Jackass is still a hit!
19.01.2022 - 03:10 / deadline.com
Broadway box office stayed slim last week, with a total gross of $18,496,689 holding even with the previous week, and total attendance of 162,566 rising a small 4%.
Granted, the totals reflect a smaller roster of 25 productions (compared to 27 the previous week), so the tallies indicate some improvement on a per-show basis. And last week – the week ending Jan. 16 – saw no Covid cancellations, a positive sign after weeks of disruption.
Still, the total attendance figure represents just 66% of all available seats, a fairly negligible improvement over the previous week’s dismal figure. The average ticket price on Broadway was $114, down from the previous week’s $116 and off considerably from the pre-holiday averages in the upper $120s.
Season to date, Broadway has grossed $387,553,775, with total attendance of 3,075,753 at about 80% of capacity.
The Broadway League is not releasing box office numbers for individual shows this season, in a break with tradition, so the exact impact of audience declines on each particular production is unverifiable.
Productions reporting performances on Broadway during the week ending Jan. 16 were Ain’t Too Proud; Aladdin; The Book of Mormon; Chicago; Clyde’s; Come From Away; Company; David Byrne’s American Utopia; Dear Evan Hansen; Flying Over Sunset; Girl From the North Country; Hadestown; Hamilton; Harry Potter and the Cursed Child; The Lion King; MJ; Moulin Rouge! The Musical!; The Music Man; The Phantom of the Opera; Six; Skeleton Crew; Slave Play; Tina; To Kill a Mockingbird; and Wicked.
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Jackass is still a hit!
Rebecca Rubin Film and Media ReporterAfter living through a pandemic for nearly two years, Americans, as it turns out, were in desperate need of a laugh.That may explain why Paramount’s go-for-broke action comedy “Jackass Forever” triumphed at the domestic box office while Roland Emmerich’s disaster epic “Moonfall” turned into an epic disaster.“Jackass Forever,” the fourth installment in the ongoing saga of projectiles to the groin, collected $23 million from 3,604 North American locations in its debut, landing on the higher end of expectations. The latest “Jackass,” starring Johnny Knoxville, Steve-O, Wee Man and other daredevils from MTV days, had been widely expected to win the weekend, but its victory is still surprising and impressive because it has been some time since a pure comedy has claimed the top spot on box office charts.
Brent Lang Executive Editor of Film and MediaWith much of the country bracing for or digging out from a nasty winter storm, two new releases are hoping to provide so much sizzle that moviegoers will brave the ice and snow to hit up their local multiplexes.In one corner: Lionsgate’s “Moonfall,” a disaster epic from Roland Emmerich, one of the most successful purveyors of cinematic destruction. In the other: Paramount’s “Jackass Forever,” the latest entry in the long-running series in which Johnny Knoxville, Steve-O and Wee Man risk life, limb and nether regions in the service of comedy. “Jackass Forever” scored a stronger Thursday previews showing, netting $1.7 million.
Patrick Frater Asia Bureau Chief“The Battle at Lake Changjin II” passed the $200 million landmark at the China box office at midday local time on Thursday, the film’s third day of release. Data from Alibaba’s Beacon data tracking service showed the film lying comfortably on top of the mainland Chinese box office chart with RMB166 million (26.1 million) earned on the third morning of the Lunar New Year holidays.
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Rebecca Rubin Film and Media ReporterWill this be the weekend that “Spider-Man: No Way Home” is dethroned at the box office once and for all?Paramount’s go-for-broke action comedy “Jackass Forever” and director Roland Emmerich’s disaster epic “Moonfall” certainly hope that’s the case. After an excruciatingly slow January at the movies, one that let “Spider-Man” tower over the competition for weeks, the two nationwide releases will try their hand at getting audiences to multiplexes.“Jackass Forever,” the fourth installment in the ongoing saga of projectiles to the groin, appears to have the best shot at taking down “Spider-Man: No Way Home,” which has spent six of the last seven weeks at No. 1.
Broadway’s ongoing, twice-annual 2-for-1 ticket special seems to have help stave off what might otherwise have been a more precipitous drop in attendance last week as box office receipts dropped about 9 percent to $15,038,225.
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Rebecca Rubin Film and Media Reporter“Spider-Man: No Way Home” is the box office juggernaut that can’t be caught.The comic book adventure, starring Tom Holland as Marvel’s favorite teen web-slinger, opened in theaters in December and spent every weekend except one as the top movie at the domestic box office. This weekend proved to be no exception. Now in its seventh weekend of release, “No Way Home” has again secured the No.
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Broadway continued its winter freeze last week, with box office dropping 11% to a slim $16,494,289 for its meager 21-show roster. Attendance for the week ending Jan. 23 was 152,135, a slip of 6% from the previous week.
Having passed the domestic run of “Black Panther” last weekend, “Spider-Man: No Way Home” now joins the fellow MCU film among the short list of films since the turn of the century to earn at least five No. 1 weekends. Such an achievement has become increasingly rare as the rise of home entertainment has made the box office more frontloaded than in the 80s and 90s.
Rebecca Rubin Film and Media ReporterIt’s Peter Parker’s world, we’re just living in it.After a brief hiatus to let another movie sell a few tickets, “Spider-Man: No Way Home” has unseated “Scream” and reclaimed the top spot on domestic box office charts. Now in its sixth weekend of release, Sony’s comic book sequel has added another $14.1 million from 3,705 North American venues.It’s rare for any film to secure the No. 1 slot in its sixth outing, though “Spider-Man: No Way Home” didn’t have much in the way of competition.
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