Berlin Title ‘Dry Ground Burning’: A Film That Captures the State of Present-Day Brazil

Radiohead side-project The Smile have unveiled details of a new one-time single pressing for recently released singles ‘You’ll Never Work In Television Again’ and ‘The Smoke’.The trio comprising Thom Yorke, Jonny Greenwood and Sons of Kemet drummer Tom Skinner – released their debut single ‘You Will Never Work In Television Again’ and its follow-up, ‘The Smoke’, earlier this year.The single is a limited 7″ pressing and fans can win a copy of the single by entering a lottery.Fans can pick up a free lottery ticket at selected record stores around the world between March 12-24.The single will not be available to purchase. Fans must scan the QR code on their ticket by March 24 to enter for a chance to win one of the pressings.You can find a full list of the participating record stores here.A video on the band’s social media pages showed Thom Yorke and long-time artistic collaborator Stanley Donwood pressing the singles – you can watch below:We have made a limited pressing 7” of “You Will Never Work In Television Again” & “The Smoke”.

Gangs of New York), to choices that are more controversial (Hugh Grant in Love Actually? Yes, really!)And while you’re here, why not also sample the inverse of this strange occurrence – brilliant performances in otherwise terrible movies…Gyllenhaal is guilty of too much acting in Denis Villeneuve’s grimy child-abduction thriller. While the other A-listers that surround him (including Hugh Jackman and Viola Davis) bury themselves in grief and rage, Gyllenhaal seems to be in a different film entirely. He’s all twitches and facial tics, injecting off-putting weirdness in a movie that absolutely doesn’t need it.

Gangs of New York), to choices that are more controversial (Hugh Grant in Love Actually? Yes, really!)And while you’re here, why not also sample the inverse of this strange occurrence – brilliant performances in otherwise terrible movies…Gyllenhaal is guilty of too much acting in Denis Villeneuve’s grimy child-abduction thriller. While the other A-listers that surround him (including Hugh Jackman and Viola Davis) bury themselves in grief and rage, Gyllenhaal seems to be in a different film entirely. He’s all twitches and facial tics, injecting off-putting weirdness in a movie that absolutely doesn’t need it.

Patrick Frater Asia Bureau Chief“The Novelist’s Film,” which Wednesday earned Korean director Hong Sang-soo the Grand Jury Prize in Berlin, has scored multiple rights deals. With Seoul-based Finecut handling the rights sales, the film was licensed to Ama Films for Greece and Cyprus, Mimosa Films for Japan, L’Atalante Cinema for Spain, Arizona Films Distribution for France and to The Cinema Guild for the U.S.Finecut also did European Film Market business with “Contorted,” an unorthodox horror about a family tragedy.

Emiliano Granada Colombian-Canadian director Lina Rodríguez’s third feature, “My Two Voices”,  a 68 min documentary that through its short runtime  artfully orchestrates a polyphony of emotions, colors, textures and voices in its portrayal of three immigrant women.Produced by Canada’s Rayon Verde, the same production company behind her previous film “This Time Tomorrow,” Rodríguez’s meticulous approach interweaves the voices of Claudia Montoya, Marinela Piedrahita and Ana Garay Kostic as they share their experiences of immigrating to Canada. Energized by a rich soundscape, the film achieves a deep intimacy, while refusing to draw borders, between spaces, between voices, between there and here, who I was and who I am, between I and Us.

Berlinale Series Market. It has grown into one of continental Europe’s biggest TV events. Following, seven takes on this year’s edition.TV Tail Wags Film DogThe Berlinale Series Market used to be a burgeoning sidebar.

Winners are being announced for the 72nd Berlin International Film Festival. Follow the ceremony live via the below video feed from 7PM CET / 10AM PST, with the red carpet now underway.

Sat in front of a computer, musician Nick Cave reads a few questions aloud. These are deeply existential musings sent in by people he has never met.

Nick Vivarelli International CorrespondentDubai-based independent film distributor and producer Front Row Filmed Entertainment has acquired global rights – excluding theatrical, which is limited to the MENA region – for Lebanese drama “Death of a Virgin and the Sin of Not Living” that launched last year from Berlin’s Panorama section.Produced by Beirut-based Bee On Set Productions, “Death of a Virgin” marks director George Peter Barbari’s feature debut. It stars newcomers Etienne Assal, Adnan Khabbaz, Jean-Paul Franjieh and Elie Dankoura Saad.

Ben Croll To follow-up his 2016 debut “Marija,” Swiss filmmaker Michael Koch set his sight skyward, fixing his vision on a remote Alpine farming community both untouched and victim to time. The filmmaker immersed himself in that world, working with village locals, collecting stories and living off the land, and would then channel those experiences into his sophomore feature.Now premiering in competition in Berlin, “A Piece of Sky” follows a taciturn farmhand, Marco (Simon Wisler), and a single mother, Anna (Michèle Brand), who find strength in each other as they build a life in the punishing Alpine range.

Elsa Keslassy International CorrespondentLoco Films, the Paris-based world sales and production company, has unveiled the trailer for Yulia Trofimova’s feature debut “The Land of Sasha” which is premiering today at the Berlinale, in the Generation 14plus strand.“The Land of Sahsa” tells the story of an indecisive 18-year-old struggling to pursue his desire to become a painter as his mother urges him to choose a safer career path. The sudden appearance of the boy’s estranged father complicates things further. But when Sasha has an unexpected encounter with an unusual girl called Zhenia, he realizes he has no choice but to finally grow up.“The Land of Sasha” was produced by Katerina Mikhaylova and Konstantin Fam for Moscow-based Vega Film.

John Hopewell Chief International CorrespondentAdding to its notable lineup in Latin American movies, Paris-based sales agent MPM Premium has taken international sales rights to “Fogaréu,” from writer-director Flávia Neves, part of Brazil’s new wave of female filmmakers, which is one of the most exciting developments the country’s cinema currently has going for it.MPM Premium is introducing the film at this week’s Berlin Festival, where it world premieres in Panorama on Feb. 15.First glimpsed at 2020’s Ventana Sur project market, “Fogaréu” shares a sense of attitude and a feminist agenda and a visual verve with fellow Brazilian Ventana Sur titles “The Pink Cloud,” Iuli Gerbase’s a sci-fi character-driven thriller, and “The Joy of Things,” Thais Fujinaga’s portrait of motherhood, also playing at the same market.

Naman Ramachandran Acclaimed Bangladeshi director Rubaiyat Hossain, known for her powerful women-centric films, has a new project participating in the Berlinale Co-Production Market and is launching a female filmmaker grant.Her Berlinale co-production market project, “The Difficult Bride,” follows Novera, a bride-to-be in present-day Dhaka who is in love with the groom and the idea of a fairytale wedding, but secretly struggles with her body, which does not seem to comply with the wedding rituals. She makes continuous trips to the beauty salon and uses home remedies to “cure” her body.

“There’s nothing wishy-washing about working with Phyllis Nagy,” Elizabeth Banks tells Deadline of working with the Call Jane director. “She’s very gentle with her direction but she’s also firm with what she expects or wants out of something, which I really appreciate.”

Outré horror maestro Peter Strickland is back. The filmmaker behind such Eurotica, vintage, throwback classics such as “Berberian Sound Studio” (2012), “The Duke of Burgundy” (2014), and “In Fabric” (2018), returns to the Berlin Film Festival this week (today, in fact), with his latest deliciously bizarro offering, “Flux Gourmet.” The premise? Something like beef within the culinary/sonic art collective world and a whole set of egos and intestinal issues.

Naman Ramachandran Kino Lorber has acquired U.S. rights to writer-director Ajitpal Singh’s debut feature, “Fire in the Mountains,” which premiered in the World Dramatic Competition of the Sundance Film Festival in 2021.A powerful feminist tale set in a tourist homestay in the Himalayan foothills of northern India, the film centers around a woman (Vinamrata Rai), the sole breadwinner of the household, who scrimps and saves for her son’s medical treatment, while her alcoholic husband believes that an expensive shamanic ritual is the answer to all their woes.The film is produced by Alan McAlex and Ajai Rai of prolific Indian arthouse producers Jar Pictures alongside Mauli Singh and Amit Mehta.

Just as the Tiktok-ers and Instagrammites of the world had completed the mainstreaming of ASMR, master of the tactile Peter Strickland has returned to restore the unsettling, alien quality to sensation. In “Flux Gourmet,” his latest and most bizarre film — a hotly contested title he earns with this feverish stew of murdered turtles, torrid orgies, and heartrending fart-tending — texture is everything.

Outré horror maestro Peter Strickland is back. The filmmaker behind such Eurotica, vintage, throwback classics such as “Berberian Sound Studio” (2012), “The Duke of Burgundy” (2014), and “In Fabric” (2018), returns to the Berlin Film Festival this week (today, in fact), with his latest deliciously bizarro offering, “Flux Gourmet.” The premise? Something like beef within the culinary/sonic art collective world and a whole set of egos and intestinal issues.