Cannes Hot Title ‘Corsage’ Director Marie Kreutzer and Star Vicky Krieps on Women in the Public Eye

Knives Out is titled Glass Onion: A Knives Out Mystery.The director revealed the title in a thread on Twitter, where he explained how novelist Agatha Christie influenced his approach to the sequel.“Something I love about Agatha Christie is how she never tread water creatively,” Johnson wrote. “I think there’s a misperception that her books use the same formula over and over, but fans know the opposite is true.“It wasn’t just settings or murder methods, she was constantly stretching the genre conceptually.

Vicky Krieps says, a bottle of Evian in her hand, her hair hidden beneath a pink baseball cap and a brown shawl wrapped theatrically around her neck. “It was like being dropped out of an airplane onto a different planet, or surviving a shipwreck. ” The Luxembourg-born actor is describing her life in the aftermath of Phantom Thread, the 2017 Paul Thomas Anderson film that put her toe-to-toe with Daniel Day-Lewis, as the waitress who becomes muse and lover to his society dressmaker.

Manori Ravindran International EditorCannes competition title “Pacifiction,” from “Liberté” director Albert Serra, has been acquired for the U.S. by specialty distributors Grasshopper Film and Gratitude Films.Serra won the Un Certain Regard section’s Special Jury Prize in 2019 for “Liberté” and cracked the festival’s official selection this year with “Pacifiction.”The film is set on the French Polynesian island of Tahiti, and centers on the High Commissioner of the Republic and French government official, whose role brings him to navigate both the high-end “establishment” and shady venues where he mingles with the locals.

Zack Sharf Joseph Kosinski is flying high off the success of “Top Gun: Maverick,” which debuted to a record-breaking $160 million over the Memorial Day weekend frame. The sequel is the first bonafide box office success for the director, who started his feature directorial career with Disney’s “Tron: Legacy.” That sequel earned $400 million worldwide, but that sum wasn’t enough for Disney to allow Kosinski to pursue an intended sequel under the title “Tron: Ascension.”In a new interview with Vulture, Kosinski confirmed he had storyboarded and written the entire third “Tron” movie when Disney pulled the plug on the project in 2015.

Johnny Depp's children have remained notoriously private throughout their dad's defamation trial against Amber Heard.MORE: Amber Heard's ex Elon Musk reacts to Johnny Depp's closing statement The Pirates of the Caribbean star is a doting father to daughter Lily-Rose Depp, 22, and 20-year-old son Jack Depp, who he shares with ex-wife Vanessa Paradis.Johnny has tried to keep his children out of the spotlight during the trial although has made several references to them over the last few weeks, including a rare insight into raising children in the public eye.VIDEO: Inside Johnny Depp's private lifeWhen discussing the level of fame that occurred after the first Pirate of the Caribbean movie in 2003 - which he described as a "completely different way of life my family and I were plunged into" - he admitted to fearing for his childrens' safety.MORE: Inside Johnny Depp and Amber Heard's 'intensely passionate' 15-month marriageMORE: The real reason Johnny Depp REFUSED to look at Amber Heard during trial"At our house in Los Angeles you would have people trying to climb the gates to see Captain Jack Sparrow and you would have people trying to bust into the gates dressed as Captain Jack Sparrow," he said."Following you, following you and your family. There was no other way but to hire more security guards and I was certainly worried for my kids' safety so that's when just one the guy we had several security people because I wanted to make sure that my kids were safe when they went to school or when they went to Disneyland or the mall." Johnny Depp revealed his fears for his children's safety during his height of fameJohnny continued: "We were just getting followed by hoards of paparazzi.

After nearly two weeks of amazing fashion on the red carpet at the 2012 Cannes Film Festival, the festival has finally come to an end.

Jury Prize: “Joyland,” directed by Saim SadiqBest Director Prize: Alexandru Belc for “Metronomes”Best Actor Prize (jointly awarded):Vicky Krieps in “Corsage”Adam Bessa in “Harka”Best Screenplay Prize: “Mediterranean Fever,” directed by Maha HajCoup de cœur Prize: “Rodeo,” directed by Lola Quivoron

Guy Lodge Film CriticFrench film “The Worst Ones (Les Pires)” is the surprise winner of the top prize at this year’s Un Certain Regard awards ceremony, with Italian actor-director Valeria Golino and her fellow jurors also handing prizes to Pakistani breakout “Joyland,” Romanian drama “Metronom” and “Corsage” star Vicky Krieps.

Pablo Sandoval World premiering at the Cannes ACID showcase, “Polaris” explores the intimate relationship between two sisters, Hayat and Leila. The film, set between the isolated Northern Sea and warm, well-connected France, aims to bring a human perspective to this tale of sisterhood set against dramatic land- and seascapes.“Polaris” marks the doc feature debut of Spain’s director Ainara Vera whose experience includes workings a first AD and co-editor on several of Victor Kossakovsky’s productions, including the Berlinale 2020-selected  “Gunda.”Vera and Hayat met on the shoot of another Kossakovsky movie, “Aquarela,” during which the two fostered a bond, with Hayat serving on Kossakovsky and Vera’s sailors crew.

A24 has won North American rights to Charlotte Wells’ Cannes buzz title Aftersun.

Director Emily Atef’s Cannes Un Certain Regard drama More Than Ever is a careful, fastidious, Tradition of Quality film about impending death that’s easy to admire but won’t exactly pack ‘em in.

review, Nicholas Barber wrote that “Corsage” stylistically resembles the dreamy Kristen Stewart film “Spencer.” “Whenever the film seems to be settling into an atmospheric but conventionally good-looking period piece, Kreutzer throws in an amusing and jarring reminder of the modern world, as if Elisabeth were breaking out of her allotted role by time-traveling, momentarily, to the present day,” Barber wrote. “Corsage” follows Elisabeth around her 40th birthday at a time when her role in the empire is slowly becoming more performative and has to fight to maintain her public image by lacing her corset ever tighter and tighter.

For all their faults, the 2020s are shaping up to be a welcome celebration of actor Vicky Krieps. The Luxembourg actress is perhaps best-known with domestic audiences for her performance in Paul Thomas Anderson‘s “Phantom Thread,” but with 2021’s “Bergman Island” and a pair of 2022 Cannes Film Festival titles (“Corsage,” “More Than Ever“) under her belt, she seems poised to enter that rare stratosphere of performers who move between national cinema and Hollywood with ease.

IFC Films has nabbed North American rights to “Corsage,” Marie Kreutzer’s bold costume drama starring Vicky Krieps as the Empress Elisabeth of Austria known as Sissi. Represented in international markets by MK2 Films, the movie world premiered at Cannes’ Un Certain Regard and earned unanimous praises.

Inspired by her own late mother’s long battle with multiple sclerosis, writer/director Emily Atef’s (“Molly’s Way,” “3 Days in Quiberon”) latest work, “More Than Ever,” delivers a poignant and well-acted story. Featuring Gaspard Ulliel’s last performance, the film asks its audience to face the reality of and ponder the inevitability of death as well as the line between those who have experienced a type of suffering and those who haven’t.

Leo Barraclough International Features EditorLeading arthouse sales company the Match Factory has acquired the rights to “Bachmann & Frisch,” a biopic about the radical Austrian writer and poet Ingeborg Bachmann, directed by Venice Golden Lion winner Margarethe von Trotta. The film stars Vicky Krieps — who appears in two Cannes Film Festival films this year, “Corsage” and “More Than Ever” — as the poet, and Ronald Zehrfeld (“Barbara,” “Phoenix”) as her partner, the Swiss writer Max Frisch.The pickup follows the international sales success for the Match Factory with Von Trotta’s “Hannah Arendt” in 2012.

A silver spoon clunks loudly inside a bowl of beef broth. The meal — well, barely a meal — is served to Empress Elisabeth of Austria (Vicky Krieps) twice a day, her diet a strict combination of insipid soup and wafer-thin slices of lemon.

Jessica Kiang The Empress is unimpressed. Introduced to us at the beginning of Marie Kreutzer’s sneaky and terrific Un Certain Regard premiere “Corsage,” submerged in a bathtub during one of her many self-imposed endurance training rituals, Duchess Elisabeth Amalie Eugenie in Bavaria, Empress of Austria and Queen of Hungary, is holding her breath underwater for as long as she can.

It took the Empress Elisabeth’s strongest lady’s maid an hour every morning to lace her stays. The Emperor Franz-Joseph’s wife Sisi, as she was fondly known to the subjects of the Austro-Hungarian empire, was famous for the narrowness of her waist, which reputedly measured 19 and a half inches; the slightest weight gain was a matter of seething public interest. It looks very much as if Vicky Krieps, who brings great complexity to her portrait of the empress in Marie Kreutzer’s Un Certain Regard title Corsage, shares the imperial measurements. Let’s hope that is just a trick of the camera. So much corsetry — or corsage, the word we hear much used in the royal dressing-rooms of 19th-century Vienna — doesn’t leave much room for little things like ribs.