Alice Winocour
Virginie Efira
Cannes Film Festival
France
Alice Winocour
Virginie Efira
Cannes Film Festival
France
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‘Coda’ Producer Pathé Strikes Raft Of Deals On Cannes Slate Including ‘Masquerade’, ‘Paris Memories’ & Penélope Cruz Starrer ‘L’Immensitá’ - deadline.com - Australia - Spain - France - New Zealand - Italy - Canada - Austria - Germany - Belgium - Portugal - Switzerland - Greece - Poland - Rome - Turkey - Israel - Taiwan
deadline.com
01.06.2022 / 13:45

‘Coda’ Producer Pathé Strikes Raft Of Deals On Cannes Slate Including ‘Masquerade’, ‘Paris Memories’ & Penélope Cruz Starrer ‘L’Immensitá’

EXCLUSIVE: Coda producer Pathé has concluded a raft of sales on its Cannes slate including for starry French drama Masquerade, Directors’ Fortnight entry Paris Memories and Penelope Cruz title L’Immensita.

Léa Seydoux Said ‘Gambit’ Was An “Exotic” Role: The Script Was “Really Good” - theplaylist.net - France
theplaylist.net
28.05.2022 / 22:43

Léa Seydoux Said ‘Gambit’ Was An “Exotic” Role: The Script Was “Really Good”

French actress Léa Seydoux is having a big moment right now at the 2022 Cannes Film Festival. Not only is she set to star in the latest film from director David Cronenberg, “Crimes Of The Future” (read our review), but she is also the lead in Mia Hansen-Løve’s “One Fine Morning” (read our review) But there is another project she is opening up about that she almost did.

Cannes’ endless standing ovations are an embarrassment to France - nypost.com - France - county Love
nypost.com
28.05.2022 / 02:21

Cannes’ endless standing ovations are an embarrassment to France

s’il vous plaît!Over at the French film festival on the Cote d’Azur, which wraps up this weekend, it’s long been popular to give comical and undeserved standing ovations to just about anything that could be feasibly called a film. Next year the Claudes and Claudettes will be hopping to their feet for a dancing toad on TikTok (more deserving, honestly, than Lars von Trier.)The trade publications time these performative participation prizes like they’re Olympic runners.

Cannes Review: Alice Winocour Drama Film ‘Paris Memories’ - deadline.com - France - Berlin
deadline.com
26.05.2022 / 21:15

Cannes Review: Alice Winocour Drama Film ‘Paris Memories’

This year has produced several films if terrorist attacks in France. One Year and One Night by Isaki Lacuesta (which premiered in Berlin this year) and November by Cedric Jimenez which is being shown out of competition at Cannes, and Alice Winocour’s deeply personal Paris Memories (Revoir Paris) which was inspired by Winocour’s own brother who was in the midst of the November 2015 attacks at Bataclan. The film follows a woman’s journey to recovery after surviving a mass shooting. 

‘The Innocent’ Review: Louis Garrel’s Crime, Comedy, Romance Caper Is Breezy, Elegant Fun [Cannes] - theplaylist.net - France
theplaylist.net
26.05.2022 / 18:09

‘The Innocent’ Review: Louis Garrel’s Crime, Comedy, Romance Caper Is Breezy, Elegant Fun [Cannes]

Directed by Louis Garrel, son of revered arthouse director Philippe, “The Innocent” is a quintessentially French comedy whose principle aim is to be a fun time. Though this may seem a relatively modest ambition, we all know it isn’t easy to do well, and Garrel certainly does not make things any simpler for himself as the film repeatedly leaves the realm of the bon mot to veer on the farcical.

‘The Stars At Noon’ Review: Margaret Qualley & Joe Alwyn Sweat It Out In Claire Denis’ Seductive Misfire [Cannes] - theplaylist.net - Britain - Spain - France - USA - Panama - Nicaragua
theplaylist.net
26.05.2022 / 16:05

‘The Stars At Noon’ Review: Margaret Qualley & Joe Alwyn Sweat It Out In Claire Denis’ Seductive Misfire [Cannes]

“The Stars at Noon” finds the French filmmaker Claire Denis shooting in Panama doubling for Nicaragua; directing a cast of Yanks, Brits, and assorted Central Americans; and working from a script switching between Spanish and English. Internationally coproduced Towers of Babel such as this aren’t at all uncommon at the Cannes Film Festival, but the errors in translation all over this disappointing foreign-relations drama run deeper than simple differences of ethnicity or language.

Cristiano Ronaldo’s Girlfriend Georgina Rodriguez Makes First Appearance Since Their Son's Death - www.etonline.com - France - Manchester
etonline.com
26.05.2022 / 06:27

Cristiano Ronaldo’s Girlfriend Georgina Rodriguez Makes First Appearance Since Their Son's Death

Cristiano Ronaldo's girlfriend, Georgina Rodriguez, made her first public appearance since she and the Manchester United soccer star announced the death of their infant son. Rodriguez took to Instagram to share some snaps from the Cannes Film Festival in France.

Kaia Gerber Gives Austin Butler a Huge Kiss at 'Elvis' World Premiere - www.etonline.com - France - New York - county Butler
etonline.com
26.05.2022 / 01:53

Kaia Gerber Gives Austin Butler a Huge Kiss at 'Elvis' World Premiere

2022 Cannes Film Festival, where Kaia Gerber and Austin Butler were in full PDA mode!The 20-year-old model and 30-year-old star walked the red carpet Wednesday for the world premiere of the Baz Luhrmann-directed biopic and didn't let the cameras deter them from showing their affection. In fact, it appears as if it was Gerber, looking stunning in a red gown, who grabbed Butler's face with both hands and planted a wet one on the budding actor.Once inside the theater, the audience got to enjoy the highly anticipated screening of the film set to be released June 24.

Anne Hathaway’s Cannes fashions spark celebration of star’s ‘renaissance’ - nypost.com - France
nypost.com
25.05.2022 / 23:47

Anne Hathaway’s Cannes fashions spark celebration of star’s ‘renaissance’

Anne Hathaway is being crowned the haute couture queen of the Cannes Film Festival. And fans of the brunette bombshell are digitally reveling over the early-2000s diva’s fashionable resurgence. “Can we all take a moment to appreciate Anne Hathaway looking like a goddess in Cannes,” tweeted an admirer of the Oscar winner, alongside a snapshot of her in a sequin, floral-print two-piece ensemble by Schiaparelli. “I love this Anne Hathaway renaissance we’re going through,” chimed another. Making her debut at the annual silver screen soirée over the weekend, Hathaway, 39, repeatedly turned heads in high-fashion finery for the premiere of her feature flick “Armageddon Time,” starring Anthony Hopkins, 84, and Jeremy Strong, 43. And immediately after touching down in France on Wednesday, the blockbuster beauty transformed the Nice Côte d’Azur Airport into a virtual runway, sashaying through in a chic, loose-fitting pantsuit.  From there, Hathaway ditched her trendy traveling togs to don a white strapless Armani Privé gown, reminiscent of her “Princess Diaries” glamor, on the film festival’s star-studded red carpet Thursday. The flawless fashion plate continued to outdo herself throughout the duration of the weekend, rocking a blue mini dress by Gucci Friday, stunning in a coffee-colored Louis Vuitton number Saturday and beaming in a hot pink piece by Valentino Sunday. And the luxe looks sent Hathaway enthusiasts into a full-on Twitter tizzy. “Anne Hathaway at the cannes film festival.

‘The Silent Twins’ Review: Agnieszka Smoczynska’s Take On A Tragic True Story Is Imaginative, But Frustrating [Cannes] - theplaylist.net - Britain - France
theplaylist.net
25.05.2022 / 23:39

‘The Silent Twins’ Review: Agnieszka Smoczynska’s Take On A Tragic True Story Is Imaginative, But Frustrating [Cannes]

In the late 19th century, two French psychiatrists coined the term “folie à deux,” literally translated as madness for two, to describe what is now widely referred to as shared psychotic disorder, or when two — or more — people transmit delusional beliefs and occasional hallucinations to one another. The condition is most common in people closely related, who live in intimate proximity, and has been lengthily dissected by academics.

‘Forever Young’ Review: Valeria Bruni Tedeschi’s Tempestuous Romance Is Passionate, But Remote [Cannes] - theplaylist.net - France
theplaylist.net
25.05.2022 / 18:49

‘Forever Young’ Review: Valeria Bruni Tedeschi’s Tempestuous Romance Is Passionate, But Remote [Cannes]

Based on her own time spent in the acting school Les Amandiers, Valeria Bruni Tedeschi’s “Forever Young” aims to recreate a very specific time and place both in her life and in France, more than it cares to inform her audience about what, exactly, was so special about this school. Funded in the 1980s by Patrice Chéreau, a successful and daring director of theatre, opera and film, Les Amandiers did not last very long but for a few years it was considered to be one of the most exciting places in France and even Europe for young actors to develop their crafts, and for directors to find new talent.

‘De Humani Corporis Fabrica’ Review: Unflinching Medical Doc Zooms In On Life & Death [Cannes] - theplaylist.net - France
theplaylist.net
25.05.2022 / 16:55

‘De Humani Corporis Fabrica’ Review: Unflinching Medical Doc Zooms In On Life & Death [Cannes]

Observed in isolation, detached from the body or in extreme close-ups, organs and other vital viscera resemble moist masses of soft tissue plucked from alien landscapes in the unflinchingly immersive medical documentary “De Humani Corporis Fabrica.” Alternating between footage from cameras inserted into patients for the purpose of treating ailments and grisly shots from the operating room, directors Verena Paravel and Lucien Castaing-Taylor, the team behind the striking non-fiction film on fishing “Leviathan,” apply their fascination for uncanny imagery with relativist intent to the inner workings of French hospitals and, in turn, the human body.

‘Tasavor (Imagine)’ Review: Ali Behrad’s Feature Debut Is An Earnest Homage To Love [Cannes] - theplaylist.net
theplaylist.net
24.05.2022 / 20:57

‘Tasavor (Imagine)’ Review: Ali Behrad’s Feature Debut Is An Earnest Homage To Love [Cannes]

A balloon shaped like a heart flies from the open window of a taxi. It is late at night and the woman (Leila Hatami) who this gift was bestowed upon simply couldn’t care less about the useless trinket, far more interested in comparing the quality of the accompanying chocolate boxes dispensed by a handful of men who wish to have her as a Valentine.

‘Funny Pages’ Review: Owen Kline Examines The Limits Of Privilege In Sharp New Comedy [Cannes] - theplaylist.net - county Sharp
theplaylist.net
24.05.2022 / 18:59

‘Funny Pages’ Review: Owen Kline Examines The Limits Of Privilege In Sharp New Comedy [Cannes]

It’s the plight of the plightless: a kid from a comfortable, upper-middle-class background wants to be some manner of artist, except that he’s (and it does seem to be a he more often than not) bereft of the experience, grit, or outsider credibility that define the role models he hopes he could one-day call influences. He ventures out into the big bad world in search of something to put a bit of hair on his creative chest, only to face the spiny question of whether this effort to get real is just class tourism, a jaunt in the gutter that one phone call to Dad could prevent.

‘The Five Devils’ Review: Adèle Exarchopoulos Is A Force Of Nature In Léa Mysius’ Formally Stunning Drama [Cannes] - theplaylist.net - France
theplaylist.net
23.05.2022 / 20:29

‘The Five Devils’ Review: Adèle Exarchopoulos Is A Force Of Nature In Léa Mysius’ Formally Stunning Drama [Cannes]

“The Five Devils,” from French director Léa Mysius, captivates from its very first seconds. We see Adèle Exarchopoulos in a sparkling gymnast outfit with other similarly dressed girls, all watching an enormous fire in the background; when she turns around, she is crying — fire, beauty, passion and death all conveyed in one image.

‘Smoking Causes Coughing’ Review: Quentin Dupieux Returns With A Zany Horror Anthology [Cannes] - theplaylist.net - France
theplaylist.net
23.05.2022 / 17:31

‘Smoking Causes Coughing’ Review: Quentin Dupieux Returns With A Zany Horror Anthology [Cannes]

The films of French filmmaker Quentin Dupieux are at their best when they combine his penchant for ludicrous but simple what-if scenarios, with his perceptive eye for humor in everyday life and banal interactions. He would probably hate his cinema to be pinned down in this way: though he has proven that he can subscribe to straightforward storytelling with “Deerskin” (which premieres at Cannes in 2019) and “Incredible But True” (Berlinale 2022), the French director and absurdist also enjoys leaving the demands of logical plot developments behind in favor of a freer style.

‘Paris Memories’ Review: Alice Winocour’s Heartfelt Evocation of Post-Terrorism Trauma - variety.com - France - Paris - Berlin
variety.com
22.05.2022 / 17:23

‘Paris Memories’ Review: Alice Winocour’s Heartfelt Evocation of Post-Terrorism Trauma

Guy Lodge Film CriticIt’s over six years since the November 2015 terrorist attacks in Paris that ruptured the country’s national consciousness and political agenda, but the events are only gaining currency for European filmmakers. This year’s Berlin festival brought us Isaki Lacesta’s “One Year, One Night,” an impressionistic reflection on survivor’s guilt in the long-term wake of the Bataclan nightclub massacre; at Cannes this year, Cedric Jimenez’s thriller “November” takes a more procedural approach to the aftermath.

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