Berlin Title ‘My Two Voices’ Broken Down by Director Lina Rodriguez

Demi Lovato has shared a photo of them hanging out with Turnstile, who they call their “favourite band”.Turnstile are currently on tour in the US behind their recent album ‘GLOW ON’, which was placed at Number Nine in NME‘s 50 Best Albums of 2021 list.On Thursday night (February 24), the band played at The Novo in Los Angeles, and after the show Lovato shared a photo of them hanging out with the band.“My favorite band (Turnstile) & my favorite hat (apparently),” Lovato wrote on Instagram. See the post below.A post shared by Demi Lovato (@ddlovato)Last week, Turnstile shared a new video for their song ‘UNDERWATER BOI’, with the visual captured using characters from the world of the 2003 MMORPG video game Second Life by drummer Daniel Fang.Earlier this month Turnstile played a run of UK shows to celebrate ‘GLOW ON’ including dates in London, Leeds and Nottingham.The band were forced to reschedule their European tour dates to June and July – see details of those gigs below and find any remaining tickets here.JUNE18 – Hamburg, Gruenspan20 – Paris, Elysee Montmartre22 – Hasselt, ModJULY5 – Berlin, Astra Kulturhaus6 – Haarlem, Patronaat18 – Cologne, PalladiumTurnstile will also headline Outbreak Festival 2022 and 2000Trees Festival in the UK this summer.

Resembling more of a personal tribute than exhaustive biography, Pietro Marcello‘s Lucio Dalla documentary, “For Lucio,” takes its title as an invitation. A rambling eulogy that is just as often confusing as it is profound, Marcello’s wisp of a film (running less than 80 minutes) may be missing key context for those not already versed in the life and music of the politically-oriented Italian singer-songwriter.

Emiliano Granada World premiering in the Berlinale’s Forum, “Dry Ground Burning” marks the second feature collaboration between directors Joana Pimenta and Adirley Queirós, after Pimenta DP-ed Queirós’ “Once There Was Brasilia.”So it’s no surprise that by this point the directorial couple have refined a common language that in “Dry Ground Burning” delivers a movie that’s stylistically refrained, while walking a fine line between documentary and a fiction with sci-fi and Western overtones.Produced by Cinco Da Norte and Terratreme with Pimenta once again behind the camera, the duo returns to their portrayal of the inhabitants of Ceilandia, a district on the periphery of Brasilia which has been a recurring subject in both filmmakers work. The film follows sisters Chitarra and Léa, leaders of an all female gang who refines oil drawn from an oil pipeline to sell to motor bikers in the Sol Nascente favela.

Many of Hong Sang-soo’s films are structured around a woman’s solitary wanderings. The single ladies played by Kim Min-Hee in “On the Beach at Night Alone” or “The Woman Who Ran,” or Lee Hye-Young in “In Front of Your Face,” are free radicals, moving from encounter to encounter and disrupting the equilibrium of the people they meet, as meandering conversations reveal a friend’s dissatisfaction or a couple’s disagreement.

Gail Halvorsen was a United States Air Force pilot known as the “Candy Bomber” for dropping candy over Berlin from his airplane during the Berlin airlift in 1948.  Gail Halvorsen joined the Air Force as a pilot during World War II, serving as a transport pilot in the South Atlantic. After World War II, Berlin was divided into four sections occupied by the United States, France, England, and Russia.

Premiering in the Special Gala section of this year’s Berlinale, the latest film from Italian director Dario Argento is surprising in more ways than one. Rather than copy the style of the giallo films from the 1970s and 1980s that made him famous (“The Bird with the Crystal Plumage,” “Deep Red,” and “Suspiria,” to cite just a few), his “Dark Glasses” finds ingenious ways to retain the core of the giallo while adapting to our current times.

The Sole family grows peaches. Round white peaches ripen first; then the flat white peaches that supermarkets like; then yellow cling peaches. Their farmhouse is surrounded by the plantation they have tended for three generations, promised to them in perpetuity by the current owner’s great-grandparents during the Civil War. Memories are long in their corner of Catalonia. Nobody remembers a time before peaches. Harvesting determines the rhythm of their rumbustious family life. When the fruit ripens, it’s all hands on deck.

Berlinale Series Market. It has grown into one of continental Europe’s biggest TV events. Following, seven takes on this year’s edition.TV Tail Wags Film DogThe Berlinale Series Market used to be a burgeoning sidebar.

It sounds like the set-up to a French New Wave film: a French au pair falls in love with an Irish pickpocket leading to a whirlwind romance that changes both their lives. It might be twee, but Joan Verra (Isabelle Huppert) lived it, and on a long, rainy, nighttime drive reflects on the intense, yet fleeting relationship of her youth.

Holly Jones Set in Costa da Caparica, Portugal, amidst the 2008 economic crisis, “Vanda” – which screened at Berlin Film Festival’s European Film Market – tells the true-to-life story of distressed hairdresser turned unlikely criminal Dulce Caroço.Our titular character, played by Gabriella Barros (“Al Berto”), is introduced as she lies on the floor, vacant-faced, smoking a cigarette. Moments later, we see her doused in disguise, a blond wig and oversized sunglasses.In this hour-long, crime-heist episodic, created by Patrícia Müller (“Madre Paula”) and directed by Simão Cayatte (“A Viagem”), Vanda goes from surviving to destitute in a matter of scenes.

Ben Croll To follow-up his 2016 debut “Marija,” Swiss filmmaker Michael Koch set his sight skyward, fixing his vision on a remote Alpine farming community both untouched and victim to time. The filmmaker immersed himself in that world, working with village locals, collecting stories and living off the land, and would then channel those experiences into his sophomore feature.Now premiering in competition in Berlin, “A Piece of Sky” follows a taciturn farmhand, Marco (Simon Wisler), and a single mother, Anna (Michèle Brand), who find strength in each other as they build a life in the punishing Alpine range.

Marta Balaga Danish helmer Lone Scherfig is already developing the second season of “The Shift”, she revealed on Monday during an online Berlinale Series Market talk “From Film to Series.”Set in a maternity ward and starring Sofie Gråbøl and Pål Sverre Hagen, it’s the first series as a showrunner for Scherfig, who in 2019 opened Berlinale with “The Kindness of Strangers” and won a Silver Bear for “Italian for Beginners.”“It’s a tribute to the people who work in the healthcare system under extreme pressure, to the care and the love they show, even despite tough working conditions,” she said. “The Shift” is produced by Creative Alliance, with Beta Film handling the sales.

Holly Jones By way of improvisation, relying heavily on events to naturally develop, Argentine filmmaker Gastón Solnicki presents a meandering ode to the city of Vienna, its customs, cultures, facades, and the near-sacrilege of enacting a smoking ban in cafes city-wide.In, “A Little Love Package,” two main protagonists become the vehicles through which the minutiae of everyday life in Vienna unfolds. Experimental aural and visual cues present themselves as Angeliki (Angeliki Papoulia) and Carmen (Carmen Chaplin) seek the perfect apartment in a city suspended in time.Produced by Little Magnet Films, out of Austria, and Solnicki’s Argentine production company, Filmy Wiktora, “A Little Love Package” is the fifth cinematic feature for Solnicki, whose entire catalog was recently acquired by MOMA.

EXCLUSIVE: Shooting upcoming Netflix pic Against The Ice was no straightforward task, as its stars and director reveal to Deadline in a first interview as a trio.

Elsa Keslassy International CorrespondentAudrey Diwan, the BAFTA-nominated filmmaker of the Venice Golden Lion-winning “Happening,” is set to make her television debut with Haut et Court TV in France, Variety has learned.Haut et Court TV is one of France’s leading production companies with credits ranging from the supernatural drama series “The Returned,” to “Panthers” with Tahar Rahim and more recently “Possession.”Diwan is currently writing the series, which will be an original story about a mother and daughter running a plastic surgery clinic. The plot is under wraps but the series will be similar to “Happening” in that it will deal with women’s relationships to their bodies.

Since her Sundance hit An Education in 2009, Denmark’s Lone Scherfig has become something of an honorary Brit, specializing in prestige adaptations of best-selling English novels (or, in the case of 2014’s The Riot Club, critically acclaimed stage plays). Surprisingly, none of these ever quite tipped in the way An Education did, and after a mixed reaction to One Day (2011), which mostly rounded on Anne Hathaway’s Yorkshire accent rather than her performance, Scherfig’s first real attempt to tap into the American market — 2019’s The Kindness Of Strangers — was an uncharacteristic misfire and pretty much vanished into the ether after opening the Berlinale that year.

John Hopewell Chief International CorrespondentAdding to its notable lineup in Latin American movies, Paris-based sales agent MPM Premium has taken international sales rights to “Fogaréu,” from writer-director Flávia Neves, part of Brazil’s new wave of female filmmakers, which is one of the most exciting developments the country’s cinema currently has going for it.MPM Premium is introducing the film at this week’s Berlin Festival, where it world premieres in Panorama on Feb. 15.First glimpsed at 2020’s Ventana Sur project market, “Fogaréu” shares a sense of attitude and a feminist agenda and a visual verve with fellow Brazilian Ventana Sur titles “The Pink Cloud,” Iuli Gerbase’s a sci-fi character-driven thriller, and “The Joy of Things,” Thais Fujinaga’s portrait of motherhood, also playing at the same market.

Demystifying and questioning the very notion of authenticity, Jason Kohn’s informative and oddly riveting, diamond-documentary “Nothing Lasts Forever” is ostensibly about the oft-antagonistic relationship between natural and synthetic diamonds. Yet, diamonds are an in-road as Kohn explores the commodification of such abstractions as love and desire, questioning how exactly a shiny rock — one that isn’t even that rare — became a physical manifestation of commitment.

Naman Ramachandran Kino Lorber has acquired U.S. rights to writer-director Ajitpal Singh’s debut feature, “Fire in the Mountains,” which premiered in the World Dramatic Competition of the Sundance Film Festival in 2021.A powerful feminist tale set in a tourist homestay in the Himalayan foothills of northern India, the film centers around a woman (Vinamrata Rai), the sole breadwinner of the household, who scrimps and saves for her son’s medical treatment, while her alcoholic husband believes that an expensive shamanic ritual is the answer to all their woes.The film is produced by Alan McAlex and Ajai Rai of prolific Indian arthouse producers Jar Pictures alongside Mauli Singh and Amit Mehta.

Violence and motherhood make for an unusual combination in Ursula Meier’s Berlin Film Festival competition title The Line (La Ligne). Set in remote present-day Switzerland, it stars actor-singer-playwright Stéphanie Blanchoud as Margaret, whose anger towards her mother Christina (Valeria Bruni Tedeschi) frequently turns physical. While she’s a grown woman, there’s something primal and childlike about Margaret’s visceral fury that suggests a disorder that’s never named.