Chinese Indie Animation Superstar Busifan on His Annecy Competition Player ‘The Storm’

Jude Law, who famously starred in the iconic 1999 film The Talented Mr. Ripley, has a 27-year-old son named Rafferty who looks so much like his famous dad that you're sure to do a double-take. Rafferty looked like he'd stepped back in time when he stepped out at The Bikeriders premiere at the TCL Chinese Theatre in Los Angeles on Monday, 17 June as he donned a loose-fitting pinstripe suit and slicked back hair that resembled his father's statement 90s look.

Chris Willman Senior Music Writer and Chief Music Critic Before John Williams became the flagship film composer-conductor anyone thought of when they thought about the Hollywood Bowl, that honor belonged to Henry Mancini. And in some years, when Los Angeles is particularly lucky, it still does, even though the scorer behind “The Pink Panther,” “Days of Wine and Roses” and other classic scores has been gone for 30 years now. This Sunday, the LA Phil will devote the Bowl’s traditional opening night to a 100th birthday celebration for the man who, arguably more than any other, turned movie scores into a truly populist artform… and who conducted at the Bowl 29 times.

Patrick Frater Asia Bureau Chief Chinese industry executives will get a first taste of “Coolie,” a big-budget historical miniseries that focuses on the enslaved Chinese workers in Cuba in the 1860s. MM2 Entertainment is handling China rights to the production on behalf of I.E. Entertainment.

Elsa Keslassy International Correspondent “Flow,” a director-driven animated feature which world premiered at Cannes’ Un Certain Regard and just swept three awards at Annecy Film Festival, has been embraced by a raft of major distributors in key territories, including the U.K., Japan, South Korea, Germany, Spain and Italy. The movie is represented internationally by Charades.

Patrick Frater Asia Bureau Chief “Extinction,” the Malaysian-produced animation that is playing at the Shanghai International Film Festival, has struck its first international rights sales deals. The film was recently picked up by All Rights Entertainment, the Paris, Hong Kong and Los Angeles-based sales agency. All Rights has subsequently licensed the title to Magic Film for the CIS region, to Dazzler Media for the U.K., to Red Cape Distribution for Israel and to Bir Film for Turkey.

Book adaptations are tricky. Just look at the films made from Stephen King novels for proof.

Patrick Frater Asia Bureau Chief Japanese animation film “Haikyuu!! The Dumpster Battle” took a clear lead at the mainland China weekend box office – despite only being available for two of three days. Data from consultancy firm Artisan Gateway showed the film scoring $9.8 million (RMB69.4 million) in China, more than double that of second placed film “Be My Friend.” The win came despite “Haikyu!!” only being released on Saturday and measuring up against other tiles available throughout the whole of the Friday-Sunday period. “Haikyu!!” is the third Japanese film so far this year to lead the mainland Chinese box office, following “The Boy and the Heron” and “Doraemon the Movie: Nobita’s Earth Symphony.” It was produced by Production IG, Toho Animation and Sony Music Entertainment Japan and released by Crunchyroll in multiple territories.

Shanghai International Film Festival represent a showcase of directors who are also known-quantities, but who are worthy of higher profiles. (The festival’s Asian Talent selection has a further selection of six more directors seeking to break through.) The competition quartet fall into two pairs (a seventh and eighth generation maybe): the latest works of Guan Hu and the rarely seen Gu Changwei on one hand; and a younger generation of auteurs, Wei Shujun and Zhang Dalei. Guan is in need of rehabilitation after his 2019 war film was selected as the Shanghai festival’s opening film but experienced a last-minute cancellation due to the intervention of unforeseen layers of censorship.

Jenny S. Li Six first or second-time directors from China take up the majority of the 11 slots in the Shanghai International Film Festival’s Asian New Talents section. While family drama is the dominant genre, Variety takes a look what they are serving up: Adapted from the book of the same name, Wang Xinrui’s “Dreaming of Mother and Home” depicts the drama of an adult daughter and her mother who is struggling through the last stages of life.

A man who harassed a man by posting a series of anti-Chinese messages to him on social media has been brought to justice and sentenced by a judge. The Crown Prosecution Service said Radeko Keleman, 44, also admitted posting an offensive anti-Muslim message.

Patrick Frater Asia Bureau Chief All Rights Entertainment, the Paris, Hong Kong and Los Angeles-based international film agency has picked up international sales duties on animated children and family feature “Out of the Nest.” The film had its world premiere this week at the Annecy International Animation Festival. In the Kingdom of Castilia, days from the coronation of the new Emperor and Empress, their seven royal fledglings are taken and it’s up to one hero to return them safely; a teenage delivery boy, Arthur the Goat. His dreams of becoming a world-class barber are put on hold when he becomes the unwitting guardian of the royal heirs.

Lay is making a huge next STEP, and we want Just Jared readers to get to know him even better.

Jamie Lang The seventh edition of Animation is Film (AIF), a Los Angeles-based sister event to France’s prestigious Annecy Animation Festival, will run October 18-20 at the TCL Chinese 6 Theaters in Hollywood this fall. Launched in 2017, “The Festival embraces the highest aspirations of animation as a cinematic art form on par with live action and is a vocal advocate for filmmakers who push the boundaries of their work to the fullest range of expression that the medium is capable of,” reads the AIF mission statement.

Crunchyroll Senior Vice President of Global Commerce Mitchel Berger was in ebullient mood as he gave a talk on the growing global reach of anime at the Annecy International Animation Film Festival this week.

EXCLUSIVE: Emmanuel Gazmey Santiago, better known by his stage name Anuel AA, has set his feature debut in Carlos “Spiff TV” Suarez’s indie horror film You Lose You Die. He joins previously announced stars Freddy Rodriguez, who also executive produces, and Ashley Elizabeth Fliehr (WWE star Charlotte Flair).

Patrick Frater Asia Bureau Chief Reminiscent of the outsized Chinese box office success once enjoyed by a certain genre of Hollywood movie – think “Expendables 3,” Pacific Rim” and “Transformers: Age of Extinction” – some Japanese anime films are now earning more in China than they are in their native Japan. Last year, “Suzume” (pictured above) earned $117 million in China, coming in ahead of the film’s $104 million total in Japan.

Marta Balaga Ricard Claus and Karsten Kiilerich’s kids and family animated feature “Panda Bear in Africa” is continuing its long journey and heading to France (Le Pacte), Switzerland (Praesens) and the Benelux territories (WW Entertainment) after a raft of sales by the film’s sales agent Cinema Management Group. In early fall, it will also release in the Middle East (Front Row Entertainment), Poland (Kino Świat), Portugal (Films4You) and Turkey (Filmarti).

Murtada Elfadl In “Made in Ethiopia,” directors Xinyan Yu and Max Duncan take the macro issue of China’s influence in Africa and present it provocatively through the micro lens of its effect on a few Chinese and Ethiopian individuals striving for a better life. The film is set at a Chinese industrial complex in Dukem, a small town southeast of Ethiopia’s capital, Addis Ababa. It follows an ambitious Chinese businesswoman trying to expand the complex with the help of Ethiopian bureaucrats and the consequences this expansion has on a factory worker and a farming family that lives nearby.

Paper Flowers,” based on the story of 22-year-old Shalin Shah, whose battle with cancer garnered viral attention in 2015. The film will premiere June 20 at the Dances With Films Festival at the TLC Chinese Theater in Hollywood with two additional screenings taking place on June 26 at the London Indian Film Festival and the Birmingham Indian Film Festival.

Peak television was officially declared dead earlier this year when FX boss John Landgraf revealed that the number of scripted series on air in 2023 dropped 12% from the previous year – the first reduction in over a decade.