Busan Announces New Currents, Jiseok Line-ups With Strong Showing From Bangladesh, Japan
30.08.2023 - 08:23
/ deadline.com
Korea’s Busan International Film Festival has announced the ten films in this year’s New Currents competition line-up, along with ten films selected for its Jiseok Section. Both competition sections feature titles from Bangladesh’s vibrant young industry as well as from Japan.
New Currents, a section for first and second features by up-and-coming Asian filmmakers, features two films from Bangladesh – Biplob Sarkar’s The Stranger and Iqbal H. Chowdhury’s The Wrestler – which the festival noted showcase “the momentum of Bangladeshi cinema”.
The Stranger is described as a coming-of-age story navigating the journey of a family in which the young son grapples with questions about his gender identity. The Wrestler, a co-production between Bangladesh and Canada, tells the story of an elderly man from a fishing village who challenges a wrestling champion to combat.
Two Japanese titles have also been selected for New Currents – September 1923, about the Great Kanto earthquake of 1923, which marks the first narrative feature of documentary filmmaker Tatsuya Mori, and Akira Yamamoto’s After The Fever. Korea is also represented with two titles – Lee Jong-su’s Heritage, revolving around two social workers, and teenage melodrama That Summer’s Lie, directed by Sohn Hyun-Lok.
Southeast Asia is represented by Chia Chee Sim’s Oasis Of Now – a co-production between Malaysia, Singapore and France – and Thailand’s Solids By The Seashore, the directorial debut of Manta Ray assistant director Patiparn Boontarig.
Rounding out New Currents are The Spark, from India’s Rajesh S. Jala, who visited Busan in 2008 with his feature documentary Children Of The Pyre, and Borrowed Time from Chinese director Choy Ji, which follows its protagonist on