Spain’s Álex Montoya Talks Málaga Competition Title ‘La Casa’: Adapted From Paco Roca’s Eisner-Winning Graphic Novel

EXCLUSIVE: Warner Bros is finalizing a deal to preemptively acquire The Bet, a hot spec from Spanish screenwriter Javier Gullón (Enemy), according to multiple sources.

ABC brought two reality TV show universes together as American Idol saw a former star of The Bachelor during the last episode of the auditions round.

Holly Jones Premiering in January to a Sundance Dramatic World Cinema Grand Jury Prize, “Sujo” from “Identifying Features” filmmakers Astrid Rondero and Fernanda Valadez has expanded its global reach, closing multiple distribution deals forged by Paris-based Alpha Violet, who heads international distribution. Paris-based Damned Films has picked up the title for France while Twelve Oaks Pictures, Trigon Films, Cinobo and MCF Megacom have swooped on the film for Spain, Switzerland, Greece and Cyprus and Ex-Yugoslavia territories respectively, with Auckland’s Vendetta Films securing rights to the title for the Australia and New Zealand markets.

Emiliano De Pablos Five upcoming Spanish TV fiction projects, involving top local production and distribution companies, feature in Coming Next from Spain, a showcase of series unspooling March 19 at Series Mania. Atresmedia TV’s “Sanctuary,” Movistar+ Plus’ “Fine Arts,” Filmax‘s “Dating in Barcelona” Season 2, The Good Mood-Mediawan’s “The Other Life” and Onza Distribution‘s “Heartless” will be presented at the event, proving once more that Spanish fiction production is in good health.

Liverpool attacking trio Luis Diaz, Darwin Nunez and Cody Gakpo are the latest injury worries after their 4-3 defeat to Manchester United dented their quadruple hopes.

UK holidaymakers in tourist hotspots such as Majorca, Malaga and Tenerife have been warned to "get out" as a crackdown sparks protests across Spain.

Veteran producer and sales agent Rosa Bosch has joined the Madrid-based distributor and international sales agency Begin Again Films. Bosch will serve as part of the company’s international department. 

Saturn Return” (“Second Prize”), always a frontrunner, topped this week’s Malaga Festival winning its best picture, director (with co-director Pol Rodríguez) and editing (Javi Frutos) awards. The triple plaudit delivers further recognition for a feature which pulls off the double achievement of being formally radical and great fun at one and the same time.

Malaga Film Festival‘s MAFIZ-Spanish Screenings Content industry section, in its third edition once again put the spotlight on Spain’s impressive cinematic output, presenting a total of 222 Spanish productions. They included four market premieres, four titles in the fest’s official selection, 21 that have sold internationally as remakes, 38 in market screenings and 11 works in progress, of which five were presented in the Animation Hub. In addition, 65 shorts screened as part of the Malaga Short Center — an eclectic selection of works from established and up-and-coming filmmakers that are set to make their mark on Spain’s already muscular film sector.

John Hopewell Chief International Correspondent “Los caminantes de la calle,” directed by Argentina’s Juan Martín Hsu, Chilean Ignacio Pávez’s docu-fiction drama “An Amputee” and Uruguayan Lorenzo Tocco’s “For God’s Sake” proved the biggest winners at the Malaga Festival’s MAFIZ industry area awards, announced at a ceremony on Friday night. Covering Malaga’s Work in Progress showcase, its Málaga Festival Fund Co-Production forum (MAFF) and the Spanish Screenings Content – Málaga Short Corner, prizes were divvied up among a slew of titles, with ‘Sometimes,’ by Sara Fantova and Enrique Buleo’s ‘Still Life With Ghosts,’ both scoring multiple awards. From his first feature, 2015’s “La Salada,” a patchwork narrative tale of immigrants’ lives, dreams and suffering in Argentina, to 2021’s “La Luna Reprenta Mi Corazon,” a docu feature record of the rencounter with his mother in Taiwan, Hsu has carved out a niche depicting the immigrant experience in Argentina.

Holly Jones Simmering inner turmoil, regret and a relationship on the mend feature as themes in “Little Loves” (“Los Pequeños Amores”), Spanish filmmaker Celia Rico‘s anticipated second feature, which premiered in competition this week at the Málaga Film Festival. Rico’s 2018 feature debut, “Journey to a Mother’s Room,” won the Youth Jury Award at San Sebastian Film Festival, and received a Special Mention in the New Directors competition.

Nothing beats the exciting feeling of booking a holiday, especially after the cold and dreary winter we've had here in Scotland.

Emiliano De Pablos Sideral, the Madrid-based integrated production-distribution-sales label, has acquired Spanish distribution rights to Enrique Buleo’s black comedy film “Bodegón con fantasmas” (“Still Life with Ghosts”), one of the six films playing at Málaga’s WIP España sidebar. Buleo’s first feature, “Still Life with Ghosts” has been produced by Alejandra Mora at Valencia’s Quatre Films (“Tehran Blues,” “An Elephant on a Spider Web”) and Juan Cavestany’s Cuidado con el Perro, the production house behind Movistar Plus’ series “Sentimos las molestias” and feature “Un efecto óptico.” “Still Life with Ghosts” narrates with absurdist humor and magical realism five different intertwined stories about ghosts and living inhabitants in a small town in Spain’s Castilla-La Mancha region.

Film Constellation, transports us to the 9th century where Emma, a newly appointed abbess, is tasked with the formidable challenge of repopulating and revitalizing frontier lands on the edge of Muslim territorie,s at the bequest of her powerful family. The film was set up at Chavarrias’ Barcelona-based Oberon Cinematográfica with Wanda Visión, Icono 2020 AIE, and Saga Film. At the story’s center is Daniela Brown’s (“Días Mejores,”) portrayal of Emma, a young abbess whose divine conviction is matched only by her unyielding resolve.

Emiliano De Pablos Madrid-based Begin Again Films has picked up Spanish distribution and international sales rights to Juan Gautier’s psychological thriller “El aspirante” (“The Aspirant”), about initiation into a masculine universe revolving around hazing of a university residence. “El aspirante” plays at this year’s Málaga Work in Progress’ WIP España sidebar, an industry centerpiece at the Málaga Film Festival, now in its 27th edition. The film toplines Jorge Motos, star of 2021’s “Lucas,” a film which earned him a Málaga Silver Biznaga for best actor and a Goya best new actor nomination; Lucas Nabor (“All the Names of God”), Eduardo Rosa (“La casa de las flores”) and Catalina Sopelana (“Sky Rojo”) complete the main cast.

Callum McLennan Featuring famed directors such as Argentina’s Ariel Rotter and Spain’s Benito Zambrano, who have not only played but won at Berlin and San Sebastian respectively, Malaga’s 19-pic out of competition strand is a testament to the buyer-driven pulling power of Malaga , thanks to its significant market. Multiple other name auteurs pack out the selection, which also includes a far stronger line is broad audience comedies than most festivals would risk.

John Hopewell Chief International Correspondent MALAGA — Opening last Friday with “Dragonkeeper,” also in competition, Spain’s Malaga Festival, its biggest dedicated event for movies from Spain and Latin America, is studded by latest films by Isaki Lacuesta – “Saturn Return,” reportedly fun, broad audience and radical – David Trueba – “The Good Man,” small scale but almost certainly ingratiating – and Antonio Chavarrías’ “Holy Mother,” about an extraordinary real life female figure in Spain’s 9th century Reconquista. Also in the running is “Rest in Peace,” from notable Argentine writer-director Sebastián Borensztein (“Chinese Takeaway”).

Ed Meza @edmezavar Filmax has acquired international rights to Spanish thriller “Nina,” the new feature written and directed by Andrea Jaurrieta (“Ana by Day”) that bows at this week’s Málaga Film Festival as one of its higher profile titles in main competition. Loosely based on the play of the same name by José Ramón Fernández, which borrows elements of Anton Chekhov’s “The Seagull,” “Nina” tells the story of a woman, an actress, who returns to her home town on Spain’s rugged northern coast seeking to take revenge on a celebrated writer.

Anna Marie de la Fuente The #MeToo movement has claimed another casualty. Spain’s Málaga Film Festival, unspooling March 1-10, has canceled the participation of U.S.-born director Julio Hernandez Cordon’s vampire drama “The Day is Long and Dark” (“El día es largo y oscuro”) at the festival, citing “complaints regarding acts of gender violence.” In a press release issued on Feb.

John Hopewell Chief International Correspondent MALAGA — Antonio Chavarrías’ “Holy Mother,” Celia Rico’s “Little Loves” and Diogo Viegas’s “Alice’s Diary” play at this year’s 3rd Spanish Screenings Content, the Malaga Festival’s part of the Spanish Screenings XXL, Spain’s biggest international industry platform in its history, featuring over March 4-7 and – when it comes to Málaga – the monumental number of 222 titles. In production volume, Spain has never had it so good.