Coco Gauff found herself in a distressing situation. A tense exchange with chair umpire Aurélie Tourte during her semifinal match against world No.
18.05.2024 - 09:09 / deadline.com
The anarchic spirit of Julia Ducournau’s Palme d’Or winner Titane lives on in Emma Benestan’s Critics Week closer Animale, the genre-busting debut of a director who cites Buffy the Vampire Slayer, Kathryn Bigelow’s Near Dark, and the naturalist films of Chloé Zhao as influences. More surprisingly, she also credits Abdellatif Kechiche, since her first break was as assistant editor on his 2013 Palme d’Or winner Blue Is the Warmest Colour.
Benestan — who would later take a full-blown editor credit on his 2017 feature Mektoub, My Love — was then finishing her studies at France’s prestigious La Fémis film school, but observing Kechiche’s directorial style, and witnessing his penchant for mixing professional and amateur actors, was an education in itself. “It’s the way he marries professionals and amateurs that gives his films a certain spontaneity,” she explains. “I’d been taught the director had to control everything, but directing isn’t only about control. I learned that from Abdel — directing is also about letting things happen.”
Set against the bull-fighting scene of the Camargue region in southern France, Animale stars Divines breakout Oulaya Amamra as Nejma, a 22-year-old woman who is trying to make her way in the male-dominated world of bullfighting. She appears to have been accepted by the group, but after a night of hard drinking with the boys she wakes up with a sense that something is wrong. Shortly after, news breaks of a rogue bull on the loose. Young men are found dead, and Nejma starts to experience some strange bodily changes…
Benestan has long been fascinated by the Camargue people’s passion for the long-horned, black bulls that run semi-wild across its wetlands. “I grew up not far from the Camargue,”
Coco Gauff found herself in a distressing situation. A tense exchange with chair umpire Aurélie Tourte during her semifinal match against world No.
, and now has tried on the It girl crop for size.On June 3, EmRata was spotted filming a new Netflix series Too Much in New York City, sporting a shoulder-length bob and wispy bangs. To be fair, this appears to be a wig Ratajkowski is wearing specifically for the role, as it doesn’t look as though she actually went through with a full chop. Doesn’t make it any less on-trend, though.To go with her Amélie-esque bob, Ratajkowski wore baggy knee-length jorts with a drawstring and a black mesh tee under a fuzzy green knit vest.
Brent Lang Executive Editor By the end of every performance, “The Outsiders” cast is caked in grime and dust. That’s a consequence of the Broadway musical’s sandy stage, which finds the actors who bring the the gritty coming-of-age story to life each night, fighting, dancing and falling in love in the gravel.
candid message on Instagram Wednesday about focusing on the positive after confusing fans with his bizarre posts during his wife Trista Sutter’s absence. Ryan, 49, shared a black-and-white photo of him and his wife on the beach, alongside his words of encouragement.“We do our best – to do and to be good, to live and to treat others well,” he wrote. “We make decisions not knowing the outcome but hoping we’re on the right path – hoping the questions will be answered in time.”Ryan continued: “We try to be a positive example, to care, to trust the process and to believe others will trust our intent is not malicious or misguided or mean.
Sean Baker’s “Anora,” a comic but devastating Brooklyn odyssey about a sex worker who marries the son of a wealthy Russian oligarch, has won the Cannes Film Festival’s top award, the Palme d’Or.Baker accepted the prize with his movie’s star, Mikey Madison, watching in the audience at the Cannes closing ceremony Saturday. The win for “Anora” marks a new high point for Baker, the director of “The Florida Project.” It’s also, remarkably, the fifth straight Palme d’Or won by indie distributor Neon, following “Parasite,” “Titane,” “Triangle of Sadness” and last year’s winner, “Anatomy of a Fall.”“I don’t really know what’s happening right now,” said Baker.While “Anora” was arguably the most acclaimed film of the festival, its win was a slight surprise.
CANNES – After screening “The Seed of the Sacred Fig,” a world premiere at the 2024 Cannes Film Festival, one has to breathe a sigh of relief that director and screenwriter Mohammad Rasoulof is safely out of Iran. A victim of a politically motivated jail sentence for supporting the 2022 Masha Amini hijab protests, Rasoulof‘s latest feature will likely anger the Iranian government even more.
Catherine Bray From Jekyll and Hyde to the Wolfman, to much more recent twists on atavistic transformations, the concept of shape-shifting has always been a popular one in fiction — with storytellers turning the dial up or down on the potential social commentary therein, according to taste and preference. In “Animale,” the closing film of this year’s Cannes Critics’ Week section, director Emma Benestan is rather more interested in the interpersonal dynamics navigated by 22-year-old female bull-runner Nejma (Oulaya Amamra) than in really savouring some promising horror implications. She gives Dr.
Olivier Richters is joining the Reacher universe!
“CBS Sunday Morning,” the actress, who starred as Monica Geller alongside Perry’s Chandler Bing for 10 seasons on the hit show, commemorated the 20th anniversary of the sitcom’s series finale.In the show, the pair’s two characters ultimately end up together.“I think he’s probably one of the funniest human beings in the world. He’s just so funny,” Cox, 59, said. “He is genuinely a huge heart.
Ellise Shafer With only her second film, Coralie Fargeat has gone from admiring body horror king David Cronenberg to being in competition with him at this year’s Cannes Film Festival. Fargeat’s “The Substance,” described as a feminist take on the body horror genre and starring Margaret Qualley and Demi Moore, bows at Cannes on Sunday night, the day before Cronenberg’s latest frightful offering, “The Shrouds,” will do the same.
What’s next for Ultraman? The legendary hero has been on many adventures, but he’s never seen anything like what’s to come. “Ultraman: Rising” represents a new chapter for this long-running character, based on characters by Eiji Tsuburaya, known for co-creating “Godzilla.” This time, Ken Sato takes on the iconic role.
Naman Ramachandran A first clip has been unveiled for Emma Benestan‘s “Animale,” which closes the Cannes Film Festival‘s Critics’ Week strand this year. The film is set in the Camargue region of the south of France, where daring youths participate in the local tradition of bull running. Only one woman, 22-year-old Nejma, takes her place in the arena.
Rafael Nadal finds himself in a difficult position with his tennis. The beloved Spanish player is coming off of a destabilizing loss in Rome that’s making him reconsider playing in one of his favorite tournaments, the French Open, also known as the Roland Garros. Rafa Nadal is supported by his family at his first Madrid Open matchRafa Nadal’s emotional goodbye at the Madrid OpenEarlier last week, Nadal lost against Hubert Hurkacz in Rome.
EXCLUSIVE: Thriving U.S. indie producer-distributor Neon is no stranger to the Cannes Film Festival with the Tom Quinn-founded banner having acquired a historic four consecutive Palme d’Or wins (last year’s Anatomy of a Fall, 2022’s Triangle of Sadness, 2021’s Titane and 2019’s Parasite), thus earning them the nickname “the Palme d’Or whisperers”. This year, while the company has Sean Baker’s new rom-com Anora playing in Competition, it’s also descending upon the Croisette in a new capacity with its recently-launched international sales strand, led by seasoned sales exec and Sierra/Affinity veteran Kristen Figeroid.
Alex Ritman Getting a feature into Cannes’ official selection is among the pinnacles of filmmaking achievements for most production companies. Ireland’s Element Pictures clearly isn’t most production companies — this year, it has three.
EXCLUSIVE: Ahead of the Cannes market, Lionsgate has taken North American rights off the table on one of the bigger-budget new packages that’ll be on sale next week: that’s action-thriller Mutiny, which will star action evergreen Jason Statham (Fast & Furious) and be directed by Jean-François Richet (Plane).
Todd Gilchrist editor After 10 installments and 56 years, “Planet of the Apes” is one of the longest-running science-fiction series in film history. Even Pierre Boulle, who wrote the novel upon which the 1968 film was based, never imagined a future this long, complicated, or full of talking simians.
The sun may be shining - for now - but Gemma Atkinson has found herself thinking ahead to those colder months, or more specifically Christmas, following a scene in her latest reality series.
The 14th series of Call The Midwife is currently in the works, and one character has undergone a makeover for the new series. Actress Helen George has given fans a peek behind the scenes, revealing her character Trixie has a new hairstyle. Helen, who has played Trixie since Call the Midwife began, posted a stunning mirror selfie on social media as she got ready to film new scenes.
K.J. Yossman Kaleidoscope Film Distribution has unveiled its Cannes slate, including George Michael documentary “Portrait of an Artist.” The company is also repping global sales rights for Lucy Lawless’ directorial debut “Never Look Away,” a documentary about photojournalist Margaret Moth, and “Forked,” a documentary about celebrity chef Susan Feniger. “George Michael: Portrait of an Artist” features copious archive footage as well as interviews with Michael’s close friends and colleagues including Stephen Fry and Stevie Wonder.