Experience Counts for Chinese Auteurs in Shanghai Film Festival Competition

Patrick Frater Asia Bureau Chief The Malaysia International Film Festival (Miffest), which runs July 21-28, will open with horror film “Indera” by local director Woo Ming Jin and starring Shaheizy Sam and Azira Shafinaz. The festival will conclude with the double feature of “Love Lies” by Ho Miu Ki and “Peg O’ My Heart” by Nick Cheung.

As Georgia O’Keeffe was to the landscape of New Mexico, artist Chiura Obata was to the grandeur of Yosemite.

Patrick Frater Asia Bureau Chief The stars of upcoming Chinese-language TV drama “See Her Again” are set to take to the red carpet on Monday, the first day of the Shanghai Television Festival. Telling the story of a police officer who traces a serial murder case across 25 years in Hong Kong, using clues from 1993 and technology from 2018, the show stars William Chan Wai-ting and Cya Liu (aka Liu Xin).

Rafa Sales Ross Guest Contributor The Mediterrane Film Festival kickstarted its second edition with the international premiere of Alexandre de La Patellière and Matthieu Delaporte’s “The Count of Monte Cristo.” The film, shown at the heart of Malta’s capital of Valletta on Saturday night, was followed by a reception at the historic Mdina Ditch Gardens, in which Malta Film Commissioner Johann Grech highlighted the importance of the festival as an event to “unite the nations of the Mediterranean through film.” The sentiment echoes this year’s festival theme of Unity Through Film, with Grech adding that he hopes the festival will bring nations together to “share stories that celebrate not only our diversity but also our shared outlook.” The film commissioner emphasised the success of the festival’s first edition, claiming the return to the local economy “far exceeded our investment, showing once again what a force for good film is in our country.” Several members of the local film industry were present at the gathering as well as international attendees in this year’s jury president Jon S. Baird (“Tetris,” “Stan and Ollie”) and “Triangle of Sadness” actor Zlatko Burić, who was part of last year’s jury.

Patrick Frater Asia Bureau Chief A jury headed by French Vietnamese director Tranh Anh Hung awarded its Golden Goblet (Jin Jue) prizes for the Shanghai International Film Festival’s main competition. The top prize for best feature went to “The Divorce,” directed by Kazakhstan’s Daniyar Salamat. The jury praised the film for its sophisticated story-telling which mixes comedy, farce and tragedy, and “which moves fluidly from public sphere to the intimate relationship of a couple in crisis” and its feeling of innocence.

Patrick Frater Asia Bureau Chief The 17th edition of the SIFF Project Market, held on the margins of the Shanghai International Film Festival, wrapped this week with the awarding of various prizes and an early evening party. In the juried section prizes were determined by a panel including Lu Chuan, Luca Liang and Yao Chen.

Elsa Keslassy International Correspondent “Flow,” a director-driven animated feature which world premiered at Cannes’ Un Certain Regard and just swept three awards at Annecy Film Festival, has been embraced by a raft of major distributors in key territories, including the U.K., Japan, South Korea, Germany, Spain and Italy. The movie is represented internationally by Charades.

Patrick Frater Asia Bureau Chief “Extinction,” the Malaysian-produced animation that is playing at the Shanghai International Film Festival, has struck its first international rights sales deals. The film was recently picked up by All Rights Entertainment, the Paris, Hong Kong and Los Angeles-based sales agency. All Rights has subsequently licensed the title to Magic Film for the CIS region, to Dazzler Media for the U.K., to Red Cape Distribution for Israel and to Bir Film for Turkey.

Patrick Frater Asia Bureau Chief Coralie Fargeat’s Demi Moore-starring feminist body horror film “The Substance” has been set as the closing night title for the New Zealand International Film Festival. The picture is one of 16 which premiered at the Cannes Film Festival last month selected for the NZIFF which is now under the artistic leadership of Paolo Bertolin.

Book adaptations are tricky. Just look at the films made from Stephen King novels for proof.

Patrick Frater Asia Bureau Chief Zhang Yimou, director of many of China’s most spectacular and successful movies, is to try his hand at sci-fi. He will direct a film adaptation of “The Three-Body Problem.” The project was announced Sunday by Wang Changtian, founder and CEO of Enlight Media, one of China’s top three studios, at a forum organized within the Shanghai International Film Festival. Wang said that Zhang is in the early stages of preparations for the film.

Shanghai International Film Festival, but that did little to diminish the festive atmosphere. The ceremony was held at the Shanghai Grand Theater in the downtown area on an evening that was warm and spring-like and without the “plum rain” or summer downpours that the city is known for at this time of year. Arguably the biggest names in attendance were Hong Kong actor and “Westworld” star Daniel Wu, Hong Kong director Dante Lam, Chinese star actor-director-producer Xu Zheng and Japanese actor Yakusho Koji, who won the best actor award a year ago at Cannes for his leading role in Wim Wenders’ “Perfect Days.” Marco Mueller, a celebrated festival director and artistic consultant, was also on hand in his adopted home town.

Naman Ramachandran Indian actor and filmmaker Manohara has had an inspirational journey. Hailing from humble circumstances in Bengaluru, southern India, Manohara was picked out of school and cast by filmmaker Prithvi Konanur in “Railway Children” (2016), which won him best child actor at India’s National Film Awards. Manohara went on to act in supporting roles in Konanur’s Busan and Hainan selection “Where Is Pinki?” (2020) and Busan, Hong Kong and Goa title “Seventeeners,” on which he also assisted.

Patrick Frater Asia Bureau Chief Parallax China, one of China’s leading independent film sales companies, has picked up rights to a pair of titles that debut this week at the Shanghai International Film Festival. It is handling world sales on “Qian Tang River,” directed by Wan Bo, and “Another Day of Hope,” by Liu Taifeng. Both are directorial debuts and both appear in the non-competitive Refreshing Chinese Cinema section.

Naman Ramachandran Iranian filmmaker Marjan Khosravi, winner of multiple awards for her shorts, is bowing her first feature-length film, “Requiem for a Tribe,” at the Shanghai International Film Festival. The film is in the documentary competition and eligible for a Golden Goblet. Khosravi has an awards-laden career.

Jenny S. Li Six first or second-time directors from China take up the majority of the 11 slots in the Shanghai International Film Festival’s Asian New Talents section. While family drama is the dominant genre, Variety takes a look what they are serving up: Adapted from the book of the same name, Wang Xinrui’s “Dreaming of Mother and Home” depicts the drama of an adult daughter and her mother who is struggling through the last stages of life.

Patrick Frater Asia Bureau Chief Along with a red-carpet opening ceremony, a press conference with the members of the main competition jury is a staple event of major film festivals and the 26th edition of the Shanghai International Film Festival kicked off in traditional form on Friday. Along with Vietnam-French director Tran Anh Hung, previously revealed as jury president, the other members of the decisive committee this year are: Australian director and screenwriter Rolf de Heer; German director Matthias Glasner; Hong Kong actor Tony Leung Ka Fai; Argentinian director Santiago Mitre; Chinese director Sonthar Gyal; and, the jury’s only woman, star actor Zhou Xun. A packed audience lobbed familiar questions about the criteria they jurors would employ to decide the Golden Goblet prize winners, and what informs those views.

Rosario Dawson, Hayden Christensen, and Lucasfilm Creative Chief Dave Filoni were on the Happy Sad Confused podcast to discuss the “Star Wars” series “Ahsoka” this week (read our review). And while all eyes are on season two of “Ahsoka,” which Filoni says he’s writing, so it’s presumably on the way at some point, many fans are wondering what’s going on with the feature-length film.

Crunchyroll Senior Vice President of Global Commerce Mitchel Berger was in ebullient mood as he gave a talk on the growing global reach of anime at the Annecy International Animation Film Festival this week.

Rafa Sales Ross Guest Contributor The Mediterrane Film Festival announced its complete program ahead of its second edition, taking place in Malta’s capital of Valetta from June 22-30. New titles selected include recent Cannes highlights in Coralie Fargeat’s Demi Moore-led body horror “The Substance” and Roberto Minvervini’s “The Damned,” which join previously announced films like Yorgos Lanthimos’s “Kinds of Kindness” and Jane Schoenbrun’s “I Saw The TV Glow.” Further program additions include Mahdi Fleifel’s Directors’ Fortnight standout “To a Land Unknown,” which Variety labeled “a confident, angry, fully-realized drama,” and Truong Minh Quy’s Un Certain Regard breakout “Viet and Nam.” An extended version of the Malta-shot “Jurassic World: Dominion” will play as part of the Malta Expanded strand, while on the retrospective end of the program, the festival will honor David Bowie with screenings of Nicolas Roeg’s “The Man Who Fell to Earth” and Lisa Azuelos’s “My Way,” plus a masterclass on the musician’s enduring legacy helmed by British Film Commissioner Adrian Wootton titled “David Bowie: Celebrating 60 Years of Genius.” Artistic Director Teresa Cavina said she is “very happy” with the selection, calling it “a chorus of strong and harmonious voices that, through extraordinary films, gives shape to a complex and varied universe, a mirror of the reality that surrounds us, often difficult to decipher, sometimes painful, but also full of hope and capacity for renewal.” Cavina also emphasised the strong female presence at this year’s festival, with 16 films — almost half of the festival’s official selection — comprised of works directed by women.