U.S. audiences will be able to stream the BAFTA Film Awards as live for the first ever time in two weeks on BritBox.
09.02.2022 - 20:11 / deadline.com
BritBox North America has struck a deal for three Agatha Christie adaptations and is to double its creative and investment output.
Head Emily Powers unveiled the news at this morning’s TCAs, at which point she revealed BritBox is co-producer on ITV’s The Confessions of Frannie Langton and has acquired the same network’s The Thief, His Wife and The Canoe and BBC One’s Martin Freeman-starring The Responder, both of which will be badged BritBox Originals. The BBC Studios/ITV streamer has also ordered a second season of Father Brown spin-off Sister Boniface Mysteries.
The Agatha Christie deal has been struck with Agatha Christie Limited and ITV Studios-backed The Serpent producer Mammoth Screen, and will see the trio of as-yet-unannounced shows produced over the coming years.
The adaptations will be steered by a distinctive voice – a director, a writer or auteur – bringing a new perspective and style to the beloved mystery author’s novels, according to BritBox.
The deal is similar to the BBC and Amazon’s partnership with Agatha Christie Limited, which has seen adaptations of the likes of Ordeal By Innocence, And Then There Were None and The ABC Murders, the latter of which featured John Malkovich as Hercule Poirot. That deal will not be impacted by the BritBox deal.
Separately, Hugh Laurie is adapting Christie’s Why Didn’t They Ask Evans? for BritBox, which stars Dopesick’s Will Poulter and has been handed a Spring release date.
Powers said BritBox is to double its creative and investment output on co-productions and originals, although she didn’t reveal budget or number of shows.
“In just a few short years, BritBox has grown to 2M subscribers and we’ve been able to do that by letting our content speak for itself,” said Powers.
U.S. audiences will be able to stream the BAFTA Film Awards as live for the first ever time in two weeks on BritBox.
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BritBox presented its upcoming series on Wednesday at the 2022 virtual edition of the Television Critics Association winter press tour, including a new series written and directed by Hugh Laurie.
BritBox presented its upcoming series on Tuesday at the 2022 virtual edition of the Television Critics Association winter press tour, including a new series written and directed by Hugh Laurie.
Hugh Laurie is stepping behind the camera to bring a new adaptation of the 1934 Agatha Christie novel,, to BritBox. The limited-run series, written and directed by the former star, tells the story of two amateur detectives who get in over their heads investigating a murder. It also features an all-star cast, which ET has an exclusive sneak peek of in the video above.
K.J. Yossman Streamer BritBox has extended its production partnership with the Agatha Christie estate.BritBox, which is jointly owned by BBC Studios and ITV, has signed on for three more productions with Agatha Christie Limited and Mamoth Screen.The trio have already collaborated on an adaptation of Christie’s novel “Why Didn’t They Ask Evans?” (pictured above) starring Emma Thompson and Will Poulter, which will premiere on the platform in April.BritBox have not yet confirmed which of the author’s prolific output they will be working on next but they have said each of the three adaptations will be “steered by a distinctive voice – a director, a writer or auteur – bringing an entirely new perspective and style to Agatha Christie’s novels.” BritBox was set to make the announcement Wednesday during its portion of the Television Critics Association winter virtual press tour.
With the mysterious Christie clan setting up home at Fraser's Ridge in the sixth season of Outlander, fans are expecting them to play a big part in proceedings.
Owen Gleiberman Chief Film CriticAgatha Christie was born in 1890, and the heyday of movie adaptations of her novels goes quite a ways back (like, 70 or 80 years). The whole structure and flavor of this sort of delectably engineered whodunit, with its cast of suspects drawn in deliberate broad strokes and its know-it-all detective whose powers of deduction descend directly from Sherlock Holmes, is rooted in the cozy symmetry of the studio-system era.
Kenneth Branagh’s adaptation of “Death on the Nile” begins with a sequence that is miles removed from Agatha Christie — indeed, it feels like a Branagh has spliced in a missing reel from “1917.” In an unbroken take, his camera snakes through a WWI-era foxhole, ending with the delivery of orders for a suicide mission. But maybe not.