notch from last week to third place. The film of Swift’s blockbuster summer tour has topped $234 million in worldwide sales since its Oct.

EXCLUSIVE: Marvel Studios‘ sequel, The Marvels, has clocked around $6.5M in Thursday night previews we hear from sources. Disney will be reporting their official figure this morning and we’ll update you then. Previews began at 3PM.

Radical with Eugenio Derbez built on its smash opening in Mexico to hit no. 5 at the U.S. box office with a super $2.7 million at 416 theaters. The Pantelion film had delayed its debut Stateside by two weeks to skirt The Eras Tour juggernaut, allowing word of mouth to build for the drama about a dedicated teacher in a troubled Mexican border town.   

according to IMDB’s Box Office Mojo.It is slated to surpass the $100 million mark in a total of just eight days, according to Deadline.The film, which was released on Oct. 27 in theaters and on Peacock, also had the biggest-ever five-day debut on the streaming service.In second place was “Taylor Swift: The Eras Tour,” with $3.6 million in sales.The concert movie, based on the pop star’s tour, has already earned $150 million domestically and more than $200 million globally, according to CNBC.It is also predicted to take in another $10 million domestically this weekend.Martin Scorsese’s “Killers of the Flower Moon” landed in third, earning $1.945 million.The Western crime drama is based on a 2017 non-fiction book by David Grann about a series of murders of Native Americans from the tribe Osage Nation.

Today, Universal/Blumhouse’s Five Nights at Freddy‘s is clocking past the $100M domestic mark, a box office milestone for the studio when it comes to its experimental theatrical day-and-date releases on its Peacock streaming service.

Cinemark CEO Sean Gamble said Apple and Amazon, two behemoths of the tech world but newcomers to the wide-release movie business, are so far “very pleased” with their results.

Zack Sharf Digital News Director “Avengers” filmmaker Joe Russo has caused quite a stir on social media for posting a response to a recent TikTok featuring Martin Scorsese. The Oscar winner’s daughter, Francesca, posted a TikTok this month in which Scorsese playfully directs his dog, Oscar. Russo responded by posting a video in which he tells Scorsese they share the same muse.