A24 Wins Rights To Cannes Buzz Title ‘Aftersun’ Starring Paul Mescal & Newcomer Frankie Corio

Manori Ravindran International EditorCannes competition title “Pacifiction,” from “Liberté” director Albert Serra, has been acquired for the U.S. by specialty distributors Grasshopper Film and Gratitude Films.Serra won the Un Certain Regard section’s Special Jury Prize in 2019 for “Liberté” and cracked the festival’s official selection this year with “Pacifiction.”The film is set on the French Polynesian island of Tahiti, and centers on the High Commissioner of the Republic and French government official, whose role brings him to navigate both the high-end “establishment” and shady venues where he mingles with the locals.

Amanda Bynes has a new hair color!

Pablo Sandoval World premiering at the Cannes ACID showcase, “Polaris” explores the intimate relationship between two sisters, Hayat and Leila. The film, set between the isolated Northern Sea and warm, well-connected France, aims to bring a human perspective to this tale of sisterhood set against dramatic land- and seascapes.“Polaris” marks the doc feature debut of Spain’s director Ainara Vera whose experience includes workings a first AD and co-editor on several of Victor Kossakovsky’s productions, including the Berlinale 2020-selected  “Gunda.”Vera and Hayat met on the shoot of another Kossakovsky movie, “Aquarela,” during which the two fostered a bond, with Hayat serving on Kossakovsky and Vera’s sailors crew.

Leo Barraclough International Features EditorWhen filmmaker Marie Kreutzer was writing “Corsage,” which chronicles a critical period in the life of Empress Elisabeth of Austria, also known as “Sissi,” she had in mind the experience of other women in the public eye, in particular Princess Diana and Meghan Markle. In recent weeks, she has been mulling the treatment of Amber Heard as well.

review for TheWrap called it a “heart-achingly stirring and sensorially entrancing debut feature” from Wells, who also wrote the script. The film is produced by Adele Romanski, Barry Jenkins and Mark Ceryak for PASTEL and Amy Jackson for Unified Theory.

Manori Ravindran International EditorA24 has snapped up the Paul Mescal-led tearjerker “Aftersun” out of the Cannes Film Festival.The distributor has picked up North American rights for the movie, which premiered as part of the Cannes’ Critics’ Week section to rave reviews last week. The movie stars Mescal and newcomer Frankie Corio.“Aftersun” is produced by Adele Romanski, Barry Jenkins and Mark Ceryak for Pastel and Amy Jackson for Unified Theory.

Cannes Film Festival. The actor, 26, slicked back his hair and donned a dapper suit for the event held at Place de la Castre. Paul looked full of confidence as he posed in his sharp suit and statement bow tie at the ceremony which aims to shine a light on women’s contribution to cinema, both in front of and behind the camera.

With his classic 1990s heartthrob looks, it was only a matter of time before Paul Mescal found his way into a film set in that era. Like “Normal People,” the series that catapulted the young Irish actor to fame, Charlotte Wells’ “Aftersun” has him wearing shorts, but this time with a belt and the polo shirt tucked in — a detail like many others in the film that should send a wave of recognition through audience members who grew up then.

Guy Lodge Film CriticThere’s always an undertow of melancholy even to the most idyllic of summer vacations. Every blissed-out day that passes is another closer to it ending, and the shadow of normal life resuming — with its work and school and domestic obligations, shelving the freer, looser personae we adopt away from home — hovers beside our pleasure like a glum weather forecast.

Scottish writer-director Charlotte Wells lights up Cannes Critics’ Week with Aftersun, the absorbing story of an 11-year-old going on holiday with her father. Paul Mescal (Normal People, The Lost Daughter) stars alongside Francesca Corio in a terrific two-hander with engaging supporting performances. Shot on location in Turkey, the film is partly a comedy-drama about a package holiday, but also a meditation on memories of a father with mental health problems.

Early in Saela Davis and Anna Rose Holmer’s dark and stately God’s Creatures, screening in Directors’ Fortnight here at Cannes, one of the younger women at a wake in an old Irish fishing village declares that her new baby will definitely be learning to swim. The dead man drowned, a professional risk on the surging waters of the west of Ireland. Even now that the fishing industry has given way to oyster beds suspended in chest-deep water, the farmers wear heavy waders and the worst can happen. The other women are startled. Swimming lessons? That’s not how things are done around here.

Guy Lodge Film CriticIt’s not that we haven’t seen Emily Watson on screen recently — it just feels a long time since any film really made us look at her. Somehow knowing and guileless and haunted at once, her piercing, pale-eyed gaze made an immediate mark in film history with her debut in “Breaking the Waves” a quarter-century ago, but it’s been an underused natural resource of late: TV has been more generous, but the movies have confined her to stock mom-and-wife supporting roles for years.

CANNES – Despite the passage of time, very little has changed over the decades in the small Irish fishing village depicted in “God’s Creatures.” There is work. There is family.

Los Angeles Times reported that Caruso had spent more than $23 million (mostly in splashy TV ads), compared to Bass’ $800,000. In the last few days, the field has narrowed to Bass, Caruso and current L.A. Councilman Kevin de Leon.

Naman Ramachandran Oscar, BAFTA and Grammy winning Indian composer A.R. Rahman (“Slumdog Millionaire”) has revealed his next directorial venture after “Le Musk,” his debut which premiered at the Cannes Film Market’s Cannes XR program.The project will be another film in the VR space, titled “Confessions.” “Now this [“Le Musk”] is finished and we’re happy about it, we just want to do something which is much more simpler, but more deeper in emotion,” Rahman told Variety.

EXCLUSIVE: Deadline has your first look trailer at Cannes competition title Nostalgia, directed by Italian helmer Mario Martone.

EXCLUSIVE: On the eve of the Cannes Film Festival, Competition title Close has sold to Lucky Red for Italy, Vertigo Films for Spain and Lev Cinemas for Israel.

Paul Mescal, 26, and girlfriend Phoebe Bridgers looked utterly loved-up as they were spotted sharing a sweet moment on the streets of Los Angeles earlier this week. The couple, who were reported to have gotten engaged in secret a while ago, couldn't stop smiling and giggling as they emerged from a yoga class in the city. Carrying yoga mats and dressed in casual long-sleeved tops and sports shorts, the couple wrapped their arms around each other for an impromptu kiss and a cuddle.