Ariel Rotter, Benito Zambrano, Kike Maillo Grace Málaga’s Out of Competition Strand

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Holly Jones Simmering inner turmoil, regret and a relationship on the mend feature as themes in “Little Loves” (“Los Pequeños Amores”), Spanish filmmaker Celia Rico‘s anticipated second feature, which premiered in competition this week at the Málaga Film Festival. Rico’s 2018 feature debut, “Journey to a Mother’s Room,” won the Youth Jury Award at San Sebastian Film Festival, and received a Special Mention in the New Directors competition.

Charlotte Casiraghi and Penélope Cruz were among the fashionable guests at the Chanel fall-winter 2024/25 ready-to-wear show in Paris. Princess Caroline’s 37-year-old daughter sat in the front row, along with the Spanish actress and Riley Keough.

Holly Jones Berlin-winning Argentine helmer Ariel Rotter (“Incident Light,” “The Others”) debuts his latest feature “A Blue Bird” (“Un Pájaro Azul”) to Spanish audiences in Málaga this week, the film screening in a particularly robust out-of-competition 19 title lineup that include Benito Zembrano’s “Jumping the Fence” and Morena Films-backed “Puntos Suspensivos,” from David Marqués. Produced by Argentina’s Tarea Fina, behind “Sublime” and Cannes Camera d’Or winner “Las Acacias,” alongside Uruguay’s Montelona Cine (“Nunchaku”), the film follows Javier (Alfonso Tort) and his partner Valeria (Julieta Zylberberg), as they navigate their exhausting six-year battle to conceive a child. Scenes sit still, sometimes in silence between the pair as they embrace, breathe, sigh, indicative of the love poured into their struggle.

Film Constellation, transports us to the 9th century where Emma, a newly appointed abbess, is tasked with the formidable challenge of repopulating and revitalizing frontier lands on the edge of Muslim territorie,s at the bequest of her powerful family. The film was set up at Chavarrias’ Barcelona-based Oberon Cinematográfica with Wanda Visión, Icono 2020 AIE, and Saga Film. At the story’s center is Daniela Brown’s (“Días Mejores,”) portrayal of Emma, a young abbess whose divine conviction is matched only by her unyielding resolve.

Holly Jones A myriad of sentiments converge when estranged siblings meet to unpack the weight of their father’s recent death in Spain’s Álex Montoya’s third feature “La Casa,” adapted from the Eisner-winning graphic novel by Paco Roca and sold by Latido Films. The film, which bowed last night, figures in the official competition selection at this year’s Málaga Film Festival, his project “Lucas” having previously swept the fest’s Zonazine sidebar in 2020 – snagging best film, actor (Jorge Motos) and Audience Award plaudits. Written by Montoya and Joana M.

John Hopewell Chief International Correspondent MALAGA — Opening last Friday with “Dragonkeeper,” also in competition, Spain’s Malaga Festival, its biggest dedicated event for movies from Spain and Latin America, is studded by latest films by Isaki Lacuesta – “Saturn Return,” reportedly fun, broad audience and radical – David Trueba – “The Good Man,” small scale but almost certainly ingratiating – and Antonio Chavarrías’ “Holy Mother,” about an extraordinary real life female figure in Spain’s 9th century Reconquista. Also in the running is “Rest in Peace,” from notable Argentine writer-director Sebastián Borensztein (“Chinese Takeaway”).

Ed Meza @edmezavar Filmax has acquired international rights to Spanish thriller “Nina,” the new feature written and directed by Andrea Jaurrieta (“Ana by Day”) that bows at this week’s Málaga Film Festival as one of its higher profile titles in main competition. Loosely based on the play of the same name by José Ramón Fernández, which borrows elements of Anton Chekhov’s “The Seagull,” “Nina” tells the story of a woman, an actress, who returns to her home town on Spain’s rugged northern coast seeking to take revenge on a celebrated writer.

Leo Barraclough International Features Editor Following its world premiere in the competition section of the Berlin Film Festival, Beta Cinema has revealed first sales across Europe and to Australia and New Zealand for Andreas Dresen’s “From Hilde, With Love.” The drama about anti-Nazi activists in Berlin, which is led by “Babylon Berlin’s” Liv Lisa Fries and introduces Johannes Hegemann in his first big screen appearance, will be released in France by Haut et Court, in Italy by Teodora and throughout Scandinavia by Angel Films. Beta Cinema also closed deals for Benelux (September Film), Portugal (Outsider), former Yugoslavia (Discovery), Hungary (Cirko) and Czech Republic (Film Europe). Palace Film picked up the film for Australia and New Zealand.

La Liga boss Javier Tebas has stated that he "doesn't care" about Mason Greenwood's past and wants the Manchester United forward to remain in Spain beyond this season.

EXCLUSIVE: Buoyed by the overperformance of music-driven films Bob Marley: One Love and Mean Girls, Paramount Pictures has slotted Better Man for an exclusive qualifying release on December 25, followed by a wide theatrical release on January 17 in the heat of awards season. The film is an original musical by The Greatest Showman director Michael Gracey, based on the life and music of singer Robbie Williams.

John Hopewell Chief International Correspondent Underscoring the enduring popularity of crime drama, Abacus Media Rights (AMR), an Amcomri Entertainment company, has announced a slew of sales on two titles, led by Showmax Original “Catch Me a Killer,” a true crime drama with “Game of Thrones’” Charlotte Hope playing South Africa’s first and most famous serial killer profiler. Hope also headed “The Spanish Princess,” as Catherine of Aragon. AMR has moreover closed further deals on fiction drama “Scrublands,” a scripted drama about the real reasons for a country town massacre.

Leo Barraclough International Features Editor The Match Factory has revealed multiple distribution deals for two Berlinale competition titles: German director Matthias Glasner‘s “Dying,” which won the festival’s Silver Bear for best screenplay, and Russian director Victor Kossakovsky‘s documentary “Architecton.” “Dying,” which stars Lars Eidinger, Lilith Stangenberg and Corinna Harfouch, also picked up the Guild of German Arthouse Cinemas and the Berliner Morgenpost Readers’ Jury Award. Variety‘s review describes the film as “a profoundly affecting exploration of life and loss.” The Match Factory closed deals for the film in France (Bodega Film), Italy (Satine Film), Benelux (September Film Distribution), Norway (Selmer Media), Poland (Aurora), CIS (Provzglyad), Ex-Yugoslavia (MCF MegaCom Film), Hungary (Cirko Films), Greece (Cinobo), Romania (Freealize), Taiwan (Andrews Film) and South Korea (Pancinema).

The Match Factory has locked multi-territory deals on Berlinale titles Architecton by Victor Kossakovsky and Dying by Matthias Glasner, which picked up the festival’s Silver Bear for Best Screenplay.

Christopher Vourlias Following on the heels of a successful post-pandemic reboot one year ago, the Joburg Film Festival kicks off its sixth edition on Feb. 27, with the glitzy capital of South Africa’s media and entertainment industry showcasing a selection of top talents from the host country and across the African continent.

Alex Ritman “La Cocina,” the Rooney Mara-starring drama that recently bowed in competition at the Berlinale, has been acquired for most international territories. HanWay Films has closed sales for France (Originals Factory), Australia and New Zealand (Vendetta), Spain (Avalon), Italy (Teodora Film), Benelux (Cherry Pickers), Switzerland (Filmcoopi), Scandinavia (Mis.

With his debut feature Last Swim, an ambitious and quietly radical portrait of young life in London, Sasha Nathwani has achieved one of the most difficult tasks for a new filmmaker: cutting through with a festival audience. 

Ellise Shafer Amanda Seyfried reflected on being cast as a mother at the Berlin Film Festival press conference for her new film “Seven Veils,” saying that “it seems like once I popped out a baby, I was just playing mothers.” However, the mom of two does feel the roles she’s been given have “become way richer.” In “Seven Veils,” Seyfried plays Jeanine, a theater director who is forced to deal with repressed trauma as she prepares a production of the opera “Salome.” When asked if she related to the character, Seyfried said she sympathized with Jeanine’s struggles as a mother. “In my career, it’s still a bit new to play a mother.