Cannes Critics’ Week Opener ‘Ghost Trail’ Pays Tribute to the Quest of Syrian War Refugees – Watch Clip (EXCLUSIVE)

Elsa Keslassy International Correspondent Reflecting the breadth of Mediawan CEO Pierre-Antoine Capton‘s vast network and friendships, an impressive roster of film industry players flocked to celebrate him as he received Variety‘s International Visionary Award at the Cannes Film Festival on Thursday. Attendees included CAA’s co-chairman and CEO Bryan Lourd, who said a few words about Capton on stage, as well as AGC Studios’ Stuart Ford, SPC’s Tom Bernard, Netflix’s Larry Tanz and Pauline Dauvin, and Mediawan executives including Elisabeth d’Arvieu and Justine Planchon.

Nick Vivarelli International Correspondent On Sept. 12, 2022, the day before Jean-Luc Godard died by assisted suicide at 91 in his home in Rolle, Switzerland, the Godfather of French New Wave completed his final 18-minute film, “Scénarios,” which premieres on today in Cannes. “Scénarios” — which comprises two components called “DNA, Fundamental Elements” and “MRI, Odyssey” — is followed by “Exposé du Film Annonce du Film ‘Scènario,’” a 34-minute, behind-the-scenes doc about the making of Godard’s last short.

EXCLUSIVE: Focus Features has acquired U.S. rights and select international territories on upcoming thriller Last Breath, starring Woody Harrelson, Finn Cole and Simu Liu. Focus will distribute the Alex Parkinson-directed title in the U.S. with Universal Pictures International handling select territories including France, Scandinavia, Australia and New Zealand, China, Indonesia, Malaysia, South Korea and Vietnam. 

EXCLUSIVE: Mike Goodridge has been on a rare journey. Not many in the industry can boast a CV that includes running a trade publication, an international sales company, a film festival and being the producer of multiple Cannes Film Festival movies.

John Hopewell Chief International Correspondent Chile’s Quijote Films, behind Cannes 2023 Un Certain Regard Fipresci Prize winner “The Settlers,” has tied down a powerful alliance of international partners on “The Mysterious Gaze of the Flamingo,” the first feature of 2018 Cannes Cinéfondation top winner Diego Céspedes. An LGBTQ-themed drama, “The Mysterious Gaze” is set in a mining town where a strange illness is said to be transmitted between men who fall in love with each other.

Jamie Lang International sales and distribution outfit Pink Parrot Media has closed several key deals for Doce Entertainment and Mr. Miyagi Films’ animated kids and family feature “Hanna and the Monsters.” Agreements have been made with World Visions for CIS, Boxoo for South Korea, Front Row for the Middle East, GPI for the Baltics, Cinetel for Hungary, Wediacorp for Turkey and Movie Company for Benelux.

Naman Ramachandran The film adaptation of popular comic strip “Natacha (Almost) Air Hostess” boasts an all-star cast. The cast includes Camille Lou (“Anthracite”), Vincent Dedienne (“We Can Be Heroes”), Fabrice Luchini (“The Empire”), Didier Bourdon (“Cocorico), Elsa Zylberstein (“Coup de Chance”), Isabelle Adjani (“Wingwomen”) and Baptiste Lecaplain (“Meet the Leroys”). The film is loosely based on the comic strip of the same name created by screenwriter François Walthéry, which was published by Editions Dupuy, and which comprises 23 albums and has sold more than five million copies.

EXCLUSIVE: Thriving U.S. indie producer-distributor Neon is no stranger to the Cannes Film Festival with the Tom Quinn-founded banner having acquired a historic four consecutive Palme d’Or wins (last year’s Anatomy of a Fall, 2022’s Triangle of Sadness, 2021’s Titane and 2019’s Parasite), thus earning them the nickname “the Palme d’Or whisperers”. This year, while the company has Sean Baker’s new rom-com Anora playing in Competition, it’s also descending upon the Croisette in a new capacity with its recently-launched international sales strand, led by seasoned sales exec and Sierra/Affinity veteran Kristen Figeroid.

Meryl Streep has made her big arrival for her 2024 Cannes Film Festival photo call!

Jamie Lang Catalan films routinely punch above their weight at high-profile international festivals: Think 2022 Berlin Golden Bear winner “Alcarràs.” That trend looks primed to continue in 2024. Catalan auteur Albert Serra will debut “Afternoons of Solitude,” co-produced by Catalan companies Andergraun Films and LaCima, with Ideale Audience and Tardes de Soledad.

Elsa Keslassy International Correspondent “Asterix,” the popular French comics franchise, is set for a new animated journey. Matthieu Delaporte and Alexandre de la Patelliere, whose latest film “The Count of Monte-Cristo” is premiering at the Cannes Film Festival, have penned “Asterix, the Kingdom of Nubia.” SND, the commercial arm of French network M6, has boarded the film and will kick off international sales at the Cannes Film Market, where they will present a sizzle reel to buyers.

Nick Vivarelli International Correspondent Iranian director Mohammad Rasoulof has left Iran and traveled to Europe clandestinely after being sentenced to eight years in prison by the country’s authorities, who pressured him to pull his latest work “The Seed of the Sacred Fig” from the Cannes Film Festival and harassed the film’s producers and actors. “We are very happy and much relieved that Mohammad has safely arrived in Europe after a dangerous journey,” said Jean-Christophe Simon, CEO of Films Boutique and Parallel45, who are distributing the film.

Elsa Keslassy International Correspondent “The Substance,” Coralie Fargeat’s buzzy horror movie starring Margaret Qualley and Demi Moore, has sold to one of France’s biggest distributors, Metropolitan FilmExport, ahead of its world premiere in competition at the Cannes Film Festival. The Match Factory is handling international sales on the female-powered movie, and MUBI just acquired the rights in North America, U.K., Ireland, Germany, Austria, Latin America and Benelux, where they will release the film theatrically this year. MUBI has also acquired the movie for Turkey and India.

Leo Barraclough International Features Editor The trailer (below) has debuted for Leonardo Van Dijl‘s “Julie Keeps Quiet” ahead of its world premiere in Critics’ Week in Cannes. The film’s world sales agency New Europe Film Sales has revealed the first territory deals. New Europe has sold the film to New Horizons for Poland, Kino Pavasaris for the Baltic states, and I Wonder Pictures for Italy.

EXCLUSIVE: Francis Ford Coppola‘s Megalopolis has sold to key independent buyers in Europe’s top five territories, we can reveal.

EXCLUSIVE: 20th Century Studios/Disney’s Kingdom of the Planet of the Apes is beating its chest towards a $125M global bow this weekend. At the international box office, we understand the Wes Ball-directed installment is at around $31M through Friday. As Anthony has reported, domestic is looking at a $52M-$55M start for the full frame.

EXCLUSIVE: Ahead of the Cannes market, Lionsgate has taken North American rights off the table on one of the bigger-budget new packages that’ll be on sale next week: that’s action-thriller Mutiny, which will star action evergreen Jason Statham (Fast & Furious) and be directed by Jean-François Richet (Plane).

Elsa Keslassy International Correspondent Studiocanal has unveiled an exclusive first-look still of Matt Dillon and Anamaria Vartolomei (“Happening”) starring as Marlon Brando and Maria Schneider in Jessica Palud’s movie “Maria,” which is slated to bow at the Cannes Film Festival. Palud’s film sheds light on the tragic life of Maria Schneider, who starred opposite Marlon Brando in Bernardo Bertolucci’s “The Last Tango in Paris” at the age of 19 and never recovered from the shoot. The film depicts how Schneider was imposed an un-simulated rape scene on the set of “The Last Tango in Paris” by Bertolucci and Brando.

Good afternoon Insiders, Jesse Whittock here with you today. Cannes is nearly here, and we’ve got you covered there, along with the rest of the noise from the international film and TV worlds.

Elsa Keslassy International Correspondent Kinology (“Dracula, a Love Story”) has boarded international sales to “The Big War,” an epic €30-million live action-CGI characters hybrid movie which will mark the directorial comeback of “La Haine” filmmaker Mathieu Kassovitz. The ambitious feature is adapted from “La Bête Est Morte,” an iconic two-part graphic novel illustrated by Edmond Calvo during War World 2 in Nazi-Occupied France and published after the country was liberated.