China Box Office: ‘Barbie’ Opens in Fifth Place With $8 Million

Patrick Frater Asia Bureau Chief Box office hit “Lost in the Stars” was a contributor to the April to June profits recorded by Chinese tech giant Alibaba’s digital media and entertainment division. The division, which spans streaming, ticketing, film production and distribution and web browser, recorded earnings before interest, taxation and amortization (EBITA) of $9 million (RMB63 million). That follows many years of losses, including $126 million (RMB907 million) of EBITA losses in the equivalent quarter last year.

Patrick Frater Asia Bureau Chief “Meg 2: The Trench,” the second instalment in the Chinese-financed giant shark franchise, was the top film worldwide over the weekend. But in its China home market “Meg 2” was beaten by strong previews of “No More Bets.” Nevertheless, the arrival of two popular films at the top of the chart meant that China enjoyed its third highest box office weekend of the year, with a $185 million haul. That score is the strongest weekend of 2023 outside the Chinese New Year holiday season.

Patrick Frater Asia Bureau Chief Ryu Seung-wan’s female-led crime caper “Smugglers” topped the South Korean box office for a second weekend, ahead of new release title “Ransomed.” “Smugglers” enjoyed a strong hold in its second weekend of release and commanded 42% market share. It delivered $7.09 million, a drop of only 20% on its opening weekend, giving a 12-day cumulative of $26.2 million, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).

Patrick Frater Asia Bureau Chief “Meg 2: The Trench” serves up a school of prehistoric fish that chew up the seas, a snapping pack of imaginary hybrid dinosaurs that wreak havoc on land and a surprising cinema business model — the Chinese-controlled franchise intended for a global audience. And while early reviews are predictably mixed, the film’s box office debut looks promising. In China, on Friday, it bit off a $19.5 million first day and enjoyed a 50% market share.

Patrick Frater Asia Bureau Chief Theatrical cinema in July enjoyed its highest revenues since pre-pandemic times, with global box office hitting $4.54 billion during the month. “This is the single highest-grossing month since before the pandemic began.

Patrick Frater Asia Bureau Chief The Busan film festival’s Asian Project Market is set to welcome several of the region’s top auteurs either as producers or prospective directors at its next edition in October. APM organizers Thursday unveiled 30 projects to be presented during a four-day round of one-on-one meetings and pitching sessions. India’s Rima Das (“Tora’s Husband”) will pitch “Malti My Love.” Japan’s Fukada Koji (“Love Life,” “Harmonium”) will pitch “Nagi Notes.” Indonesia’s Makbul Mubarak (“Autobiography”) will pitch “Watch It Burn.” Among the successful producers adding their weight to APM contenders are: Patrick Mao Huang (“Moneyboys,” “Tiger Stripes”) selling Peter Ho’s project “Appetite for Desire”; Jeremy Chua (“Inside the Yellow Cocoon Shell,” “Autobiography”), pitching Rafael Manuel’s “Filipinana”; Ichiyama Shozo (“Ash Is Puirest White”) pitching Song Fang’s Japan-China collaboration “Full Moon”; Fran Borgia (“A Land Imagined,” “Tiger Stripes”) pitching Aakash Chhabra’s “I’ll Smile in September”; and Tan Chui Mui (“Barbarian Invasion”) pitching Jian Xiaoshuan’s “To Kill A Mongolian Horse.” The project market and the Asian Contents & Film Market are both scheduled to operate Oct.

Patrick Frater Asia Bureau Chief China is proposing to restrict internet access to minors and children. The move is intended to curb internet addiction. Tech sector regulator, the Cyberspace Administration of China said on Wednesday that people under 18 will not be allowed to access the internet via a mobile device between 10pm and 6am each day.

Patrick Frater Asia Bureau Chief Japanese anime series took four of the top ten places in streaming service Netflix’s latest global chart of non-English-language shows. The top title of the week July 24-30 was Brazilian teen crime drama series “Sintonia,” in its fourth season. Japanese animation series have long been key audience drivers in Japan and other parts of Asia.

Patrick Frater Asia Bureau Chief Pluto TV, Paramount’s free streaming television service, is to launch in Australia from the end of August. Comprising more than 50 free ad-supported TV (FAST) channels, Pluto TV will be sold as a dedicated branded area within Paramount Australian and New Zealand’s digital platform 10 Play.

Patrick Frater Asia Bureau Chief The Asia Contents Awards, held as part of the Busan International Film Festival since 2019, is to join forces with the Global OTT Awards to form a wider-reaching event. The merged events are to be known under the ungainly abbreviation ACA & G.OTT Awards and will be co-hosted by South Korea’s Ministry of Science and ICT and Busan Metropolitan City authorities. The ceremony will be held in Busan on Sunday Oct.

Patrick Frater Asia Bureau Chief “Creation of the Gods I: Kingdom of Storms,” the first part of Wuershan’s big-budget “Fengshen Trilogy,” topped the mainland China box office for the second weekend and expanded its week-on-week haul by 35%. ‘Barbie’ also showed signs of resilience in a market where it opened a week earlier in a disappointing fifth place. “Creation of the Gods I” grossed $57.6 million.

Patrick Frater Asia Bureau Chief Sound of Freedom, the indie action-drama film that has already earned over $125 million at the North American box office, will begin to move into international distribution from next month.Angel Studios, the crowd-funded, Utah-based production and distribution firm behind the picture, says it has set releases in territories including the U.K., Australia and Latin America. The company explained that it has arranged direct-to-theater distribution deals in Latin America, the U.K, and Ireland. In other territories it will take the more conventional route of partnering with distributors.

Patrick Frater Asia Bureau Chief Kris Wu, the Chinese-Canadian pop megastar who was jailed last year for rape and group sex, appeared in court in Beijing on Tuesday to appeal his convictions. The case was heard at the Beijing No. 3 Intermediate People’s Court.

Patrick Frater Asia Bureau Chief Margot Robbie, America Ferrara and director Greta Gerwig visited South Korea early on the promotional tour for ‘Barbie’ (without Ryan Gosling). But their charm failed to translate into strong box office performance in the country and the film opened anonymously in fourth place over the weekend. “Barbie” earned just $1.19 million between Friday and Sunday and $1.91 million over its opening five days, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). Worth just 8% of the nationwide weekend total, “Barbie’s” scores were barely better than fellow new release title “Insidious: the Red Door.” That earned $1.17 million between Friday and Sunday and $1.90 million over five days.

Patrick Frater Asia Bureau Chief Cineverse, the streaming and content distribution company previously known as Cinedigm, has acquired North American rights to the Chinese animated fantasy film “Warrior King.” Inspired by the legend of the hero and warrior, King Gesar, the film is directed by Lu Qi from a screenplay by Lu Wunan and Wang Yunsheng. Cineverse says that it will release the film in U.S. theaters Aug. 25, following its international theatrical debut.  The story of Gesar is considered one of Central Asia’s literary classics and was passed down in oral tradition for some 1,000 years, as well as literary, poetic and stage play versions. Its Tibetan iteration may now be the most prominent, It is certainly one of the longest, running to over 100 volumes and a million verses, according to some calculations.   

Patrick Frater Asia Bureau Chief Exports of K-pop albums increased by 17% year on year to reach an all-time record of $133 million in the first six months of the year. The U.S. is now the second biggest overseas market for Korean music worth $25 million, having overtaken China, but still trailing Japan ($48 million), according to data from the Korea Customs Service. The next largest were Germany, Taiwan, Hong Kong, the Netherlands, Canada, the U.K. and France.The record was achieved despite the absence of BTS as a group (though BTS members Jimin, and Suga put out solo efforts) and saw Stray Kids, Tomorrow X Together, Seventeen, Ateez and Twice all make an international impact.

Patrick Frater Asia Bureau Chief Movie stars Zhou Xun and Jelly Lin head the cast of “Imperfect Victim,” a new mainland Chinese drama series that focuses on workplace sexual harassment and leads to a rape trial. Zhou (“Cloud Atlas,” “The Silent War,” “Painted Skin”) plays a lawyer who steps in to represent the character played by Lin (“The Mermaid”), who alleges assault by her boss at work. He is portrayed by TV veteran Liu Yijun (“Nirvana in Fire,” “The Pretender”). The case becomes complicated and Zhou’s character is forced to question her own ethics. The show is highly topical, given the slowly building #MeToo movement in China. This is being fuelled by numerous instances of sexual discrimination, sexual assault and outright violence towards women, many instances of which have gone viral on Chinese social media before being deleted by censors.

Patrick Frater Asia Bureau Chief China’s box office weekend was marked more by the tussle for top spot between “Never Say Never” and “Chang An” than the entry of “Mission: Impossible – Dead Reckoning Part One.” The Tom Cruise-starring U.S. blockbuster was the highest new release title, but landed in third place with an opening score of $25.9 million. The weekend’s top-ranked film was “Never Say Never,” a holdover title that scored $46.1 million. Lightchaser Animation-produced “Chang An San Wan Li” (aka “Chang An 30,000 Miles”) earned a shade less, at $43.9 million, according to data from consultancy Artisan Gateway. After 11 days of official release (plus substantial previews), “Never Say Never,” written and directed by actor Wang Baoqiang (“Lost in Thailand,” “Detective Chinatown”) has already become one of the biggest hits of the year. Its cumulative stands at $212 million. “Chang An” has accumulated $96.1 million in nine days.

Patrick Frater Asia Bureau Chief Tom Cruise has become a regular visitor to South Korea and, while his latest visit was more than a week ago, the impact of his efforts appeared to endure. His ‘Mission: Impossible – Dead Reckoning’ got off to the second strongest start at the Korean box office of any Hollywood movie released this year. The film grossed $9.75 million between Friday and Sunday, according to Kobis, the tracking service operated by the Korean Film Council (Kofic). That represented a 60% market share, earned from some 2,400 screens. In its full opening five days (plus previews), it earned $14.2 million.

Patrick Frater Asia Bureau Chief Specialty distributor, Trinity CineAsia is releasing China’s summer blockbuster “Lost in the Stars” in the U.K and Ireland on some 30 screens from Friday. “I was fortunate to watch the film when it opened in China and once I saw it I just knew we had to have it,” said Cedric Behrel “‘Lost In The Stars’ is a very clever, uncanny thrill of a ride that harks back to classic Hitchcock and any noteworthy thriller since – the master himself had in fact once optioned the rights to the same story. We organized the fastest turnaround premiere known to man and we’ve been delighted by the reactions to the early previews. It epitomizes the best of what new Chinese cinema can bring to audiences.”