”Cryptozoo’ Film Review: Dash Shaw Returns with More Trippy Adult Animation

“12 Dates of Christmas.” All that’s left for “The Map of Tiny Perfect Things” to mine is a narrative that places teens in the center of the universe and allows them to know more than anyone else in the room. At first, anyway.That’s probably the core of the film’s appeal, and it does have appeal, even if this is ground that’s been trod over with some frequency in recent years.

Also Read: Neon Acquires Jonas Poher Rasmussen's 'Flee' in 7-Figure DealMade lucid in hand-drawn animated form, Amin’s memories are expressed in two distinguishable styles: The most traumatic, and thus the foggiest, appear through rough lines in muted black-and-white, like an apparition barely visible in the mist of his subconscious, but with tangible sensorial impact. That minimalist approach changes for sequences in the present and the larger part of the past.

"If anyone's taking that gay horse, it's me," declares ruthless ex-military cryptid poacher Nicholas, while Lauren Gray, the heroic protector of mythological creatures in Cryptozoo, prepares to take off on a snowy white Pegasus with a mane and wings in pastel rainbow shades. That kind of droll humor was a constant in graphic novelist Dash Shaw's 2016 feature debut, My Entire High School Sinking Into the Sea.

It’s remarkably rare that anyone makes a hand-drawn animated feature for adults, let alone one as strikingly surreal and seriously minded as Dash Shaw’s “Cryptozoo.” READ MORE: 25 Most Anticipated 2021 Sundance Film Festival Premieres This Sundance premiere – honored with the fest’s Innovator Award in its NEXT section for “pure, bold works distinguished by an innovative, forward-thinking approach to storytelling” – takes place in an alt-history 1960s secretly populated by “cryptids,” including

Lawyer, scholar, priest and queer pioneer Pauli Murray is exactly the kind of historical personage for whom the phrase “I can’t believe I’ve never heard of them before!” exists. No less than Thurgood Marshall and Ruth Bader Ginsburg were indebted to Murray for their legal triumphs in overturning segregation and discrimination against women.

Also Read: Rodney Ascher's 'A Glitch in the Matrix' Acquired by Magnolia Ahead of Sundance PremiereAscher takes a similar approach, wandering through as many musings that’ll elicit a “What?” as much as a “Whoa.”Speaking of which, it may not surprise anyone to learn that Keanu Reeves is the icon of this ideology, just as “The Matrix” trilogy is its Bible.

Outside episodic television, adult animation is seldom procured at studios in the U.S. Still, the medium has found stateside keepers of mature content among independent creators.

Also Read: 14 Buzziest Sundance Movies for Sale in 2021, From Questlove's 'Summer of Soul' to Rebecca Hall's 'Passing' (Photos)The film was one of the opening-night presentations at the virtual Sundance Film Festival on Thursday, occupying the same position as previous music-focused docs like “Twenty Feet From Stardom,” “Searching for Sugar Man,” “What Happened, Miss Simone?” and last year’s “Miss Americana.” No doubt it left some viewers wishing that it had been the Eccles Theatre moving to the

Sundance Film Festival director Tabitha Jackson pointed to one unexpected advantage of going virtual with a reimagined 2021 edition during a surging coronavirus pandemic. "I can be a festival director and not wear pants," Jackson joked during an opening online press conference held via Zoom as Sundance kicked off on Thursday.

Kourosh Ahari's debut feature proves an accomplished psychological chiller that impresses far beyond its historic status as a U.S. production featuring primarily Iranian or Iranian-American talent.

The psychological toll of investigative police work seeps into the bones of John Lee Hancock's gritty neo-noir The Little Things, which captures Los Angeles County's flat urban sprawl and snaking freeways to highly atmospheric effect.

Watch Video: Denzel Washington and Rami Malek Are Out to Catch Jared Leto in 'The Little Things' TrailerOne senses that Hancock (“Saving Mr. Banks,” “The Founder”) wants to bait and switch the audience with what at first seems like a straightforward policier but then pivots into a character study of Deke and Jim — respectively, an aging lawman who’s literally haunted by his mistakes and an ambitious young climber who may follow in Deke’s footsteps for better or for worse.

Just a few months ago, Juno Temple helped give the fledgling Apple TV+ service its first must-see: Ted Lasso, a practically perfect comedy series that radiated decency and hope in a world that...well, you were there. She’s very much on the other side of the coin in her reunion with the streaming service, playing a drug-addicted single mom so neglectful that abandoning her kid to the care of a just-released felon is actually a step in the right direction.

After all the passion and grievances stirred up in Malcolm & Marie, it's a tad on the nose to hear Cee-Lo on the Outkast track "Liberation" sing about the "fine line between love and hate." But it's glorious to watch Zendaya, in a commanding turn that cements her arrival as a grownup movie star, skate along that line with both raw emotionality and the jaded remove of a perceptive woman toughened by experience.

Watch Video: 'Malcolm & Marie' Trailer: Zendaya and John David Washington Have Steamy, Love-Hate RelationshipMarie’s opening salvo is that Malcolm forgot to thank her during his lengthy curtain speech, but that minor betrayal exposes a myriad of fault lines in their relationship, from his ego to her low self-esteem, not to mention the fact that she feels that Malcolm has raided her own past issues with drug addiction and rehab to create the female lead of his film, who’s having issues with drug

A working-class gangster pic whose protagonist is a more reluctant criminal than most, Jeremie Guez's Brothers by Blood adapts Pete Dexter's 1991 novel Brotherly Love. Sharp-eyed readers will have guessed that the action is set in Philadelphia, and the film's feel for its post-industrial, gray-skies setting is one of its main assets.

In a small village in tropical Kerala in the south of India, civilized society breaks down after a buffalo gets loose and the villagers mindlessly join in the hunt. Veteran director Lijo Jose Pellissery returns to the theme of mob violence he handled so well in the 2017 Angamaly Diaries, which pitted local gangs against each other with tragi-comic flair.

The two lovers "meet cute." One has an overbearing mother and an overly garrulous best friend constantly trying to interfere in his love life. The other has deep-rooted family issues.

To find a novel approach to the Holocaust is definitely a challenge, and yet director Peter Bebjak has told an unfamiliar but revealing story in The Auschwitz Report, Slovakia’s submission for best international film of 2020. Samuel Goldwyn Films will release the movie in the U.S., and although it can’t be described as an entertaining watch, it does retrieve a part of history worth honoring.