Box Office: ‘Wish’ Aims to Recapture Disney Magic, Beat Ridley Scott’s ‘Napoleon’ Over Thanksgiving Holiday

Ridley Scott returned to comfortably epic territory with Napoleon starring Joaquin Phoenix.The director’s latest film depicts the French leader’s rise to power, along with his turbulent relationship with Empress Joséphine (Vanessa Kirby) amid the French revolution.Napoleon was released in cinemas on November 22, 2023. An extended four-hour director’s cut is set to arrive on Apple TV+ at a later date.It marks Scott’s 28th feature film, following the likes of The Martian, Gladiator, Black Hawk Down, Alien and Blade Runner.Gladiator 2 will be Scott’s next film and his 29th feature as director.

Naman Ramachandran Sony’s magnum opus “Napoleon,” directed by Ridley Scott, debuted atop the U.K. and Ireland box office with a regal £5.2 million ($6.6 million), according to numbers from Comscore. In its second weekend, Lionsgate’s “The Hunger Games: The Ballad Of Songbirds And Snakes” dropped down a spot to second place with £2.6 million for a total of £10.1 million.

Rebecca Rubin Film and Media Reporter “Wish” misfired in its opening weekend, extending Disney‘s bleak box office fortunes. The animated musical fable, about the Wishing Star that so many Disney characters have wished upon over the studio’s century-long history, failed to become the de facto choice for families around Thanksgiving.

Napoleon has made a strong start at the French box office despite some scathing reviews from French critics.The film – which stars Joaquin Phoenix as the famed French emperor – has received largely positive reviews internationally, though some French critics have slated the film.French GQ called it “deeply clumsy, unnatural and unintentionally funny”, while Le Figaro compared it to “Barbie and Ken under the Empire”.Nevertheless, it took $1.019million (£810,000) during its opening day in France last week (via Variety) – accounting for nearly a third of international takings – before making a total $5.6million (£4.44million) over its first five days.Its weekend takings also make France one of the biggest international markets for Napoleon, second behind the UK with $6.6million (£5.23million), according to ScreenDaily.Last week, director Ridley Scott hit back at French critics of the film, telling the BBC: “The French don’t even like themselves”.He added: “The audience that I showed it to in Paris, they loved it.”Scott also previously hit back at historian Dan Snow’s criticism of the film, after the latter broke down Napoleon‘s historical inaccuracies.“Get a life,” the director said. “I tend to be visual above all things, before the written word.”Napoleon focuses on the emperor’s rise to power and his relationship with Empress Joséphine (Vanessa Kirby).

Rebecca Rubin Film and Media Reporter Ridley Scott’s historical epic “Napoleon” may not have conquered the top spot in North America, but it emerged victorious at the worldwide box office. The film, starring Joaquin Phoenix as the infamous French ruler, debuted to $78.8 million, including $46.3 million internationally — enough to stave off the competition on global charts.

Rebecca Rubin Film and Media Reporter Disney may need to find another star to wish upon. “Wish,” the studio’s newest animated adventure, was projected to land on top of box office charts over the Thanksgiving holiday.

“The Hunger Games: The Ballad of Songbirds and Snakes” stayed at No. 1 at the box office on Black Friday, retaining the top spot in its second week on the screens.

The Hunger Games: The Ballad of Songbirds and Snakes” continue to stretch ahead of new releases like Disney’s animated adventure “Wish” and Apple and Sony’s historical epic “Napoleon.” Lionsgate’s young adult drama gobbled up another $11.4 millionon Friday, adding onto the $13.2 million it nabbed across Wednesday and Thursday. “Songbirds and Snakes” is looking to be the foremost beneficiary of the Thanksgiving holiday weekend, with rivals projecting a 40% drop over the traditional three-day frame. Things seemed up in the air for “The Hunger Games” prequel after its $44 million opening last weekend.

Ridley Scott’s Napoleon through Thursday has grossed an estimated $21M worldwide. The Apple Original Films and Sony Pictures action epic is now eyeing a $70M-$73M five-day global opening, including $40M from the international box office. Should those numbers hold, this will be well ahead of pre-weekend projections.

Elsa Keslassy International Correspondent Despite being plagued by harsh reviews from French critics and a derisive retaliation by director Ridley Scott, “Napoleon” had a strong opening in France on Wednesday, grossing an estimated €868,000 ($946,000) from approximately 120,000 admissions. The figure, unveiled by Comscore France, includes about 8,000 tickets sold at preview screenings across France, notably in Paris where Sony Pictures held a lavish world premiere of the historical epic on Nov.

Brent Lang Executive Editor Hollywood might not be feeling so festive this Thanksgiving. The holiday period is traditionally a busy time for moviegoing, but audiences aren’t turning out in force over Turkey Day, leaving the box office suffering from too much tryptophan. In this drowsy state of play, Disney’s “Wish” earned a lackluster $8.3 million on Wednesday.

Jordan Moreau Disney is wishing upon a box office star this Thanksgiving, as its latest animated movie “Wish” takes on Apple’s historical drama “Napoleon.” “Wish” is expected to come out on top this weekend, but “Napoleon” won the first box office battle in previews. “Napoleon” made $3 million in previews, which began on Tuesday due to the Thanksgiving holiday, and “Wish” made $2.3 million. The family friendly animated movie about Disney’s iconic wishing star is expected to make $35 million over the typical weekend.

Ridley Scott has fired back at French film critics after they published a series of negative reviews of his new biopic, Napoleon.Despite receiving generally positive reviews by UK critics, several high-profile French publications have been less kind, with French GQ saying it was “deeply clumsy, unnatural and unintentionally funny”, while Le Figaro likened it to “Barbie and Ken under the Empire”.In an interview with the BBC, Scott retorted: “The French don’t even like themselves”.“The audience that I showed it to in Paris, they loved it.”Joaquin Phoenix plays Napoleon Bonaparte in the film, which hits UK cinemas on Wednesday (November 22). It follows the French leader’s rise to power and his relationship with Empress Joséphine (Vanessa Kirby). Other cast members include Tahar Rahim, Ben Miles and Rupert Everett.It is not the first time that Scott has made headlines during the promotion for Napoleon.

Ridley Scott is a man who has earned the right to be a bit… brash with his comments. This is a right given to someone who has created multiple iconic films over the course of his career, literally inspiring generations of filmmakers with works like “Alien” and “Blade Runner.” So, when critics start taking him to task because of “Napoleon,” he clearly couldn’t care less.

Zack Sharf Digital News Director Ridley Scott is shrugging off the negative reviews coming out of France for his new historical epic “Napoleon,” which stars Joaquin Phoenix as the infamous French emperor and Vanessa Kirby as his wife, Joséphine de Beauharnais. Reviews are all over the place for the biographical drama.

Ridley Scott has been typically dismissive of critics taking issue with his forthcoming movie Napoleon, particularly French ones.

EXCLUSIVE: Getting a leg-up here on our Thanksgiving stretch preview, Apple Studios production of Ridley Scott’s Napoleon will invade the global box office via Sony this Wednesday, in what’s shaping up to be a $46M WW global start.

Patrick Frater Asia Bureau Chief The Ridley Scott-directed historical epic “Napoleon” is set to get a release in mainland Chinese theaters next month. The Apple Original Films and Sony Pictures’ title has received approval for import into China and release in a Dec. 1 slot, Sony said on Thursday. Per a Sony synopsis, the film “details the checkered rise and fall of the iconic French Emperor Napoleon Bonaparte, played by Oscar-winner Joaquin Phoenix.

It will come as a surprise to absolutely no one that the reunion of director Ridley Scott and “Napoleon’s” leading man, Joaquin Phoenix, is a rich, layered, and satisfying offering. There is alchemy at work that transfixes the audience as much as any of the epic battle sequences.  Directed and produced by Scott, “Napoleon” is based on the true story of Napoleon Bonaparte, played by Phoenix.

Peter Debruge Chief Film Critic A chyron that appears at the end of “Napoleon,” after two and a half hours of turgid spectacle and grime-encrusted showmanship, informs that France’s self-anointed emperor oversaw 61 battles, listing the six that director Ridley Scott opted to stage for our benefit … or for his own glory. The director’s motives are unclear, much like those of Napoleon Bonaparte as played by Joaquin Phoenix, who gives a mumbly and oddly anti-charismatic performance as the figure — short, slender and something of an outsider, owing to his Corsican birth — who came to rule France after the revolution.