When his girlfriend can’t get pregnant, a trans man decides to carry the child in her stead in the French drama A Good Man. This is the latest feature from writer-director Marie-Castille Mention-Schaar.
03.09.2020 - 02:39 / thewrap.com
nasty piece of work, as a pejorative. Hell, maybe I didn’t even mean it to be pejorative.Also Read: Maisie Williams Says 'Game of Thrones' Fame Led Her to Be Consumed by Social Media ScrutinyBased on the French comic book “Une nuit de pleine lune” and directed by Julius Berg, “The Owners” is tense, uneasy and brutal, escalating from the creepy to the ludicrous over the course of 92 deliberately unpleasant minutes.
When his girlfriend can’t get pregnant, a trans man decides to carry the child in her stead in the French drama A Good Man. This is the latest feature from writer-director Marie-Castille Mention-Schaar.
“Nomadland” is the winner of this year’s People’s Choice Award at the Toronto International Film Festival.
Also Read: 'Nomadland' Film Review: Frances McDormand Hits the Road in Quiet, Lyrical DramaOver the last eight years in a row, and nine of the last 10 years, the TIFF People’s Choice winner has gone on to be nominated for the Academy Award for Best Picture, and has won three times: “The King’s Speech” in 2010, “12 Years a Slave” in 2013 and “Green Book” in 2018.
Jimmy Fallon has been loving life with his family of four since becoming a father in 2013.The Tonight Show Starring Jimmy Fallon host and his wife, Nancy Juvonen, first welcomed daughter Winnie, and she became a big sister the following year when Frances arrived.After their eldest child’s arrival, the New York native opened up to Savannah Guthrie about why he and Juvonen opted to use a surrogate for both baby girls.“My wife and I had been trying a while to have a baby,” the Saturday Night Live
French cinema group UniFrance has condemned what it called the "violent reaction" online and on social media to Netflix film Cuties and has thrown its support behind the movie's director, Maïmouna Doucouré.
Cuties, a film its director argues “sounds the alarm” about sexualising pre-pubescent girls instead of exploiting ideas for art.In a memo sent out to the French industry today (September 18), the state-backed group, which supports and promotes French cinema worldwide, said it “offers its full support” to director Maïmouna Doucouré and the film’s producers.Online trolls have attacked Doucouré, Netflix and anyone connected with the movie of hyper-sexualising the movie’s young characters.As The
Elsa Keslassy International CorrespondentUniFrance, the French film promotion organization, released a letter on Friday supporting Maimouna Doucouré, the helmer of Netflix film “Cuties,” which has been the subject of a backlash on social media for allegedly “sexualizing” young girls.UniFrance, which also gave its support for the movie’s producer, Zangro and Paris-based distributor Bac Films, is the latest French film body to side with Doucouré.
Andreas Wiseman International EditorFrench cinema organization UniFrance, which is backed by the French government and represents hundreds of local producers, sales agents, directors and talent agents, has sent out a memo to industry expressing its support for filmmaker Maïmouna Doucouré and her film Cuties after the social media frenzy sparked by a Netflix poster for the film.
Are all relationships between older men and younger women abusive ones? Do the young women who take part in such relationships hold any level of responsibility? Is it "OK" to be attracted to somebody more than twice your age, and, if so, can you act on that desire? Is it too French to be asking such questions, especially in a movie? These are some of the many thoughts evoked by Spring Blossom (Seize Printemps), a provocative first feature from writer-director-actress Suzanne Lindon that depicts
Also Read: 'Nomadland' Film Review: Frances McDormand Hits the Road in Quiet, Lyrical DramaThe film begins with three sentences, and they’re all the context you’ll get and all the context you’ll need: “After the fall of the Ottoman Empire and the end of the First World War, the colonial powers sketched new borders for the Middle East. Over the following decades, greed and ambition for power gave rise to military coups, corrupt regimes, authoritarian leaders and foreign interference.
Greg Evans Associate Editor/Broadway CriticJapanese actress Sei Ashina was found dead in her Tokyo apartment Monday. Her agency and Tokyo police confirmed to Japanese media that she died by suicide.
A modest French cousin to Erin Brockovich and Todd Haynes’ recent Dark Waters, Red Soil (Rouge) once again pits a tireless underdog against the forces of corporate greed and looming environmental catastrophe. The hook this time is that the underdog, played by the talented Zita Hanrot (Fatima), is fighting too close to home, with her own father a longtime worker at the factory that’s been dangerously polluting their region.
For her sixth feature film, French writer-director-actress Maïwenn (Polisse, Mon Roi) has definitely made one of her most introspective works yet.
Also Read: 'Nomadland' Film Review: Frances McDormand Hits the Road in Quiet, Lyrical DramaThey become fast friends, and then lovers.
Chloé Zhao’s “Nomadland” is a tiny indie film on a huge scale, an intimate drama set against the vast spaces of the American West.
Todd McCarthy Go-her-own-way director Chloé Zhao closes out her exceptional trilogy about the dispossessed and left-behind in the modern American West with Nomadland, a cool, contemplative look at contemporary American outcasts whose foothold in society grows more precarious with every passing year.
The green-eyed monster is but one of the problems of the protagonist of My Best Part (Garçon chiffon), the directorial debut from French actor Nicolas Maury (from Netflix’ Call My Agent!). Constructed entirely around the layered central performance of Maury himself as the mercurial man-child protagonist, this is a bittersweet comedy-drama that manages to be hilarious in one scene and extremely touching in the next.
The line between homage and flat repetition can be thin. The Violent Heart, writer and director Kerem Sanga's third feature (premiering in competition at France's Deauville Film Festival), falls on the dull side of the dividing line.
A good ol' fashioned doomed romance replete with eye-popping exotic locations, a traffic-stopping cast, lavish wines, great catering, guns, drugs, sex and lies, French actress turned director Nicole Garcia’s latest effort, Lovers (Amants), delivers the genre’s essential items in a slick film noir throwback carried by a trio of strong performances.
If they watch enough horror films, aspiring criminals will have learned by now that home invasions can be a particularly dicey proposition. Even if the would-be victims are a seemingly harmless, elderly couple, nasty surprises may be in store.