'Jallikattu': Film Review

Before the nominations for the 93rd Academy Awards will be unveiled on March 15, The Academy of Motion Picture Arts and Sciences revealed the shortlists in nine categories for the Oscars 2021.

Get Out actor Daniel Kaluuya will be returning to the big screen next month as the leader of the Black Panther Party. The actor's next film titled Judas and the Black Messiah's trailer released on Tuesday and we're all glued to it.

Pebbles, an Indian drama from director Vinothraj P.S., has won the top prize, the Tiger Award for best film, at the 50th International Film Festival Rotterdam (IFFR). The feature, set in an arid landscape in Indian's southern Tamil Nadu region, follows an alcoholic abusive husband who, after his long-suffering wife runs off, sets out with his young son to find her and bring her back.

Jay Weissberg The sunbaked, drought-stricken terrain of southeast India is a major determinant of the action in P S Vinothraj’s beautifully crafted, precisely plotted debut, “Pebbles.” Taking a simple premise with all the focus and penetration of a perfectly constructed short story, the writer-director transforms the drama of a young boy dragged between villages by his abusive alcoholic father into a larger, unforced statement about toxic patriarchy, limited resources, and the silent, enduring

Jessica Kiang In some months’ time, cub reporter Shyamkali will solo pilot a story that brings an accused rapist to justice. But right now she is sitting in the shade of a tree with her boss Meera, who has spiked a story of hers because she didn’t like “the angle.” When Meera explains her reasons, Shyamkali is thoughtful.

The global vaccine rollout is reason to finally believe there could be an end to this pandemic, but it’s evident the recovery process is going to be gradual and slow. Ahead of the curve, however, appears to be India.

Naman Ramachandran Indo-Canadian filmmaker Deepa Mehta’s next film is a “Get Out”-style supernatural thriller, she revealed on Tuesday.Speaking at a virtual event organized by Indian socio-cultural organization, the Prabha Khaitan Foundation, Mehta said, “There’s a horror film that I’m working on, which I’m so intrigued about because it’s like ‘Get Out,’ a supernatural thriller, which actually is about women.”Mehta is also developing Madhuri Vijay’s award-winning 2019 novel “The Far Field” as

A group of 20 or so women — young, barefoot and in saris — sit in a circle on the floor in the new documentary Writing With Fire. Comprising the staff of Khabar Lahariya, India’s only all-female newspaper (whose title translates to “waves of news”), the women are told that the publication will expand its online operations soon, and they must adapt.

Abuse leaves scars unseen but permanent in director Lyle Mitchell Corbine Jr.’s debut “Wild Indian,” a character study wrapped in larger observations on the generational effects of violence and religious guilt. In it, two men marked by a single crime lead distinctively dysfunctional lives.

Lyle Mitchell Corbine Jr.'s feature debut represents indie cinema at its most stark and elemental. Depicting the fateful aftermath of a horrific act of senseless violence committed by a young Indigenous boy, Wild Indian has the feel of Greek tragedy infused with film-noir fatalism.

Peter Debruge Chief Film CriticIssues of identity, assimilation and the contemporary Native American experience run deep beneath Lyle Mitchell Corbine, Jr.’s feature debut “Wild Indian,” while the relatively conventional surface narrative is one that any filmmaker could have told, albeit in a less original context. Watching “Wild Indian,” I was reminded of “Moonlight,” with its three distinct time periods.

Naman Ramachandran Jasmila Zbanic’s “Quo Vadis, Aida?,” the Bosnia and Herzegovina entry in the Academy Awards’ international feature category, will open the 25th edition of the International Film Festival of Kerala (IFFK).Mira Nair will deliver the annual G. Aravindan memorial lecture, an event named for the pioneering filmmaker from the south Indian state of Kerala who died in 1991.

EXCLUSIVE: Netflix has taken world rights to Venice Film Festival Best Screenplay winner The Disciple, which is executive-produced by Oscar winner Alfonso Cuaron.

A riotous horror-tinged romp starring a runaway buffalo, there's no other contender for the 2021 best international film Oscar quite like India's submission,Jallikattu, directed by Malayalam cinema maverick Lijo Jose Pellissery. The 90-minute movie's galloping plot couldn't be simpler: a bull escapes from a slaughterhouse in a remote Indian village and all of the menfolk gather to chase it down.

Naman Ramachandran Anders Refn’s WWII saga “Into the Darkness” (Denmark) and Ko Chen-Nien’s abuse drama “The Silent Forest” (Taiwan) won the major prizes at the 51st International Film Festival of India in Goa.“Into The Darkness” won the Golden Peacock for best film. The award carries a cash prize of INR 4 million ($54,800).

Ramin Bahrani’s Netflix thriller The White Tiger is a kinetic and thought-provoking ride. The acclaimed director’s adaptation of Arvind Adiga’s lauded 2008 novel charts the tumultuous journey of a poor Indian driver who must use his wit and cunning to break free from servitude.

spanakopita. So far, the 26-year-old actor has worked mainly in Indian films and TV shows, but hopefully “White Tiger” is the start of seeing a whole lot more of him stateside.

Naman Ramachandran Nithin Lukose’s Malayalam-language “Paka: The River of Blood,” Chhatrapal Ninawe’s Marathi-language “Ghaath” (Ambush) and Sreejith Karanavar’s Konkani-language “Aiz Maka Falea Tuka” (Today Me Tomorrow You) were among the winners at India’s Film Bazaar project market that concluded on Thursday.“Paka” and “Ghaath” were presented in the Work in Progress lab strand of the Bazaar, while “Aiz Maka Falea Tuka” was in the Film Bazaar Recommends strand.The projects won digital