‘Corsage’ Review: Vicky Krieps Marvels As Elisabeth Of Austria In Stunning Period Drama [Cannes]

Clayton Davis Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official awards predictions for the upcoming Oscars and Emmys ceremonies, curated by Variety senior awards editor Clayton Davis; Awards Circuit Column, a weekly analysis dissecting the trends and contenders by television editor Michael Schneider (for Emmys) and Davis (for Oscars); Awards Circuit Podcast, a weekly interview series with talent and an expert roundtable discussion; and Awards Circuit Video analyzes various categories and contenders by Variety's leading awards pundits. Variety's unmatched coverage gives its readership unbeatable exposure in print and online, as well as provide inside reports on all the contenders in this year's awards season races.

Queen's Platinum Jubilee celebrations continue to unfold, Elizabeth Hurley is honoring Her Majesty the best way she knows how!MORE: Elizabeth Hurley ushers in summer in chain-link snakeskin swimsuitThe bombshell shared a new crop of bikini pictures, and though she's at a tropical beach and certainly miles away from England, she still made sure to give a sweet nod to her home country.The jaw-dropping images see her in a white triangle bikini with a diagonal textured print and gold accents, which she perfectly accessorized with a classic pair of aviator sunglasses.WATCH: Elizabeth soaks up the sun in black bikiniMORE: Elizabeth Hurley wows in figure-hugging summer dress – fans reactElizabeth appears fresh off of a dip in the ocean, and as she's seen having fun in the sand afterwards, she also managed to make her salty hair appear perfectly messy and tousled.The nod to England came via a saucer-shaped balloon with the Union Jack emblazoned on it, and the actress was all smiles as she posed with it and flew it into the air.She captioned the cheeky tribute with: "Bringing a bit of Blighty to the Caribbean on the momentous Platinum Jubilee. All hail HM Queen Elizabeth."The fun tributeFans flooded the comments section with compliments, writing: "What beautiful and lovely image," and: "Absolutely sensational as always," as well as: "Platinum celebrating platinum."MORE: Elizabeth Hurley announces new role in heartfelt video: 'It's an honor'MORE: Elizabeth Hurley poses in her underwear in throwback snapWhile the Queen's Jubilee celebrations have been full of joy and fun, it hasn't been without its fair share of unexpected changes.

It is interesting to see what artists conjure up later in their lives. “Benediction” is the eighth film from seventy-six-year-old British writer and director Terence Davies.

Though shot and set prior to the Russian invasion, by dint of being a Ukrainian picture detailing the aftermath of a woman soldier’s assault in the Donbas, “Butterfly Vision” lays claim to uniquely wretched timeliness at this year’s Cannes. What is an impressive if formally flawed first film from Maksym Nakonechnyi earns some emotional weight vis-a-vis present events: the Ukrainian flags of blue and white, flown with unsparing pride across Nakonechnyi’s images, bear the immediate frisson of beleaguered resistance, and that women Stateside presently face unprecedented threats to their bodily autonomy only compounds the miserable resonance.

Jury Prize: “Joyland,” directed by Saim SadiqBest Director Prize: Alexandru Belc for “Metronomes”Best Actor Prize (jointly awarded):Vicky Krieps in “Corsage”Adam Bessa in “Harka”Best Screenplay Prize: “Mediterranean Fever,” directed by Maha HajCoup de cœur Prize: “Rodeo,” directed by Lola Quivoron

Guy Lodge Film CriticFrench film “The Worst Ones (Les Pires)” is the surprise winner of the top prize at this year’s Un Certain Regard awards ceremony, with Italian actor-director Valeria Golino and her fellow jurors also handing prizes to Pakistani breakout “Joyland,” Romanian drama “Metronom” and “Corsage” star Vicky Krieps.

Mads Mikkelsen will star in an epic period drama called “King’s Land” and is reuniting with the director of “A Royal Affair” Nikolaj Arcel, making it Arcel’s first film since “A Royal Affair” in 2012. “King’s Land” (working title) is co-written by Arcel and Danish screenwriter Anders Thomas Jensen (“Riders of Justice”) and is based on the Danish bestseller “The Captain and Ann Barbara” from 2020.

Leo Barraclough International Features EditorWhen filmmaker Marie Kreutzer was writing “Corsage,” which chronicles a critical period in the life of Empress Elisabeth of Austria, also known as “Sissi,” she had in mind the experience of other women in the public eye, in particular Princess Diana and Meghan Markle. In recent weeks, she has been mulling the treatment of Amber Heard as well.

It’s the plight of the plightless: a kid from a comfortable, upper-middle-class background wants to be some manner of artist, except that he’s (and it does seem to be a he more often than not) bereft of the experience, grit, or outsider credibility that define the role models he hopes he could one-day call influences. He ventures out into the big bad world in search of something to put a bit of hair on his creative chest, only to face the spiny question of whether this effort to get real is just class tourism, a jaunt in the gutter that one phone call to Dad could prevent.

“Decision To Leave” deals in illusions. Is Song Seo-rae’s dress blue or green? Is she really the innocent wife she claims to be? In her living room, she sits surrounded by sapphire wallpaper, its lines suggesting the mountains near her Busan home that she so loathes — but they could easily be seen as waves, too.

“The Five Devils,” from French director Léa Mysius, captivates from its very first seconds. We see Adèle Exarchopoulos in a sparkling gymnast outfit with other similarly dressed girls, all watching an enormous fire in the background; when she turns around, she is crying — fire, beauty, passion and death all conveyed in one image.

Becoming Elizabeth when it premieres June 12. While most of us are familiar with the story of Queen Elizabeth II thanks to society's obsession with all things —not to mention films and shows like and *—*the new Tudor drama will explores the lesser-known early life of Princess Elizabeth I before she become queen. The series stars Alicia von Rittberg (Fury, Genius) as young Elizabeth Tudor.

Director Emily Atef’s Cannes Un Certain Regard drama More Than Ever is a careful, fastidious, Tradition of Quality film about impending death that’s easy to admire but won’t exactly pack ‘em in.

review, Nicholas Barber wrote that “Corsage” stylistically resembles the dreamy Kristen Stewart film “Spencer.” “Whenever the film seems to be settling into an atmospheric but conventionally good-looking period piece, Kreutzer throws in an amusing and jarring reminder of the modern world, as if Elisabeth were breaking out of her allotted role by time-traveling, momentarily, to the present day,” Barber wrote. “Corsage” follows Elisabeth around her 40th birthday at a time when her role in the empire is slowly becoming more performative and has to fight to maintain her public image by lacing her corset ever tighter and tighter.

For all their faults, the 2020s are shaping up to be a welcome celebration of actor Vicky Krieps. The Luxembourg actress is perhaps best-known with domestic audiences for her performance in Paul Thomas Anderson‘s “Phantom Thread,” but with 2021’s “Bergman Island” and a pair of 2022 Cannes Film Festival titles (“Corsage,” “More Than Ever“) under her belt, she seems poised to enter that rare stratosphere of performers who move between national cinema and Hollywood with ease.

IFC Films has nabbed North American rights to “Corsage,” Marie Kreutzer’s bold costume drama starring Vicky Krieps as the Empress Elisabeth of Austria known as Sissi. Represented in international markets by MK2 Films, the movie world premiered at Cannes’ Un Certain Regard and earned unanimous praises.

Here are some of the key talking points from the Cannes Film Festival and market at half-way.

French writer/director Alice Winocour was interested in the connection between the body and the mind before it was cool. Her feature debut “Augustine” (2012) told the story of a supposedly “hysterical” woman and her doctor in 19th century France, while “Disorder” (2015) centered on a soldier-turned bodyguard suffering from PTSD.

Inspired by her own late mother’s long battle with multiple sclerosis, writer/director Emily Atef’s (“Molly’s Way,” “3 Days in Quiberon”) latest work, “More Than Ever,” delivers a poignant and well-acted story. Featuring Gaspard Ulliel’s last performance, the film asks its audience to face the reality of and ponder the inevitability of death as well as the line between those who have experienced a type of suffering and those who haven’t.

Leo Barraclough International Features EditorLeading arthouse sales company the Match Factory has acquired the rights to “Bachmann & Frisch,” a biopic about the radical Austrian writer and poet Ingeborg Bachmann, directed by Venice Golden Lion winner Margarethe von Trotta. The film stars Vicky Krieps — who appears in two Cannes Film Festival films this year, “Corsage” and “More Than Ever” — as the poet, and Ronald Zehrfeld (“Barbara,” “Phoenix”) as her partner, the Swiss writer Max Frisch.The pickup follows the international sales success for the Match Factory with Von Trotta’s “Hannah Arendt” in 2012.