‘Three-Body Problem’: Zhang Yimou To Adapt Popular Novel Into A Chinese Film

feed is probably pretty confusing right about now.Allow me to catch me up to speed. The popular co-host, who boasts 1.5 million TikTok followers on her personal account, is accusing her ex-boyfriend—a musician with 2 million of his own followers on the app—of not only faking his Australian accent, but lying about the death of his mother and brother throughout their relationship.But he wasn't just lying to her, Schofield says.

Patrick Frater Asia Bureau Chief A jury headed by French Vietnamese director Tranh Anh Hung awarded its Golden Goblet (Jin Jue) prizes for the Shanghai International Film Festival’s main competition. The top prize for best feature went to “The Divorce,” directed by Kazakhstan’s Daniyar Salamat. The jury praised the film for its sophisticated story-telling which mixes comedy, farce and tragedy, and “which moves fluidly from public sphere to the intimate relationship of a couple in crisis” and its feeling of innocence.

Patrick Frater Asia Bureau Chief The 17th edition of the SIFF Project Market, held on the margins of the Shanghai International Film Festival, wrapped this week with the awarding of various prizes and an early evening party. In the juried section prizes were determined by a panel including Lu Chuan, Luca Liang and Yao Chen.

What’s going on with Academy Award-winning director Sharmeen Obaid-Chinoy’s “Star Wars” movie centering on Rey Skywalker (Daisy Ridley)? Rumored to be called, “Star War: A New Jedi Order” and then more recently, “Star Wars: Episode X – A New Beginning” (who knows if any of that’s true), for months, all Daisy Ridley has said is she’s been waiting to read a script from Academy Award-nominated writer Steven Knight, the creator of “Peaky Blinders,” and writer of “Eastern Promises,” “Spencer” and more.

UCP is teaming with Side Naegle, Jenna Bush Hager’s Thousand Voices and Ali Krug’s Dinner Party Productions to develop a series adaptation of Chris Whitaker’s new novel All the Colors of the Dark. 

Patrick Frater Asia Bureau Chief “Extinction,” the Malaysian-produced animation that is playing at the Shanghai International Film Festival, has struck its first international rights sales deals. The film was recently picked up by All Rights Entertainment, the Paris, Hong Kong and Los Angeles-based sales agency. All Rights has subsequently licensed the title to Magic Film for the CIS region, to Dazzler Media for the U.K., to Red Cape Distribution for Israel and to Bir Film for Turkey.

Patrick Frater Asia Bureau Chief Coralie Fargeat’s Demi Moore-starring feminist body horror film “The Substance” has been set as the closing night title for the New Zealand International Film Festival. The picture is one of 16 which premiered at the Cannes Film Festival last month selected for the NZIFF which is now under the artistic leadership of Paolo Bertolin.

A feature version of the buzzy Three-Body Problem sci-fi novels is in the works from veteran Chinese filmmaker Zhang Yimou. 

Patrick Frater Asia Bureau Chief Zhang Yimou, director of many of China’s most spectacular and successful movies, is to try his hand at sci-fi. He will direct a film adaptation of “The Three-Body Problem.” The project was announced Sunday by Wang Changtian, founder and CEO of Enlight Media, one of China’s top three studios, at a forum organized within the Shanghai International Film Festival. Wang said that Zhang is in the early stages of preparations for the film.

Patrick Frater Asia Bureau Chief Parallax China, one of China’s leading independent film sales companies, has picked up rights to a pair of titles that debut this week at the Shanghai International Film Festival. It is handling world sales on “Qian Tang River,” directed by Wan Bo, and “Another Day of Hope,” by Liu Taifeng. Both are directorial debuts and both appear in the non-competitive Refreshing Chinese Cinema section.

Shanghai International Film Festival represent a showcase of directors who are also known-quantities, but who are worthy of higher profiles. (The festival’s Asian Talent selection has a further selection of six more directors seeking to break through.) The competition quartet fall into two pairs (a seventh and eighth generation maybe): the latest works of Guan Hu and the rarely seen Gu Changwei on one hand; and a younger generation of auteurs, Wei Shujun and Zhang Dalei. Guan is in need of rehabilitation after his 2019 war film was selected as the Shanghai festival’s opening film but experienced a last-minute cancellation due to the intervention of unforeseen layers of censorship.

Jenny S. Li Six first or second-time directors from China take up the majority of the 11 slots in the Shanghai International Film Festival’s Asian New Talents section. While family drama is the dominant genre, Variety takes a look what they are serving up: Adapted from the book of the same name, Wang Xinrui’s “Dreaming of Mother and Home” depicts the drama of an adult daughter and her mother who is struggling through the last stages of life.

Patrick Frater Asia Bureau Chief Along with a red-carpet opening ceremony, a press conference with the members of the main competition jury is a staple event of major film festivals and the 26th edition of the Shanghai International Film Festival kicked off in traditional form on Friday. Along with Vietnam-French director Tran Anh Hung, previously revealed as jury president, the other members of the decisive committee this year are: Australian director and screenwriter Rolf de Heer; German director Matthias Glasner; Hong Kong actor Tony Leung Ka Fai; Argentinian director Santiago Mitre; Chinese director Sonthar Gyal; and, the jury’s only woman, star actor Zhou Xun. A packed audience lobbed familiar questions about the criteria they jurors would employ to decide the Golden Goblet prize winners, and what informs those views.

Rosario Dawson, Hayden Christensen, and Lucasfilm Creative Chief Dave Filoni were on the Happy Sad Confused podcast to discuss the “Star Wars” series “Ahsoka” this week (read our review). And while all eyes are on season two of “Ahsoka,” which Filoni says he’s writing, so it’s presumably on the way at some point, many fans are wondering what’s going on with the feature-length film.

Jack Dunn When series creators David Benioff, D.B. Weiss and Alexander Woo first crafted the moment Jin Cheng (Jess Hong) and Thomas Wade (Liam Cunningham) enter the game in “3 Body Problem,” they made it so they “would put on the headset and then there’ll be a moment of black and then they go into the game.” But when they saw the scene cut together, they felt there was “something missing.” So for inspiration, they reached to another popular sci-fi series for inspiration: “Severance.” “We’re actually influenced by ‘Severance’ in the elevator scenes, you know where they have that kind of weird camera effect,” said writer and co-creator Benioff.

It’s official — Baby Reindeer is one of Netflix‘s most popular series of all time.

Tributes have been paid to the Indian media baron Ramoji Rao, who has died at the age of 87.

Tiana DeNicola editor While numerous leading women representing scientists, technicians, engineers and mathematicians (STEM) have graced the screen throughout cinematic history, those pale in comparison to their male counterparts. Netflix’s “3 Body Problem” challenged this gender disparity and came out on top, dominating the charts for weeks. According to Luminate, “3 Body Problem” has more than 3 billion minutes watched since its March release and spent seven weeks in Netflix’s Global Top 10.

SPOILER ALERT! The following reveals major plot points for Season 1 of Hulu’s Queenie.

Lexi Carson Montreal’s Fantasia International Film Festival has unveiled its second wave of titles, which includes Ant Timpson’s “Bookworm” as the opening night film. This year’s edition, the 28th for the festival, will run from July 18 to August 4.