The family of an elderly man who had £30,000 stolen by a scheming carer said he was so devastated that he 'gave up living' after her vile crimes were revealed.
17.02.2022 - 18:19 / variety.com
Manori Ravindran International EditorEntertainment One has hired Left Bank executive producer Sharon Hughff to serve as creative director of scripted television out of the U.K.In her new role, she will oversee the scripted team and pipeline from the U.K., while spearheading efforts to expand the slate into buyers in the U.K. as well as Europe and Asia.
Based out of London, she will report into Pancho Mansfield, president of global scripted television for eOne.A 20-year drama veteran, Hughff has spent the last nine years as executive producer at “The Crown” producer Left Bank Pictures. During her tenure there, she was responsible for the development and delivery of “The Halcyon” (ITV), “Strike Back” (Sky and HBO), “White Lines” (Netflix), “Three Pines” (Amazon) and, most recently, “The Fear Index” (Sky and Showtime).
Previously, she was an executive producer at Shed Media, producing the long-running series “Waterloo Road.” Her past producing credits include “EastEnders,” “Holby City” and “The Inspector Lynley Mysteries.”“We’re delighted that Sharon will lead our team in the U.K. With her strong talent relationships and passion for producing great drama, Sharon will be a fantastic addition to the eOne team, as we continue to build on our success in the international market,” said Mansfield.Hughff added: “At eOne, there is a genuine ambition and passion to make excellent content for the international market and I am looking forward to working with Pancho and his team to grow this business.”Hughff effectively fills the role previously held by former scripted boss Polly Williams, who left the Hasbro-backed eOne last summer to help French production powerhouse Federation Entertainment set up in the U.K.
.The family of an elderly man who had £30,000 stolen by a scheming carer said he was so devastated that he 'gave up living' after her vile crimes were revealed.
Beginning March 14, a pass demonstrating full vaccination against Covid will no longer be required to access cinemas in France. Nor will it be obligatory for entry to theaters, bars, restaurants, amusement parks, gyms or other leisure venues. Prime Minister Jean Castex announced the upcoming changes Thursday afternoon local time.
Oscar and Emmy winner Barry Levinson has been tapped to direct David E. Kelley’s The Missing, Peacock’s eight-episode series based on Israeli crime writer Dror A. Mishani’s international bestselling novel The Missing File. Levinson will direct multiple episodes, including the first, and executive produce the series from Kelley, Keshet Studios and Universal Television
Manori Ravindran International EditorCanada’s Incendo and Los Angeles-based Nicely Entertainment have struck a development and production partnership beginning with the scripted limited series, “The Christmas Checklist.”The four-episode series will be available in the marketplace for the 2022 holiday season.Written by Lisa Hepner (“A Christmas Wish in Hudson,” “Christmas Lovers Anonymous”), “The Christmas Checklist” is a holiday-themed limited TV series targeted for release in December 2022. Incendo and Nicely Entertainment will develop and produce the series with Incendo responsible for distribution in English and French Canada, and Nicely Entertainment overseeing the U.S.
The Queen is said to have broken royal protocol after Vladimir Putin left her waiting.
EXCLUSIVE: Nicole Kerr has been promoted to VP Entertainment at Jessie Cohen PR & Consulting, where she has been for the past five years. In the newly created leadership position, the veteran will continue rep her full slate of clients spanning film festivals, feature films, filmmakers and talent.
A swingers ' club with 43 rooms and a 'realistic dogging zone' is on the brink of closure leaving its owner 'devastated'.
Elsa Keslassy International CorrespondentThe relentless 15-year hunt for Adolf Eichmann, the notorious high-ranking Nazi criminal who fled Germany at the end of WW2 and hid in Argentina with his family, will be charted in a thriller series by Rose Bosch (“1492: Conquest of Paradise,” “The Roundup”).Titled “The Capture,” the six-part English-language series is being produced by Marc Missonnier and Christine de Bourbon-Busset at Lincoln TV, the Paris-based banner behind “Mirages” and “Cheyenne & Lola.” The script is now completed and the veteran producers are getting ready to introduce the project to potential partners, including broadcasters and streamers.Bosch, a former investigative journalist who is passionate about history, previously wrote the script of Ridley Scott’s Christopher Columbus film “1492: Conquest of Paradise,” as well as penned and directed “The Roundup” which depicted the infamous Vel’ d’Hiv Roundup (Rafle du Vel’ d’Hiv) in Paris. The 2010 movie, which sheds light on the lesser-known mass arrest of Jews, including children, by French police in 1942 and their deportation in concentration camps, is still being studied in schools on top of being featured at the U.S.
Elsa Keslassy International CorrespondentStephane Celerier, a veteran French film executive whose former banner Mars Films co-produced “La Famille Belier,” is joining forces with PGS Entertainment to create a new production company.Celerier is launching Gemma Pictures with Philippe and Guillaume Souter, the founders of PGS Entertainment, a thriving family-owned business specialized in financing and licensing worldwide youth entertainment.The new Paris-based company will look to produce French and English-language films, TV series and TV movies and is already developing a slate of 10 projects with well-known French and international talent. A resourceful and deep-pocketed company, PGS Entertainment will fully finance the development of Gemma Pictures’ roster over the next three years and will handle the back office, while giving Celerier the full reins of the company.
Manori Ravindran International EditorMia Wasikowska will take on the lead role in “Little Joe” director Jessica Hausner’s cult thriller “Club Zero,” Variety can reveal.The Australian actor will portray an unusual schoolteacher in Hausner’s second English-language film, which begins shooting in the U.K. and Austria in July.Wasikowska was most recently seen in Mia Hansen-Løve’s Cannes-premiering film “Bergman Island.”In “Club Zero,” Wasikowska’s teacher takes a job at an elite school and forms a strong bond with five students — a relationship that eventually takes a dangerous turn.Discussing the film at the Doha Film Institute’s Qumra event last year, Hausner described the film as “a lot about eating,” relating to eating disorders and “eating behaviors.” This will be Hausner’s sixth feature.
Elsa Keslassy International CorrespondentNewen, the Paris-headquartered production and distribution outfit owned by TF1 Group, has upped Karine Atlan to the position of executive VP of Newen Connect. Under her new role, Atlan will spearhead co-productions and international acquisitions for Newen Connect, the company’s distribution arm.
La Vie En Rose and Netflix’s The Spy producer Alain Goldman has signed an overall deal with Banijay for TV shows and feature films.
Elsa Keslassy International CorrespondentBanijay has partnered with Alain Goldman, the French producer of “La Vie en rose” to produce premium scripted series and feature films through his two production entities, Pitchipoï Productions and Montmartre Films.Goldman, whose production company was previously named Legende Films, will work alongside Banijay France. The French producer had been working with nearly every French film studios, notably Gaumont, and has also been collaborating with streamers such as Netflix with “The Spy,” starring Sacha Baron Cohen, and Amazon Prime with Caroline Vigneaux’s “Flashback” and Mélanie Laurent’s “The Mad Women’s Ball.” Besides “La Vie en Rose,” which earned Marion Cotillard an Oscar, Goldman has also produced “An Officer and a Spy” (2019), “The Connection” (2014) and “The Crimson Rivers” (2000).
Peter Debruge Chief Film CriticAs the first film from the director of “Amélie” in nearly a decade, “Bigbug” is kind of a big deal. Sadly, it’s also a big disappointment — easily the most obnoxious Netflix original in some time, owing to the company’s trust in a director whose overactive imagination demands some kind of boundaries.At precisely the moment pandemic-confined audiences want to get out and breathe fresh air, Jean-Pierre Jeunet gives them a suffocating scenario in which a squabbling French family is trapped in their retro-modern home with several android assistants.