Chinese Director Jing Zou’s ‘A Girl Unknown’ Wins Critics’ Week Next Step Prize

Murtada Elfadl In “Made in Ethiopia,” directors Xinyan Yu and Max Duncan take the macro issue of China’s influence in Africa and present it provocatively through the micro lens of its effect on a few Chinese and Ethiopian individuals striving for a better life. The film is set at a Chinese industrial complex in Dukem, a small town southeast of Ethiopia’s capital, Addis Ababa. It follows an ambitious Chinese businesswoman trying to expand the complex with the help of Ethiopian bureaucrats and the consequences this expansion has on a factory worker and a farming family that lives nearby.

Holly Jones China’s unwitting creative phenom Yang Zhigang, known as Busifan, presents an imaginative, heartwarming and gleefully chaotic animated journey in his latest feature, “The Storm,” selected to screen in main competition at this year’s Annecy Festival. The auteur previously worked in telecommunications and never formally studied filmmaking, yet emerged as a self-taught cult figure on China’s animation circuit via its Flash scene in 2004 with “The Black Bird,” a seven-act episodic that craftily followed a wary warrior and his avian aide.

Christopher Vourlias “Pieces of a Woman” filmmaker Kornél Mundruczó is set to direct “The Revolution According to Kamo,” an epic drama about the early life of Joseph Stalin. The Hungarian filmmaker’s last feature, “Pieces of a Woman,” earned an Oscar nomination for Vanessa Kirby. Oscar-winning filmmaker Paweł Pawlikowski (“Cold War,” “Ida”) and scriptwriter Ben Hopkins (“Limonov: The Ballad of Eddie”) penned the original screenplay which was adapted by Kata Weber, a frequent Mundruczó collaborator.

Peak television was officially declared dead earlier this year when FX boss John Landgraf revealed that the number of scripted series on air in 2023 dropped 12% from the previous year – the first reduction in over a decade.

Patrick Frater Asia Bureau Chief The Shanghai International Film Festival has unveiled a selection that is weighted heavily to world premieres and Chinese, local titles. That gives the festival showcase screenings for the newest works by established Chinese directors Gu Changwei (“Peacock, “Till Death Do Us Part”), Wei Shujun (“Only the River Flows,” “Striding Into the Wind”) and Guan Hu (“Old Fish”). Guan was rewarded in Cannes only last week for his Un Certain Regard-winning picture “Black Dog,” but will unveil his next effort “The Hedgehog in Shanghai’s main competition.

Blue Sun Palace was one of the prize winners at the recently concluded Cannes Film Festival where it took the French Touch award of the Cannes Critics week selections (Simon Of The Mountains took the Grand Prize, the other major award from the section). French “Touch” is an ironic name for an award to a film where “touch” is key in several scenes depicted in the massage parlor setting where much of the movie takes place.

There’s a word Steph Houghton has adopted as a kind of mission statement in recent years: "Perspective."

Chinese director Hu Guan’s drama Black Dog won the top Cannes Un Certain Regard Prize on Friday evening.

Peter Debruge Chief Film Critic Of all the films premiering at Cannes this year, “The Most Precious of Cargoes” is both an anomaly (the first animated feature to compete for the Palme d’Or since “Persepolis” in 2007) and the most likely to become a classic. Blending the heavy lines of early-20th-century woodcuts with the gentle pastels of watercolor painting, “The Artist” director Michel Hazanavicius finds a poignant way to address not only the horrors of the Holocaust, but the kinds of kindness that combatted it, crafting an indelible parable destined to be watched and shared by generations to come.

Oscar-nominated filmmaker Morgan Spurlock, director of the groundbreaking documentary Super Size Me, has died after a private battle with cancer. He was 53.

Joe Leydon Film Critic Call “Sight” a stealth faith-based movie and you won’t be far off the mark. For the most part, it’s a respectful but unremarkable biopic about Dr.

Alissa Simon Film Critic The intimate and naturalistic Mandarin-language drama “Blue Sun Palace” has nabbed the French Touch prize from the Cannes Critics’ Week jury, putting Chinese-American writer-director Constance Tsang on the map as a talent to watch after her feature debut. Certain to see future festival action, the drama about three working-class Chinese immigrants in Flushing, NY, the film succeeds with touching performances from Ke-Xi Wu (“Nina Wu”), Lee Kang Sheng (Tsai Ming Liang’s iconic actor) and Haixpeng Xu (“Where Echoes Never End”) that could tempt distributors in the coming months.

Jamie Lang Late screenwriter-director Sophie Fillières‘ seventh and final feature, “This Life of Mine” was the opening film at this year’s Directors’ Fortnight and today wrapped things up as the France Writers’ Guild’s favorite French-language feature, winning the SACD Authors’ Favorite Prize. In the film, Barbie, once a devoted mother and partner, faces the realities of middle age as she turns 55. Following a classic three-act structure, the film advances from comedy to tragedy to epiphany, at times toying with the absurd.

Jamie Lang “The Other Way Around” from Spanish director Jonás Trueba has won the Europa Cinemas Label for best European film in the Directors’ Fortnight section at this year’s Cannes Film Festival. The film turns on Ale (Itsaso Arana – who co-wrote the screenplay with Trueba) and Alex (Vito Sanz), who have been together for 15 years. Now, though, the duo is ready to split, but not without throwing a hell of a fiesta to celebrate their time together.

Patrick Frater Asia Bureau Chief First-time feature director Constance Tsang makes a splash in Cannes with “Blue Sun Palace,” the first U.S. film in Critics Week that is in the Mandarin Chinese language. Set in a massage parlor, staffed with Chinese immigrants, in Queens, New York, the melodramatic film tells of how the romantic relationship between a man and a woman is disrupted by a sudden disappearance. Tsang was careful to avoid stereotypes and to be true to the community that she grew up in and observing. But the feature effort was also a big step up from the short films she cut her teeth on. Underlining that point, she amassed a powerful cast of leading Chinese-speaking actors, including Lee Kang-sheng (“What Time Is It There” and a dozen Tsai Ming-liang films), Wu Ke-xi (“Nina Wu,” “The Road to Mandalay”) and rising Mainland China star Xu Haipeng.How did you jump from a succession of short films into your first feature? I would say that jumping into the feature is exactly what happened.

The anarchic spirit of Julia Ducournau’s Palme d’Or winner Titane lives on in Emma Benestan’s Critics Week closer Animale, the genre-busting debut of a director who cites Buffy the Vampire Slayer, Kathryn Bigelow’s Near Dark, and the naturalist films of Chloé Zhao as influences. More surprisingly, she also credits Abdellatif Kechiche, since her first break was as assistant editor on his 2013 Palme d’Or winner Blue Is the Warmest Colour. 

Kate Winslet‘s Lee finally has a debut teaser trailer.

James Franco and his girlfriend Izabel Pakzad made a rare public appearance amid the 2024 Cannes Film Festival.

Patrick Frater Asia Bureau Chief Chinese video streamer iQiyi reported increased profits in the first quarter of the year, derived from lower revenue. The company, which is NASDAQ-listed but majority owned by Chinese tech giant Baidu, said that net income attributable to iQiyi grew to RMB655 million ($90.8 million), compared to RMB618 million in the same period in 2023. Revenues were RMB7.9 billion ($1.1 billion), a decrease of 5% year-on-year. “We have been generating positive operating cash flow for eight consecutive quarters, and our balance sheet continued to improve,” said Wang Jun, the company’s chief financial officer. Performance transparency, however, has recently been reduced.

Elsa Keslassy International Correspondent The Bureau Sales has teamed with French production banner Paprika and filmmaker Vincent Munier on “Whispering in the Woods,” a documentary that will be teased to buyers at the Cannes Film Market. “Whispering in the Woods” marks Munier’s follow-up to “The Velvet Queen” (co-directed by Marie Amiguet), a critically acclaimed documentary that competed for a Golden Eye Award at the Cannes Film Festival and won a Cesar prize in 2022. The doc is currently filming across different locations, from the Vosges mountains to Tibet, and is expected to be delivered by next spring.