'Coronation': Film Review

By Hanna RantalaVENICE (Reuters) - "Nomadland", a U.S.

Guy Lodge Film CriticOne day after premiering and receiving the most rapturous reviews of any film in competition, U.S.-based Chinese director Chloé Zhao has won the Golden Lion award at the Venice Film Festival for her film “Nomadland,” a documentary-influenced road movie starring Frances McDormand as an itinerant widow traveling across America.

“Holler” is not the first film to chronicle the human toll of the flight of industry from the American Rust Belt to China and other countries abroad, but it might be the most direct. “Holler” makes the subtext text by focusing on an Ohio group of scrappers, crews illegally stripping abandoned old factories and institutional buildings for raw metal that can be sold to Asian buyers.

Rebecca Davis editorThough China was among the first in the world to restart film shoots in the wake of COVID-19, the number of projects going into production has been drastically reduced by the pandemic and its accompanying economic uncertainty. Recent financial reports and public comments from China’s major studios reveal some trends in what to expect from those productions still in the pipeline.

Patrick Frater Asia Bureau ChiefIt is going to be tough acting like things have gone back to normal, and operating an in-person festival, complete with foreign guests. But given plentiful resources and a can-do spirit, the Hainan Intl.

No matter what you think of the Sandman’s films, Adam Sandler brings the talent.

Ben Croll At a panel hosted by the Venice Production Bridge – the industry section of the Venice Film Festival – earlier this week, delegates from the Italian, American, and Chinese industries shared the virtual stage with European regulators as they enumerated the challenges facing the global film business in the post-pandemic era.Jointly organized by Italy’s cultural heritage ministry (MiBACT) and motion picture association (ANICA) for the second year in a row, the panel brought together

Vivienne Chow Bong Joon-ho’s Oscar-winning “Parasite” leads the race of this year’s Asian Film Awards, which will be hosted in his home country South Korea for the first time since the prize ceremony’s inception in 2007. The acclaimed drama picked up 10 nominations, including best film, best director and best screenplay.“Parasite” was closely followed by Wang Xiaoshuai’s drama “So Long, My Son” from mainland China, and Taiwan drama “A Sun” by Chung Mong-hong.

Taking Soviet films from the past as its model, Russian veteran Andrei Konchalovsky’s Dear Comrades! (Dorogie Tovarischi!) pinpoints a moment inhistory when people’s unquestioning belief in the high-minded principles of the Communist party wavered as evidence to the contrary mounted and personally impacted their lives. Although at first sight this dramatization of a 1962 strike at a factory in the U.S.S.R.

Eli Countryman The live-action remake of Disney’s “Mulan” is a story rooted in Chinese culture and a tale of forging one’s own path, said the film’s director and stars during the #GoldOpen Premium Access panel moderated by Variety‘s Audrey Cleo Yap on Friday evening, one of three panels with cast members airing throughout the weekend.

Elsa Keslassy International CorrespondentDaniele Luchetti’s “The Ties” (“Lacci”), the first Italian film to open the Venice Film Festival in 11 years, garnered warm reviews on its world premiere on Wednesday evening, and has been sold by MK2 Films in a raft of territories around the world.MK2 Films has been able to lure major distributors in key markets, notably France (Pyramide), Spain (Caramel), Latin America (Synapse), China (Huanxi), Portugal (Midas), Greece (Weirdwave), Austria (Thim),

Peter Debruge Chief Film CriticOf the dozen young women whom the Walt Disney Co.

Inspired by personal experience with a loved one, husband-and-wife screenwriting partners Inon and Natalie Shampanier take a straightforward and empathetic approach to their story of one woman's persecutory delusional disorder, or what's sometimes referred to in lay terms as paranoia.

nasty piece of work, as a pejorative. Hell, maybe I didn’t even mean it to be pejorative.Also Read: Maisie Williams Says 'Game of Thrones' Fame Led Her to Be Consumed by Social Media ScrutinyBased on the French comic book “Une nuit de pleine lune” and directed by Julius Berg, “The Owners” is tense, uneasy and brutal, escalating from the creepy to the ludicrous over the course of 92 deliberately unpleasant minutes.

In the year of coronavirus, the Venice Film Festival opened on a low-key note with a local Italian drama that, though finely crafted by director Daniele Luchetti, pushed no envelope and made no splash. It also included a new credit at the end, which we’re likely to see for some time to come: “cast medical exams,” followed by a doctor’s name.

Yorgos Lanthimos' dark absurdist comedy Dogtooth in 2009 ushered in the so-called Greek Weird Wave, which blossomed at least partly out of national chaos triggered by the country's financial crisis that same year. Christos Nikou, whose background includes working as an assistant director on that film, establishes himself as an exciting new voice in the movement with his assured feature debut, Apples.

Peter Debruge Chief Film Critic“Women Make Film.” The title of Irish film savant Mark Cousins’ sprawling 14-hour follow-up to “The Story of Film” serves both as a statement of fact and, if punctuated slightly differently, a call to action: “Women, Make Film!”Where the earlier documentary was a monumental survey of the medium, attempting to cram its entire history into a single project, Cousins allows this latest labor of love to be more discursive and idiosyncratic — “a new road movie through

The news of Robin Williams' 2014 death at his own hands was emotionally devastating. Not just because it was the tragic loss of a great talent, but also because it seemed unfathomable that such a brilliant entertainer, one who had brought so much joy to millions, could have felt such despair.

When the Japanese Imperial Army laid siege to an innocuous warehouse in 1937’s Battle of Shanghai, the skirmish ultimately became a flashpoint that galvanized a nation. China lost that battle but won the war, and the resistance of the Eight Hundred Heroes earned the legendary status it retains to this day.

Believe it or not, we are just mere days away from the release of “Mulan” and perhaps the biggest studio gamble since the COVID-19 pandemic shut down theaters in March. And though the discussion surrounding “Mulan” has revolved around the release strategy (going straight to Disney+ at a premium price), the release of the film also marks yet another milestone for diversity in Hollywood, with the film’s primarily Asian cast.