Mads Mikkelsen says there is a “very deliberate” reason why Gellert Grindelwald’s change in appearance won’t be mentioned in “Fantastic Beasts: The Secrets Of Dumbledore”.
28.03.2022 - 01:17 / variety.com
Peter Debruge Chief Film CriticNo matter what your image of modern China, it’s nowhere near complete until you’ve seen it through New York-based, China-observing director Jessica Kingdon’s eyes. Working in the mold of photographers Lauren Greenfield (“Queen of Versailles”) and Edward Burtynsky (“Manufactured Landscapes”), the Tribeca Film Festival winner trains her camera on the impacts of China’s fast-exploding economy in the Oscar-nominated “Ascension,” leaving audiences with striking and frequently absurd scenes burned into their imaginations.
Without contextualizing what we’re seeing, the hi-def collage asks us to make sense of a society even more stratified and excessive than our own.Kingdon’s curiosity spans the class divide, from assembly lines where women prepare silicone sex dolls for demanding clients to private dining rooms where nouveau-riche elites learn how to eat a banana with fork and knife. The title, taken from a poem written by her great-grandfather Zheng Ze, refers not to the rise of China (as one might presume) so much as the many obstacles blocking upward movement in a time of rapid change.
Over a mesmerizing 95 minutes — condensed from visits to more than 50 locations around the country — the director works her way up the social ladder, while never losing sight of the laborers toiling at the bottom of this putatively communist society’s booming hyper-capitalist economy. The surreal first shot finds cleaning women balancing along the edge of a posh hotel’s rooftop pool, while a galling late scene watches an oblivious influencer complaining of possible heat stroke while ignoring the gardener working just a few yards away.“Ascension” contains no talking heads, no spoken commentary or relevant data.
.Mads Mikkelsen says there is a “very deliberate” reason why Gellert Grindelwald’s change in appearance won’t be mentioned in “Fantastic Beasts: The Secrets Of Dumbledore”.
Jude Law (Dumbledore) and Mads Mikkelsen (Grindelwald) play former lovers in Fantastic Beasts: The Secrets of Dumbledore
Fantastic Beasts: The Secrets of Dumbledore have been removed for the film’s release in China, as they allude to a gay relationship.Six seconds in the third film were cut in the forthcoming release, referring to a romantic past between Dumbledore and Grindelwald.The original cut included the lines “because I was in love with you” and “the summer Gellert and I fell in love”.The producers, Warner Bros, told Variety in a statement that they believe the “spirit of the film remains”.The studio added that they remain “committed to safeguarding the integrity of every film we release” and that that sometimes means “sensitively” making “nuanced cuts” for certain markets.“Our hope is to release our features worldwide as released by their creators but historically we have faced small edits made in local markets,” they added.“In the case of Fantastic Beasts: The Secrets of Dumbledore, a six-second cut was requested and Warner Bros accepted those changes to comply with local requirements but the spirit of the film remains intact.“We want audiences everywhere in the world to see and enjoy this film, and it’s important to us that Chinese audiences have the opportunity to experience it as well, even with these minor edits.” In a three-star review of the new film, NME wrote: “Unfortunately, there are far too many other characters involved – and most of them don’t do much that actually matters.”
Zack Sharf References to a gay relationship in “Fantastic Beasts: The Secrets of Dumbledore” were edited out of the movie by Warner Bros. for the film’s release in China. Only six seconds of the movie’s 142-minute runtime were removed.
Patrick Frater Asia Bureau ChiefThe Far East Film Festival in Italy’s Udine has set Chinese-Italian co-production “The Italian Recipe” as the opening title of a revived, largely in-person event.The film, directed by Hou Zuxin, sees an unexpected series of events bring together a Chinese reality TV show contestant and a woman already resident in Italy. The collision of personalities, connections and chemistry between stars Liu Xun and Yao Huang resemble those of “Roman Holiday,” festival organizers suggest.
Patrick Frater Asia Bureau Chief“Fantastic Beasts: The Secrets of Dumbledore” dominated the box office in China since its opening on Friday. But, with the country on high alert for COVID, the weekend’s cinema business remained close to recent lows.Data from consultancy Artisan Gateway shows “The Secrets of Dumbledore” earning RMB62.2 million ($9.7 million at current exchange rates) between Friday and Sunday. That gave it a huge 63% market share on a weekend worth just $15.5 million.In 2016, “Fantastic Beasts and Where to Find” them produced a $85.9 million total in China.
BTS.On the most recent episode of The Joe Budden Podcast, was released on April 6, the 41-year-old rapper discussed his thoughts about the K-pop boyband with co-hosts Ice, Ish and Parks Vallely, during which he said: “You can get mad at me… but I hate them BTS n***as.”When asked by his co-hosts to elaborate, Budden said: “Do I need a reason? … I hate them n****s. I don’t have to divulge my reason to you, I just hate them n****s.
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Manori Ravindran International EditorA Vice Studios documentary series on the 2014 disappearance of Malaysian flight MH370 has been sold to History Channel in the U.S. and a raft of broadcasters in Europe.Vice Distribution, the global distribution and licensing arm of Vice Media Group, pre-sold the three-part series, entitled “MH370: The Lost Flight,” into A+E Networks’ History, TV2 in Denmark and Viaplay across its European territories (Sweden, Norway, Finland, Iceland, Poland and the pan-Baltics).
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Lise Pedersen Among the filmmakers taking center stage at the Copenhagen Intl. Documentary Film Festival’s financing and co-production platform, CPH:FORUM, is China’s Jialing Zhang with her new project “The Total Trust” (a working title).Her previous doc, “One Child Nation” (pictured), which she produced and co-directed with Nanfu Wang, picked up the Grand Jury Prize in Sundance in 2019.Shot in China, “The Total Trust” explores the Chinese government’s digital social control system – the most sophisticated in the world – and the effect it is having on the population.Its producers say most of the filming is complete and they will be seeking to fill the €350,000 ($385,000) funding gap out of the film’s total budget of €1 million ($1.1 million) at CPH:FORUM.
Patrick Frater Asia Bureau ChiefColumbia Pictures’ 2021 horror-thriller “Escape Room: Tournament of Champions” has been given official approval to release in cinemas in mainland China. It will launch on Saturday April 2, 2022.Directed by Adam Robitel, it is the sequel to the psychological thriller “Escape Room” that terrified audiences around the world in 2019. In the new installment, six people unwittingly find themselves locked in another series of escape rooms, slowly uncovering what they have in common to survive.The film was released in many international markets and in North America in July last year.
After not airing the 2021 Oscar ceremony, China is believed to be sitting out this weekend’s event as well. The motivations behind last year’s move were understood to be related to specific films and filmmakers, and while China released fewer Hollywood movies than usual in 2021, the reasoning behind a decision to not to show the Oscars this year is somewhat unclear.